Ignescent - "Chariot Of Fire (feat. Clint Lowery of Sevendust)" - Official Video

From the new album "Eternal", out March 20, 2026.

I cannot confirm this for a fact, but it looks like this song is based on or is a reference to or takes inspiration from the story from the Bible: In the biblical account from 2 Kings 2, the prophet Elijah is taken into heaven by a chariot of fire and a whirlwind while his successor, Elisha, observes. It would seem that this imagery serves as the foundation for the song "Chariots of Fire," which focuses on themes of faith and perseverance. The music video features the band performing in a dark setting, using lighting effects to visually represent the fire mentioned in the lyrics. While the original text describes a physical ascent and a transfer of prophetic authority, the song and video adapt these elements to represent an internal struggle for strength. This song is a collaboration between Ignescent and Clint Lowery from Sevendust.

"Chariot Of Fire" Lyrics:

In the morning, and when the sun sets, I ponder memories

Through the battles and the sorrows you'll always be with me

As my heart begins to break all that's left is silence

You deliver me

God of Elijah

set the sky's ablaze

in the storms of night

igniting the flame

God of Elijah

my one desire

send your chariot of fire

You are God with us

Through the trials and through the tears

I will always survive

Chains of the past

They can't hold me

You keep my soul alive

As my heart begins to break all that's left is silence

You deliver me

God of Elijah

set the sky ablaze

in the storms of night

igniting the flame

God of Elijah

my one desire

send your chariot of fire

God of Elijah

set the sky's ablaze

in the storms of night

igniting the flame

God of Elijah

my one desire

send your chariot of fire

You are God with us

God of Elijah

oh God with us

God of Elijah

oh God with us

God of Elijah

You light my life and you rescue me

God of Elijah

set the sky's ablaze

in the storms of night

igniting the flame

God of Elijah

my one desire

send your chariot of fire

God of Elijah

set the sky's ablaze

in the storms of night

igniting the flame

God of Elijah

my one desire

send your chariot of fire

You are God with us

Written by Jennifer Benson and Clint Lowery

Produced, mixed and mastered by Jeremy Valentyne and Brandon Wolfe

“Eternal” Tracklist:

1. Joker

2. Scream

3. Fight For Me

4. Fearless

5. Shame Shadow

6. Our Love Dies

7. Light Up The Night

8. In The Dark

9. Chariot Of Fire

10. Eternal

Line Up:

Jennifer Benson – lead vocals

Andre Leon - guitars

Mikey Green – bass guitar

Kohl Coryell - drums

Ignescent - "Chariot Of Fire (feat. Clint Lowery of Sevendust)" - Official Video

https://www.facebook.com/ignescentmusic

Metal Church "Brainwash Game" Official Video

Metal Church "Brainwash Game" Official Video from their new album "Dead to Rights" out on April 10, 2026.

Kurdt Vanderhoof: Guitars

Rick Van Zandt: Guitars

David Ellefson: Bass

Ken Mary: Drums

Brian Allen: Vox

Metal Church "Brainwash Game" Official Video

https://www.facebook.com/OfficialMetalChurch

CEMETERY SKYLINE - I Drove All Night (OFFICIAL VIDEO)

Cemetery Skyline is a Finnish-Swedish gothic rock/metal group that formed in 2024 with a lineup featuring Mikael Stanne (Dark Tranquillity), Markus Vanhala (Insomnium, Omnium Gatherum), Santeri Kallio (Amorphis), Victor Brandt (Dimmu Borgir), and Vesa Ranta (Sentenced). The band made its live debut at the John Smith Festival in Finland and released the debut album, Nordic Gothic, in October 2024 through Century Media Records. Leading up to the release, they put out videos for the tracks "Violent Storm," "The Coldest Heart," "Torn Away," and "In Darkness," eventually seeing the album debut at number 3 on the Finnish album chart and reaching number 1 on the physical album chart. The band’s melodic style is influenced by acts like Type O Negative, The Mission, The Sisters of Mercy, and Killing Joke, drawing reviewer comparisons to Tiamat and HIM. Notably, Mikael Stanne uses only clean vocals for this project, moving away from the growling style used in his other bands.

Mikael Stanne - Vocals

Markus Vanhala - Guitars

Santeri Kallio - Keyboards

Victor Brandt - Bass

Vesa Ranta - Drums

CEMETERY SKYLINE - I Drove All Night (OFFICIAL VIDEO)

https://www.facebook.com/cemeteryskylineofficial

CEMETERY SKYLINE - Torn Away (OFFICIAL VIDEO)

Cemetery Skyline is a Finnish-Swedish gothic rock/metal group that formed in 2024 with a lineup featuring Mikael Stanne (Dark Tranquillity), Markus Vanhala (Insomnium, Omnium Gatherum), Santeri Kallio (Amorphis), Victor Brandt (Dimmu Borgir), and Vesa Ranta (Sentenced). The band made its live debut at the John Smith Festival in Finland and released the debut album, Nordic Gothic, in October 2024 through Century Media Records. Leading up to the release, they put out videos for the tracks "Violent Storm," "The Coldest Heart," "Torn Away," and "In Darkness," eventually seeing the album debut at number 3 on the Finnish album chart and reaching number 1 on the physical album chart. The band’s melodic style is influenced by acts like Type O Negative, The Mission, The Sisters of Mercy, and Killing Joke, drawing reviewer comparisons to Tiamat and HIM. Notably, Mikael Stanne uses only clean vocals for this project, moving away from the growling style used in his other bands.

CEMETERY SKYLINE - Torn Away (OFFICIAL VIDEO)

Taken from the album "Nordic Gothic", released on October 11th, 2024.

Mikael Stanne - Vocals

Markus Vanhala - Guitars

Santeri Kallio - Keyboards

Victor Brandt - Bass

Vesa Ranta - Drums

CEMETERY SKYLINE - Torn Away (OFFICIAL VIDEO)

https://www.facebook.com/cemeteryskylineofficial

CEMETERY SKYLINE - In Darkness (OFFICIAL VIDEO)

If you are looking for some melodic, uptempo, catchy songwriting, you may be interested in Cemetery Skyline featuring the melodic singing of Mikael Stanne from Dark Tranquillity. For me, it is a unique change of pace to hear a legendary melodic death vocalist embrace such a different and a very pleasant and melancholic singing style 100 percent.

