Bestial Holocaust (Bolivia): Into the Goat Vulva (Iron Bonehead Productions)
People who swear by South American bulletbelt
and leather-spikes-chains metal can point to Bestial Holocaust to demonstrate. The
pentagram-evil-goat-inverted-cross and vomit-snarl-black deathrash raw war
metal hits the mark of the fine and distinct tradition of metal that Bestial
Holocaust represents.
So, then, what does
motivate Bestial Holocaust to come up with those sharp-blade black thrashing
riffs, that savage blasting and those growl-snarls? Most likely, it is the
sounds of early, classic Venom, Bathory, Sodom, Destruction, Sepultura and
perhaps no band standing in highest regard than Sarcófago and their classic
album “INRI.”
Bestial Holocaust sounds
like a band that thinks that Sodom’s best work was their first EP, “In the Sign
of Evil”; that Sepultura’s most inspired work was the fury of their first EP
“Bestial Devastation”; that Destruction’s best was their first EP “Sentence of
Death,” so and so forth. Actually, once you hear this, how can you argue with
Bestial Holocaust?
The Possessed-obsessed
soul known as Sonia Sepulcral scowls, howls, growls and snarls, grunts and
screams (and I think I hear pig-squeals, too) thereby assembling an arsenal of
vocals that bring to mind Tom G. Warrior, Schmier, Quorthon, Cronos, Jeff
Becerra, Angelripper and lots of Wagner Antichrist.
I could
go on and on, but I need to finish this review now. Zine number 33 is ready to
print and I have to stop somewhere.
To sum up: Is this music made by
Sarcófago fanatics for Sarcófago fanatics? Is this something you would enjoy if
you like black thrash deathrash war metal? Is Bestial Holocaust perfect? Yes, to
all that. www.ironbonehead.de
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