Mikael Stanne - Vocals

Markus Vanhala - Guitars

Santeri Kallio - Keyboards

Victor Brandt - Bass

Vesa Ranta - Drums

CEMETERY SKYLINE - In Darkness (OFFICIAL VIDEO)

https://www.facebook.com/cemeteryskylineofficial

in memory of Control Denied singer Tim Aymar (1963-2023)

Tim Aymar: September 4, 1963 – February 14, 2023

Like many metal fans, I first heard Tim Aymar through The Fragile Art of Existence (1999), the debut album by Control Denied. The band was led by Chuck Schuldiner, the mastermind behind Death. Years before Control Denied, Chuck had become frustrated by the musical limitations attached to his name and previous work; he wanted to move on and do something different.

Chuck had reached a point where he felt Death's instrumental tracks were excellent, but when only the vocals remained, he would famously say, "Alright, let's go ruin it." By that, he meant he felt the growling and screaming took away from the melodic complexity of the music.

Enter Tim Aymar.

Tim was the solution to Chuck’s problem: he wanted a real, professional, serious singer to complement his compositions. The result was Control Denied. With Tim on board, Chuck felt there was no longer a weak link; every component was finally top-notch.

Admittedly, I only discovered Tim through Control Denied and his later work with the great band Pharaoh, but there was much more to him than those two projects. Tim Aymar was a legend in the Pennsylvania underground, known for his incredible vocals in bands like 313 and Triple X. According to Metal Archives, Tim’s extensive career included work with: Control Denied, 313, Pharaoh, Xthirt13n, Psycho Scream, Angband, Helios, Vicious Cycle, Act of God, Aladdinsane, Axis, Aymargeddon, Dr. No, Jet Screamer, Overlord, ReCoiL, Running with Scissors, and Triple X.

In my opinion, the 1999 Control Denied album, The Fragile Art of Existence, remains an excellent illustration of progressive technical metal. Sadly, the project effectively ended on December 13, 2001, with Chuck’s passing. Following his time in Control Denied, Tim focused on the Pennsylvania power metal band Pharaoh. Joining them in the late '90s, Tim recorded five albums and one EP with the group. I consider Pharaoh a top-tier band and highly recommend them to any fan who enjoys a mix of traditional, power, and progressive heavy metal.

One last word about the Control Denied album: be aware that it is not a typical heavy metal album because it is something new. The album is a solution to the problem of generic, low-skill cookie-monster growling that plagues extreme metal. Be aware that some people do not think the music and the vocals are a good fit. They think that because they really want Chuck to be screaming along to the music, but that was Chuck's whole point: he felt that growling would ruin the music.

He had been growling for two decades and did not want to scream about zombies and gore any longer; he wasn't an immature, 12-year-old Venom-crazy fan anymore. The album doesn't sound like typical heavy metal nor typical extreme metal because Chuck was hearing something else in his head—a new music. Tim was not some second-tier bar vocalist; he was Chuck's choice to bring to life the singing that he was hearing in his head. To this day, the album does sound different. However, it's all on purpose.

Below you will find the Blabbermouth article about Tim.

CONTROL DENIED And PHARAOH Vocalist TIM AYMAR Dead At 59 February 15, 2023

CONTROL DENIED and PHARAOH vocalist Tim Aymar has died at the age of 59.

Tim's passing was confirmed by his PHARAOH bandmates in a social media post. They wrote: "We are very sorry to share the awful news of the passing of PHARAOH's one and only singer, Tim Aymar.

"Tim has meant so much to so many people, whose hearts are suddenly flooded with sadness but also memories of his life and music. We look forward to sharing some of our own memories when the right time has come. Until then, we are joined in sorrow and gratitude with all of Tim's family, friends, fans, and fellow musicians."

Aymar is perhaps best known as the vocalist for Chuck Schuldiner's CONTROL DENIED project, which released one album, "The Fragile Art Of Existence", in 1999. Tim also sang for 313, TRIPLE X, PSYCHO SCREAM and the aforementioned PHARAOH, which formed in 1997 in Pennsylvania.

TRIPLE X won the In Pittsburgh Music Awards for "Best Metal Band" in 1990, and was the first regional band to be awarded a national sponsorship, from Anheuser-Busch/Budweiser Anheuser-Busch. Tim was also voted "Vocalist Of The Year" in readers polls of many of the Pittsburgh tri-state area's rock and entertainment publications.

In a 2021 interview with TrueMetal, Tim stated about how he landed the CONTROL DENIED gig: "It was actually Jim Dofka who hooked me and Chuck up. Chuck asked to 'borrow' me for CONTROL DENIED and Jim knew it would boost my career, so he was all for it. Chuck called me, and we hit it off. He invited me to his place in Florida to record three songs as an audition. Obviously, it went well."

Regarding his memories of the making of "The Fragile Art Of Existence", Tim said: "We all had a great time working with [producer] Jim Morris and each other. Then Chuck told me he was having severe headaches and couldn't sleep because of it. He was also experiencing partial paralysis in his left hand which scared the dickens out of him. I recommended a chiropractor since I have neck and back injuries that were being treated by one. As it turned out, well, we know the end of that story."

Schuldiner passed away on December 13, 2001 after a battle with pontine glioma, a rare type of brain tumor. He was 34 years old.

CONTROL DENIED - Expect The Unexpected (Official Remastered Audio)

Pharaoh - Be Gone

PHARAOH - Lost in the Waves

in memory of Roger Patterson(Atheist)-November 29, 1968-February 12, 1991

It is daunting to realize that Roger Patterson was only 22 years old when he died during that 1991 tour. At the time, Atheist was opening for Candlemass, who were in their prime with the legendary Messiah Marcolin on vocals. Both bands delivered incredible performances in Houston, Texas, yet the turnout was shockingly low; there were literally no more than five people watching Atheist, and perhaps 20 to 30 at most for Candlemass. It is shameful that so few people showed up to witness classic, prime-era Candlemass and the pioneering technical death metal of Atheist.

The internet says that the bands played in Houston on January 31, 1991, at the After Dark Club. This tour was notoriously poorly attended, and Atheist has since documented that many death metal fans at the time did not react well to their music. It was simply too complicated for a scene that, in some circles, like some Cannibal Corpse fans, was openly hostile toward them. While some fans wanted simple songs about zombies, Atheist offered thoughtful lyrics and complex, technical compositions that went over the heads of many.

The history of their debut is complicated. According to Metal Archives, although Piece of Time was recorded in 1988, it faced nearly two years of delays due to label politics. After their initial label, Mean Machine, went bankrupt, the band had to search for a new home. Active Records eventually signed them and released the album in Europe in 1990, but it took another six months for Metal Blade Records to arrange a licensing deal and officially release it in the United States in November 1990.

Atheist was years ahead of their time, and on their debut, Piece of Time, Roger’s talent shines. The album may have required a few listens to fully grasp back then. Tragically, Roger died in a tour van accident in 1991 just as the band was preparing to record their masterpiece, Unquestionable Presence. Although he never laid down the final studio tracks, sources say that he had already written and demoed his bass lines. When Tony Choy stepped in to record the album, his performance was essentially a tribute to Roger.

Excerpt from: Official Biography (April 2000) by Laurent Ramadier (editor of the excellent Snakepit Magazine)

Back in the mid eighties Florida started to be one of the most productive area in the whole world as far as quality Heavy/ Thrash/ Death Metal bands are concerned, even if that state of things have somewhat changed during the last six years or so since the scene mainly died as it got overcrowded. And like in every genre of music, there are leaders and there are followers, ATHEIST comes from the first category.

The first incarnation of the band came out under the name of OBLIVION in 1984 and was formed in Sarasota by Kelly Shaefer as guitarist and a drummer named Mark who was soon replaced by Steve Flynn who shared Kelly's musical tastes. They started writing originals such as "State Of Oblivion" at a time that they were starting to learn playing their instruments. By early 1985 they had changed their moniker for R.A.V.A.G.E. (Raging Atheists Vowing A Gory End) and recruited a singer named Scrappy. With that line up they were playing more originals such as "Undefiled Wisdom" or "On They Slay" but also covers from ANTHRAX, EXODUS, TROUBLE, SLAYER... A while later at a local show they jammed with Roger Patterson, a prodigy who was playing bass in the Bradenton based band Thrash act AGGRESSOR and it didn't take long to him to join R.A.V.A.G.E.! At the same time they dropped Scrappy who was too melodic and Kelly took over on vocals. They started it all over again as a three piece act working on more originals and playing local shows with local acts such as B.P., NASTY SAVAGE, HAVOC.....

In August 1985 they entered Progressive Studios in Tampa to record one song "Kill Or Be Killed" which was added to four other songs that were recorded live on a mixing desk due to a lack of money and that became the "Rotting In Hell" demo. Despite the rough sound, the tape did quite a bit to establish the band's name in the underground via the tape trading and fanzine network. In November 1986 they added a second guitarist, Mark Sczawtsberg. One month later they recorded their first real studio effort, the "On They Slay" demo, this three song affair was a much superior effort to its predecessor. This tape was very well received by the underground, receiving excellent reviews from magazines and fanzines such as Total Thrash, Kerrang, Nightmare and from the mighty Violent Noize whose editor was the long time underground Metal specialist, Borivoj Krgin. This guy was so impressed by this new effort that he offered them to appear on a compilation called "Raging Death" issued by a newly formed label, Godly Records and also became their manager.

Before the compilation was issued, Mark left the band because the other guys were not so happy with his lead work and was replaced for like two days by a guy named Gary, just enough time for the guy to appear on the shot of the "Raging Death" compilation which featured also future heroes such as XECUTIONER (pre- OBITUARY) and SADUS.

"Raging Death" was issued mid 1987 and included the tracks "Brain Damage" and "On They Slay" from R.A.V.A.GE., needless to say that it was a total success for the band despite the limited availability of the record.

It was also the first and last time they appeared on a record under the R.A.V.A.G.E. moniker as they decided to change it for ATHEIST because they didn't want to be confused with another Illinois based band with almost the same name and they also thought ATHEIST fitted much better their vision.

Armed with a brand new name, the still three piece act recorded a third effort entitled "Hell Halth No Mercy", another three song affair which featured a new version of "On They Slay", much faster and heavier. But the band wasn't happy at all by the sound of that new effort so they never made it available to the public (even if it still made to tape trading lists!). At the same time the band did some local shows as a three piece playing with acts such as XECUTIONER, NASTY SAVAGE...

Early 1988 they finally recruited Rand Burkey as second guitar player who was running sound for them previously. In April 1988 with a bunch of new songs written, ATHEIST entered Morrisound Studios to record their fourth demo tape entitled "Beyond". Without any doubt, this five song affair was their most successful effort since it received rave reviews throughout Europe and the USA in mags like BLACKTHORN, NO GLAM FAGS, T. THRASH and METAL FORCES where it was voted by the readers as best demo and best band in 1990! Needless to add that the tape was a hit in the tape trading circles.

The band didn't stop here as they opened several shows for TESTAMENT, VIOLENCE, DEATH and DEATH ANGEL (replacing RIGOR MORTIS at the last minute). Then after several months of negotiations, ATHEIST finalized a deal with Mean Machine Records (a subsidiary label of Three Cherries Records) since Borivoj worked for that new label. The band entered in November 1988 Morrisound Studios with the help of Scott Burns as producer (previously known for his work with SEPULTURA, DEATH, WHIPLASH, XECUTIONER..) to record their first album "Piece Of Time". Unfortunately it appeared a brief while after that it would go nowhere as the label was going bankrupt so the band had no other way than looking for a new deal. So during 1989 both Roadracer and Active Records showed interest in the band, and ATHEIST signed a deal with the U.K. based label, Active Records (fronted by Metal Forces scribes) with the hope that "Piece Of Time" would be issued worldwide in a short period of time at a moment when more and more Florida Death/ Thrash Metal acts were putting their mark on the scene. Unfortunately the album was only released in Europe in early 1990 and more than six months later in The States after being licensed by Metal Blade Records. It went as far as the band had almost all the material ready for their second album (and they even performed some of it on a regular basis) while their first album wasn't yet issued!

During 1990 the band had the opportunity to play relatively big local shows with acts such as NAPALM DEATH (who played their first show ever in the States!), MORBID ANGEL, OBITUARY, FORBIDDEN, DEATH ANGEL, EXODUS and even headlined for the first time the Tampa Bay Metal Awards on September 1st 1990 followed three weeks later by another headlining gig, this time at the Day Of Death festival in Waukesha, Wisconsin where about 25 other bands appeared such as HELLWITCH, OBLIVEON, CYNIC, IMMOLATION, REVENANT... a real success for the band (which was only the second time they left the state of Florida to play a gig, the first was in Louisiana) despite the poor turnout for such a festival. But for those who followed the band for a long time, it was easy to see that ATHEIST were developing at a fast pace into something totally unique as it could be heard on songs such as "I Deny", "Piece Of Time" and newer stuff such as "Unquestionable Presence", "Enthralled In Essence" or "The Formative Years" that the band had included in their set.

It would be criminal to not mention that the band entered the Morrisound Studios again in August 1990 to record a pre production tape for their second album featuring six brand new tunes where Roger can be heard at its best in my opinion. A pre production tape which was supposed to be included as a bonus thing when the second album was issued in 1991 but that never happened unfortunately for unknown reasons.

Mid December 1990 saw the band going in Europe for the first time, in Scandinavia to be exact, as they played three shows there supporting CANDLEMASS (who were also on the Active rooster), one in Norway and two in Sweden including one in Fagersta where the band played at a festival along with ENTOMBED, KAZJUROL, MORGOTH and CANDLEMASS. Those gigs showed that the European crowds weren't afraid to accept the kind of Metal ATHEIST played but only three dates were allowed to the band.

By mid January 1991, the band started their first U.S. tour supporting CANDLEMASS for about 28 dates including one in London, Ontario, Canada and despite the poor turnout for CANDLEMASS on most of the dates, it gave live experience to the band. Unfortunately as the band had finished the tour in California and were driving home, the worst of the worst happened in Louisiana when they were involved in a road accident with their van and the Metal scene lost one of the most brilliant musician ever and also one of the most down to earth person in Roger Patterson on February 12th 1991. Roger Lee Patterson was just 22 when he died....

But the band carried on and tried to enlist ex-WATCHTOWER/ RETARDED ELF bass player, Doug Keyser to record the second album (the band were supposed to enter the studio to record it just after they were back from their first U.S. tour at first) but he refused, saying that it wasn't his style of music...bollocks if you ask me but anyway, the band finally decided to enlist as session player, Tony Choy from the Miami based act, CYNIC- a band who had shared the stage with ATHEIST a couple of times in 1990, and the band entered Morrisound Studios with Scott Burns again as producer in June 1991 to record their second effort "Unquestionable Presence". The result is simply amazing and unheard of before so many people didn't understand what the band had tried to achieve with this effort. This album will always remains as one of the most complicated and best effort ever in the Metal archives along with the RUSH, WATCHTOWER albums and the CYNIC one.

Atheist - No Truth

Atheist - Why Bother?

Atheist - And the Psychic Saw

in memory of Dark Quarterer/Etrusgrave guitarist Fulberto Serena (1950–2026)

Fulberto Serena (Dark Quarterer, Etrusgrave) | January 1950 – February 10, 2026

Metal Archives reports that on February 10th, 2026, the Italian guitarist Fulberto Serena passed away. While I am certainly not an expert on his entire musical career, I am a fan of the band he is best known for: Dark Quarterer, a cult act synonymous with what many call epic-progressive heavy metal. Fulberto was the founding guitarist and main songwriter for the group during the 1980s.

It looks like Fulberto began jamming with bassist and vocalist Gianni Nepi way back in 1969. By 1974, they formed the trio Omega R (later Omega Erre) in Piombino, Tuscany. For several years, they focused on improving their craft, playing covers of 1970s progressive and hard rock legends like Genesis, Black Sabbath, and King Crimson. It was during this period that they found their approach: complex and ambitious arrangements combined with a unique blend of epic and progressive elements.

In 1980, the band changed its name to Dark Quarterer, with Fulberto serving as the driving creative force. This era produced their nine-song demo in 1985, their self-titled debut in 1987, and the 1988 album The Etruscan Prophecy. Speaking for myself, I highly recommend these two 1980s albums for fans of the more obscure, progressive, and epic heavy metal style. While the music may sound a bit obtuse at first, the "epic-progressive" tag makes more sense with every listen. Don't expect radio-friendly compositions. Expect something a bit weird, an acquired taste, by a band that was doing what they wanted to do, rather than writing songs with the express purpose of becoming rock stars.

Fulberto left Dark Quarterer in 1990 but returned to the scene in the mid-2000s with a new project called Etrusgrave. This band maintained that same musical perspective of obscure-sounding epic-progressive metal, releasing Masters of Fate (2008), Tophet (2010), and Aita's Sentence (2016). Although I am less familiar with Etrusgrave’s catalog than I am with Dark Quarterer, the quality of the compositions is clearly in the same spirit.

Fulberto Serena passed away on February 10, 2026, at the age of 76. His death was announced by both Dark Quarterer and Etrusgrave.

Dark Quarterer - The Etruscan Prophecy

Etrusgrave - Masters of Fate

Ernesto Colon (Merauder, Dead Earth)- R.I.P. February 9, 2026

Ernesto Colon - R.I.P. February 9, 2026

Metal Archives shows that Ernesto "Pito" Colon died today, February 9th, 2026. Ernesto was a guitarist best known for his time as a guitarist for the aggressive, heavy-duty metal/hardcore band Merauder (New York), from approximately 2013 to 2018. After Merauder he was with Dead Earth (Cleveland, Ohio), formed in 2018 and later solidified with a veteran lineup. Dead Earth with Ernesto featured a metallic, thrash, groove sound, on the 2023 album From the Ruins. Metal Archives shows that Dead Earth is no longer active, while for Merauder Metal Archives that they are active nowadays: 1990-2003, 2007-present.

Dead Earth - Never Forget (Official video)

Dead Earth - Discharge video playthrough (Dan Gates and Ernesto Colon)

Dystopica covers the 1980s Anthrax classic "Madhouse"

Pavement Entertainment recording artist Dystopica covers this 1985 classic thrash anthem, the third track from the seminal album Spreading the Disease. In my opinion, both 1985’s Spreading the Disease and 1987’s Among the Living are classic thrash albums. This era saw Anthrax stand out. This Anthrax was something else altogether. They had it all: the speed, the riffs, the solos, and actual singing. Anthrax featured a legitimate singer, placing them in a very small circle of thrash bands with real melodic power.

Dystopica - Madhouse (Anthrax Cover)

https://www.facebook.com/dystopica

Domhain - My Tomb Beneath The Tide [official music video]

Below is the music video for "My Tomb Beneath The Tide," with the official information about the upcoming album.

Domhain

In Perfect Stillness

These Hands Melt

20 February 2026

Northern Irish post-atmospheric black metal band Domhain will release their debut full-length album “In Perfect Stillness” on 20th February via These Hands Melt.

Hailing from Northern Ireland and consisting of four experienced musicians from the Irish metal scene, Domhain is a quartet that blends an emotional mix of post-black metal, blackgaze, and atmospheric black metal, featuring distinctive vocal harmonies and cello. Their debut EP, the three-song EP “Nimue” (October 2023), showcased their long-form songs filled with myths and remembrances, featured guest cello by Jo Quail and was recorded at Foel Studio with Chris Fielding (Conan, Primordial).

Following their debut, they released the split EP, “Of Pine and Oak” (May 2025), with labelmates Ephemeral, which the band described as "an ode to nature".

Domhain's powerful live show has garnered significant attention, notably at Fortress Festival 2024, where Kerrang! praised their set as “something bracingly original about their specific black metal blend: a sound that you can drift off into even in a live setting” and that “they already have the material to become giants of the genre”.

“In Perfect Stillness” will be available in the following formats: CD Digipack (Limited to 300 copies): 3-panels, including a 12-page booklet. LP Dark Green Vinyl (Limited to 200 copies): Includes a 12-page 30x30cm booklet. Digital

“In Perfect Stillness” features guests Sarah Fielding (Darkest Era), John Wilson (Piano) and Raul Andueza (Cello) on the track “Footsteps II”. The album was produced by Domhain and Chris Fielding. Engineered and mixed by Chris Fielding at Foel Studio, and mastered by Mike Lamb.

Domhain are:

Andy Ennis - Vocals & bass guitar

Anaïs Chareyre-Méjan - Drums, vocals & cello

Nathan Irvine - Guitars

Ashley Irwin - Guitars & backing vocals

Domhain - My Tomb Beneath The Tide [Official music video]

https://www.facebook.com/Domhain.band/

Unburier - Survive the Vermin (Official Video)

Check out this music video from UK death metal band UNBURIER. Below you will find the official information about the band and their music.

Unburier

As Time Awaits

27 February 2026

UK death metal band UNBURIER has returned with their latest EP, As Time Awaits on February 27th 2026. Uncompromisingly vicious but performed with utmost precision, the band expands their sonic scope while honing the intensity that defined their previous releases. With their new drummer Kim Hughes joining the lineup, UNBURIER unleashes a perfect storm of fresh energy and renewed technicality, pushing their blend of old-school and modern death metal to new extremes. Known for raw ferocity and deft performances, UNBURIER sharpens their approach on this release with tighter songwriting, bigger hooks, and a more refined, punishing delivery.

The EP opens ominously with the intro of "Continuum", then charges onward into the depths and never lets up. Darkness prevails on "Continuum" with a groovy rhythm section and tastefully melodic guitar leads. Powerful mid-range vocals drive the song, occasionally layered with guttural growls to add depth and intensity. The melodies are underpinned with elegantly-phrased fretless bass lines and tight, progressive drumming. The track steadily builds momentum before hitting a breakdown that shifts the dynamics, leading into back-to-back solos that showcase the band’s musicianship. Lyrically, "Continuum" explores the collapse of rigid beliefs and the confusion that follows. It paints a picture of spiraling ideas and false guidance, revealing the emptiness behind so-called truths. The track dives into the tension between light and darkness, truth and deception, showing how we wrestle with meaning in a world full of contradictions. Dark, intense, and unflinching, it sets a tone of uneasy reflection and relentless questioning.

Next, kicking off with a section of torrential, arpeggiated dissonance, "Abyssal Uncertainty" quickly announces its brutality before diving into rapid, NECROPHAGIST-inspired riffing. The fretless bass weaves in and out of each riff, acting as the translator between the frantic guitars and precise drumming. Despite shifting meter and tempo, the song maintains a consistent feel and raw edge throughout, sonically illustrating the darkened narrative. It features the standout solo of the EP, utilizing the track's unyielding brutality as momentum into a soaring passage that showcases a more playful lead guitar style. "Abyssal Uncertainty" is the most lyrically-ambitious track of the EP, with nods to Camus, Lovecraft and other literary influences. The listener is invited to witness a trapped laborer's descent into madness, reflecting on and acknowledging the absurdity of his life and death. The struggles depicted here represent those of anyone who has been forced to devote themselves to someone else's greed, and the yearning for a world where we can each live in accordance with our own nature.

Finally, "Survive the Vermin" ends the EP with the appropriate blend of ferocity and spellbinding technicality. Vocalist and guitarist Ben Champion shows off a viscerally emotive vocal range, skillfully punctuating his mid-range snarls with screeching highs for maximum impact. Bassist Stan Mitchell and drummer Kim Hughes lay the foundation for the song's intensity with a punchy, driving rhythm section. Guitarist Blake Hibberd propels the momentum forward with a relentless barrage of twisting, turning, shredding leads. The lyrics of "Survive The Vermin" develop themes of purpose and identity on the EP through a first-person account of a cosmic, immortal warrior. Surrendering flesh for steel, the narrator struggles to detach themselves from the sensations they thought to have discarded. The lyrics ask if, when we give ourselves wholly to one purpose, it is worth sacrificing the simplicity of everyday life. Paying homage to sci-fi author Nate Crowley and absurdist philosophy, "Survive The Vermin" provides the most direct declaration of the themes behind the EP.

Newcomers to UNBURIER's realm of fury and technicality will find As Time Awaits to be a compelling introduction to the band's evolving sound, and longtime listeners will be proud to follow the band’s growth across their earlier releases.

About UNBURIER:

Hailing from the south of England, UNBURIER stormed onto the death metal scene in the summer of 2022 with their debut EP Twisted Existence. The EP showcased the band's undeniable technical abilities, in addition to their raw and harrowing sound. In 2024, UNBURIER returned with their follow-up EP, Nebulous, on which the band refined their songwriting and technical prowess. On this release, the band ventured even deeper into the realms of their death metal influences, among which they count DEATH, NECROPHAGIST, and REVOCATION.

Having conquered stages alongside the likes of SANGUISUGABOGG, CRYPTA, and PARTY CANNON, as well as making notable appearances at Bloodstock Open Air and Incineration Festival, UNBURIER continues to carve a path alongside giants of the death metal genre. Their upcoming third EP, As Time Awaits, sees UNBURIER blending old- and new-school death metal styles with technicality, hooks, and razor-sharp songwriting. Carrying the torch of the classic death metal sound into a new age, As Time Awaits is certain to enthrall longtime fans of the genre.

UNBURIER lineup:

Ben Champion - Vocals/Guitar

Blake Hibberd - Guitar/Vocals

Stan Mitchell - Bass

Kim Hughes - Drums

Unburier - Survive the Vermin (Official Video)

https://www.facebook.com/unburierband/

MALEFIC - IT HAUNTS [OFFICIAL MUSIC VIDEO]

check out this music video and official information about the extreme metal band MALEFIC

(extreme metal from Georgia, USA) MALEFIC - IT HAUNTS [OFFICIAL MUSIC VIDEO]

Malefic

Impermanence

Terminus Hate City

13 February 2026

ABOUT THE NEW MUSIC: Atlanta blackened thrash visionaries MALEFIC are set to unleash their debut album, Impermanence, via Terminus Hate City on February 13, 2026. The band initially began work on the album in 2018, and conquered numerous personal and professional challenges on the road to completing their masterpiece. Drawing influence from black, death, and thrash metal, the diverse array of songs wrestles with themes such as politics, drug use, existentialism, perseverance, and the lasting consequences of one’s choices. Impermanence represents the culmination of many years of hard work and dedication, along with a deep love for music beyond strict genre boundaries.

The album opens with “Blood Of The Throne”, a storm of blistering blackened thrash metal. Precise guitar work, furious drumming, and vicious vocals dominate the soundscape, drawing the listener into a world where an oppressive economic system chews people up and spits them out. Unrelenting from the first note to the last, the song presents a venomous warning about the state of global affairs.

“In Darkest Dreams” showcases the MALEFIC’s death metal influences while retaining undertones of blackened thrash. Notably, it is one of the only songs on the album with a defined chorus, but still relies on a progressive rock-inspired structure. The band shifts their focus from reality to fantasy in this song, with lyrics telling a horror story about a deathly reaper figure.

“Of Gods And Man” marks a change of pace from the first two songs. It showcases MALEFIC’s melodic black metal influences, with a sense of urgency to the riffs and prominent bass lines. Intricate picking patterns intertwine with dueling guitar solos, as vocalist Aaron Baumoel spins a tale about greed, consumerism, and instant gratification. The song deals with the human relationship to a creator figure, and the existentialism that frequently pervades this relationship.

“Idiocracy” changes up the dynamics even further by introducing a black-n-roll sound. Catchy triplet riffing and epic arpeggios make it a memorable standout on the album. The lyrical themes return to the political and philosophical issues that are prevalent in modern society, arguing that many are unaware of their own ignorance, although they may attempt to call out others.

“Deserter” reintroduces a more prominent death metal sound. Ominous drums flow into groovy riffs and intricate solos, leading up to a barrage of thrash riffs. Call-and-response harsh vocals emerge out of the darkness, voicing feelings of abandonment and suicidal ideation. Syncopated drum beats and bass lines relentlessly carry the momentum onward.

“Disembodiment” opens with a haunting acoustic introduction, unlike any of the previous tracks on the album. The brutal, dueling harmonies in the chorus create the album’s emotional high point, as the lyrics warn of the dangers of narcissism, gaslighting, and emotional manipulation. Musically and lyrically, the song paints a path to despair that is, ironically, paved with beauty along the way.

Melodic and grandiose, “Obsidian Earth” is the album’s magnum opus. Unrelentingly aggressive, yet melodic and grandiose, the song takes the listener through a barrage of black metal riffs and blasting, melodic hooks, finally landing on an epic solo by Jason Davila. The song laments an impending, self-inflicted extinction of humanity, with a vocal performance marked by disquieting rage.

The most progressive song on the album, “Echoes Of Silence” boasts an ominous acoustic introduction. A variety of melodies expertly intertwine with one another, deftly carrying over from one section to the next. Chaotic black metal riffs drive forward a narrative about the dual nature of addiction, dispersed with heavy chords and cries of desperation. A cathartic guitar solo finally breaks the tension, and the lyrics of the last chorus serve as a reminder of life’s fragility.

The album finally drops off into the blackened abyss with “It Haunts”, pummeling the listener with charging riffs and fierce vocals. While intricate harmonies and guitar work weave themselves throughout the song, the epic guitar solo commands rapt attention. Mysterious lyrics describe a supernatural haunting, and are fittingly closed out by ghostly, magnificent acoustic arpeggios.

About MALEFIC:

MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music.

MALEFIC lineup:

Jason Davila - Guitar

Aaron Baumoel - Drums, Vocals

Sam Williams - Guitar

Andy McGraw - Bass

MALEFIC - IT HAUNTS [OFFICIAL MUSIC VIDEO]

(traditional heavy metal) MEGA COLOSSUS "Battlefront"

Mega Colossus

Watch Out!

Cruz Del Sur Music

6 March 2026

Raleigh (NC) - Traditional Heavy Metal quintet, Mega Colossus, is back with their second Cruz Del Sur Music album, Watch Out! Set for a March 6 release on CD, vinyl, and digital formats, get ready for seven tracks of melodic, fearless and fun metal!

Armed with yet another splendid, vicious array of riffs and vocal hooks galore, Mega Colossus takes classic heavy metal to another level on Watch Out!

Since their 2005 formation, Mega Colossus have forged a high-energy take on traditional heavy metal that values songcraft, harmony and personality over trends. With a stable lineup since 2021 and continued momentum from 2023’s critically hailed Showdown, Mega Colossus has re-emerged with their most definitive statement to date, Watch Out!

Recorded at Warrior Sound in Chapel Hill, North Carolina, Watch Out! (a title that was influenced by Ronnie James Dio’s legendary “lookout!” lines) was produced by Al Jacob and mixed by Matt Tuttle, capturing a band in full stride as it continues to harness its immense strengths. The album draws together elements from Mega Colossus’ earlier releases—blazing guitar solos, intricate twin-guitar harmonies and ambitious four-part vocal harmonies, while pushing into new and unexpected territory.

Often associated with the New Wave of Traditional Heavy Metal, Mega Colossus has earned comparisons to Iron Maiden, although their approach remains distinctly their own. Rejecting modern metal conventions, the band avoids down-tuning, harsh vocals and exaggerated darkness. There are no screams or growls here—just melody, speed and classic heavy metal energy. Songwriting on Watch Out! is deliberately unconventional, taking unexpected turns and shifting gears without warning, moving from punk-inspired thrash to Thin Lizzy–style hard rock while remaining cohesive and memorable.

One of the album’s boldest moments comes via “The Halls Of Mystikos,” a track inspired by Uriah Heep, that opens with a subdued, eerie atmosphere before erupting into full-blooded heavy metal—a striking departure from the band’s usual dynamic range. Mega Colossus continues to take chances that few of their peers attempt, particularly through layered vocal arrangements, trusting that strong melodies and conviction will always win out.

Lyrically, Mega Colossus occupies a refreshingly different space within metal. Rather than anger or nihilism, their songs celebrate science fiction, storytelling, escapism, and camaraderie. Many tracks explore imagined sci-fi worlds, a natural extension of the band’s identity—vocalist Sean Buchanan is also a science fiction author, currently completing his first novel, which he has been releasing chapter-by-chapter over the past year.

Visually and personally, Mega Colossus remains grounded. Long hair, leather jackets, black jeans—no costumes, no exaggerated toughness. They’re not trying to be rock stars; they’re regular people who love heavy metal, love hanging out with fans, and are known for being approachable, social, and genuinely grateful for the community around them. That authenticity has helped them build a loyal following, particularly in Germany and the United States, where physical formats remain central to their releases.

The band has become a familiar presence on the European underground circuit, having appeared at respected festivals such as Hell Over Hammaburg (Germany) and Up the Hammers (Greece). In 2026, Mega Colossus returns to these stages alongside a run of club shows across Europe, bringing Watch Out! directly to the audiences who have championed them over the years.

With a track record of consistently positive reviews, a reputation for memorable live performances, and a sound that balances tradition with adventure, Watch Out! stands as Mega Colossus’ most confident and fully realized statement to date—proof that heavy metal can still be melodic, fearless and fun.

MEGA COLOSSUS "Battlefront"

(Seattle heavy metal) GREYHAWK - Take A Stand

Here is another new song from the upcoming album by Seattle heavy metal band GREYHAWK. The album comes out this week.

Greyhawk

Warriors of Greyhawk

Cruz Del Sur Music

13 February 2026

Seattle (WA) - Fusing classic U.S. power metal, AOR and all things epic metal; Greyhawk returns with their third album of triumphant battle hymns!

Cruz Del Sur Music will release Warriors of Greyhawk on February 13, 2026 (North American physical product distribution on March 6). The album will be available on CD, Tape, Viny LP, and digital formats.

Refreshed, rejuvenated and ready for adventure; Greyhawk are back with their third album of epic, melodic power/heavy metal fused with an anthemic AOR angle. Shredding guitars, soaring vocals, powerful rhythms and songs that will stick with you are all a part of this majestic opus.

From the very beginning you will be met with soaring guitars, pounding riffs and a classic heavy/power metal attack from the instrumentals. Grandiose and powerful vocals complete the mix, which is perfectly blended by Henrik Udd’s sublime production which is detailed and grandiose. Daniel Porta has provided artwork for this record and clearly the band have had a strong input on all aspects of the release to make sure the entire experience is gripping for you, the fans.

Not many bands blend the more traditional epic heavy/power metal glory with these AOR elements but Greyhawk do so marvellously, giving the music not only power but memorability, showing that on their third album - this will definitely stand the test of time. The musicianship is continually improving on all counts, from the crushing drumming to the mind-blowing guitar work to the operatic and stunning vocals. Lovers of all things fantastical, adventurous and metallic will be enchanted, enthralled and bedazzled by this stratospheric effort.

“This album is a return to the epic metal roots that we had on our debut album Keepers of the Flame”, says founding member Darin Wall, “it also features some faster songs where we explore our love for power metal, as well as some of the 80s AOR vibes we had on the last album “Thunderheart”. Songs about inner strength, overcoming obstacles in life, and triumphing in victory are all present here. Creating an experience where the listener can find inspiration from the lyrics and energy of the songs, or detach from reality a bit and get lost in some of the epic fantastical themes is the goal. Ronnie James Dio is the band's biggest influence as far as lyrical themes go.”

GREYHAWK - Take A Stand

Warriors Of Greyhawk by Greyhawk

LEAVES' EYES - Song Of Darkness (Official Music Video)

LEAVES' EYES

Song of Darkness

Reigning Phoenix Music

6 March 2026

ABOUT THE BAND: For more than two decades, LEAVES' EYES have forged their own path through the realms of symphonic and Viking metal, uniting mythic storytelling with boundless musical imagination. Founded in 2003 by vocalist and producer Alexander Krull, the band stands as a meeting point between power and poetry. With Finnish soprano Elina Siirala fronting the band since 2016, their sound has evolved into a breathtaking blend of classical precision and visceral energy. Joined by Florian Ewert and Luc Gebhardt on guitars, bassist Dominik Prykiel and session drummer Nils Kreul, LEAVES' EYES create immersive worlds that bridge ancient history and modern emotion.

In 2026, the band enters a new chapter with the release of the EP Song Of Darkness, marking the dawn of a creative cycle that expands both their sonic and conceptual horizons. Recorded at Mastersound Studio under Krull’s production, the record refines their signature fusion of orchestral depth and metallic intensity. It reveals a group at the height of its craft, balancing the sweeping scale of symphonic metal with an earthy, human pulse.

Lyrically, Song Of Darkness journeys into the shifting borders between myth, magic and history. The stories it tells of shadowed realms, dark times, and the courage that endures through loss, mirror timeless themes that have always guided the band’s vision. The title track "Song Of Darkness" is inspired by the medieval Icelandic saga of Gisli the Outlaw and takes the listener to times of murder and intrigue, guilt-ridden magical dreams and the hope of redemption.

Each song unfolds like a chapter in a saga: cinematic in scope, yet deeply personal in feeling. Siirala’s commanding and emotional performance brings the tales to life, her voice illuminating the storm of sound around her, while Krull’s growls anchor the music with raw force and conviction.

Musically, the EP showcases the band’s mastery of contrasts. Towering choirs and strings rise beside crushing riffs, while folk-inspired melodies whisper through the darkness. From the orchestral grandeur that opens the record to the final echoes of its closing refrain, Song Of Darkness builds an atmosphere of tension and release that reflects both the brutality and beauty of legend. The production captures the clarity of each instrument and the spirit of live performance, a hallmark of Krull’s meticulous approach to sound.

Beyond the studio, LEAVES' EYES remain a band of storytellers who understand that myth lives not only in words, but also in image and experience. Their acclaimed music videos and live productions transport audiences into the heart of their narratives, complete with authentic Viking-era props, handcrafted costumes, and cinematic backdrops. Through their close collaboration with re-enactment groups, the band bridges artistic creation and cultural heritage, keeping history alive in sound and spectacle.

As they step into their third decade, LEAVES' EYES stand as one of symphonic metal’s most visionary forces. The release of Song Of Darkness sets the tone for the next full-length chapter to follow, reaffirming their dedication to musical storytelling that transcends time and trend. It is both a reflection of their journey so far and a signal of what lies ahead: music that burns with purpose, steeped in legend yet alive with modern fire.

LEAVES EYES IS:

Elina Siirala - Vocals

Alexander Krull - Vocals

Florian Ewert - Guitar

Luc Gebhardt - Guitar

Dominik Prykiel - Bass

Simon Skrlec - Drums

SONG OF DARKNESS 4:08

HALL OF THE BRAVE 4:56

UNTIL THE LAST DAY 3:48

ROOTS ETERNAL 3:38

LEAVES' EYES - Song Of Darkness (Official Music Video)

https://www.facebook.com/leaveseyesofficial

LEGIONARY - If the Judges Became the Judged (Official Lyric Video)

New Jersey-based, Melodic Death/Thrash Band, Legionary, are set to release a new, 5-track full-length album! Never-Ending Quest for Purpose is out on March 6!

Multi-instrumental, composer, and founder, Frank D'Erasmo had this to say about the forthcoming album:

"This new album is a continuation of the path we took on our last EP, Prison Realm. For fans of that EP, this new album is in that style again, but on steroids! Things sound heavier, more epic, and more massive on this album. All of the same guys from the last release have returned, including vocalist Chris Clancy (As I Lay Dying, Invictus, Mutiny Within) and lead guitarist Tony Barhoum (Chaos Sanctuary, Condition Critical), but the big addition this time around was mix engineer, Mike Low. Things have never sounded this BIG on a Legionary release!"

for fans of: Kreator, Iced Earth, Into Eternity, Mutiny Within, Control Denied

Track Listing:

1. Sentenced to a Life of Chronic Guilt

2. If the Judges Became the Judged

3. Never-Ending Quest for Purpose

4. Controllers of Perception

5. Story Without Closure

LEGIONARY - If the Judges Became the Judged (Official Lyric Video)

in memory of Pål Mozart (1980-2025) from doom-prog band Madder Mortem (Norway)

Pål ("Paul") Mozart Bjørke was a Norwegian musician in the progressive and avant-garde metal scenes. Born on October 27, 1980, he is best known for his work as the bassist and backing vocalist for Madder Mortem between 2000 and 2003. During this period, he performed on the albums All Flesh Is Grass (2001) and Deadlands (2002), and also contributed keyboards and percussion to these recordings. After his time in Madder Mortem in 2003, he became the lead vocalist and bassist for the band Frantic Bleep. He wrote the lyrics for and performed on their only full-length album, The Sense Apparatus, which was released in February 2005. His musical career also included roles in other Norwegian projects such as the band Chopworm, and he contributed accordion to later Madder Mortem releases, including the 2006 album Desiderata. He passed away on February 7, 2025, at the age of 44.

Madder Mortem – "Breaker of Worlds" from All Flesh Is Grass (2001)

Frantic Bleep – "...But a Memory" from The Sense Apparatus (2005)

AEON GODS - Birth Of Light (Official Lyric Video)

“Birth Of Light” is the first single taken from the new Aeon Gods album “Reborn To Light” to be released on February 20 by Scarlet Records – “Birth Of Light” ignites the new Aeon Gods era with a powerful vision drawn from the ancient Egyptian creation myth of Hermopolis. At the dawn of existence, when the world lay within the silent waters of Nun, the cosmic egg emerged – a vessel of potential, protected by the primordial Ogdoad. From this sacred origin rose the first radiance: the newborn sun-god Re, breaking the eternal darkness and setting creation into motion

AEON GODS

Reborn To Light

Scarlet Records

20 February 2026

AEON GODS - Birth Of Light (Official Lyric Video)

VISERION - REIGN OF FIRE - GUITAR PLAYTHROUGH

check out this black metal from New York, USA!

VISERION - REIGN OF FIRE - GUITAR PLAYTHROUGH

HYPERION - Deafening [2026]

HyperionN is traditional heavy metal from Italy. This song is from the 3rd album "Cybergenesis" on CD & Digital on January 15th, 2026 through Fighter Records.

OFFICIAL BIOGRAPHY

HyperioN were formed in 2015 by drummer Jason Beghelli and guitarist Davide Cotti to play traditional heavy metal, drawing inspiration from bands such as Metal Church, early Queensrÿche, and Judas Priest, while adding their own personal touch. The band quickly gained attention with their debut album Dangerous Days (2017), released via Spanish label Fighter Records. The album was warmly welcomed by critics and gave HyperioN the chance to share the stage with established Italian acts such as Tarchon Fist, Black Phantom, and Rain.

After the recording of the second album, founding drummer Jason Beghelli stepped down for personal reasons and was replaced by Francesco Madonna. In 2020, the band released Into The Maelstrom, again on Fighter Records. The album received excellent reviews worldwide, but the COVID-19 pandemic forced the cancellation of all live promotion plans. Despite the circumstances, HyperioN significantly expanded their fanbase across the United States, Canada, Mexico, and Europe through platforms like Bandcamp, finally returning to the stage in 2021.

This first era of the band came to a turning point in 2021, when several lineup changes reshaped HyperioN’s identity. Long-time bassist Antonio Scalia left the band, and after a long search Simone Cauli joined in September 2022. Just a week earlier, guitarist Luke Fortini had departed, but the vacant role was swiftly filled by Francis Dipasquale (from thrashers Dypron). With the lineup restored, work began on new material, only to face another setback in spring 2023 when vocalist Michelangelo Carano decided to leave. After months of auditions, HyperioN found the missing piece in singer Max Morelli, known for his work with Signum Draconis and Ladykiller.

With this new and revitalized lineup, Hyperion completed the writing and production of their third album Cybergenesis, a record that represents both continuity and rebirth. Although only guitarist Davide Cotti remains from the original formation, he has always been the main composer and driving force behind the band, making sure Hyperion's sound stays true to its roots: driving riffs that ignite into bursts of speed, soaring yet gritty vocals, and melodic hooks that make every chorus memorable.

HYPERION - Deafening [2026]

THE ETERNAL - Celestial Veil (Official Music Video)

Taken from the EP "Celestial" (January 16th, 2026) "The lyrics of 'Celestial Veil' depict a meditation on loss, memory, and the cosmic inevitability of separation. They weave imagery of stars, constellations, and light fading into darkness to reflect the fragility of human connection and the grief of distance between two souls. The recurring theme of time standing still suggests moments of longing suspended against the vastness of the universe, while the celestial metaphors frame love and loss as forces written in the stars - beautiful yet doomed. Despite despair and fading light, Mark clings to memory and dreams, revealing both the pain of absence and the enduring pull of an eternal, though fragile, bond."

THE ETERNAL - Celestial Veil (Official Music Video)

https://www.facebook.com/TheEternal

🎧 Stream, get it here: https://theeternal.rpm.link/celestialYT

in memory of Black Death drummer Phil Bullard (1948-2008)

Phil Bullard (November 29, 1948 – February 6, 2008) was the drummer and co-founder of the Cleveland-based heavy metal band Black Death. The story of Phil begins in Cleveland, Ohio, a city with a gritty, industrial character that was fertile ground for rock music. In 1977, Phil joined forces with guitarist Greg Hicks and bassist Clayborn Pinkins to form Black Death. At the time of the New Wave of British Heavy Metal, Black Death was carving its own heavy metal.

At the beginning, the band almost ended early because of tragedy. In 1979, original bassist Clayborn Pinkins was killed, but Phil's commitment to the project gave stability, eventually welcoming bassist Darrell Harris and vocalist/guitarist Siki Spacek to complete the definitive lineup.

In 1984, the band's self-titled debut, Black Death, came out on Auburn Records. On this record, Bullard’s drumming style was on full display: a raw, thunderous, loud approach that provided the intensity and energy needed to match Spacek’s vocals and Hicks' blistering solos.

After the original iteration of Black Death disbanded in 1988, Phil did not abandon his musical roots. He remained a fixture in the Ohio rock scene, eventually reuniting with Greg Hicks in the band Mandrake. In this project, Bullard continued to perform Black Death classics, ensuring that the band’s historical importance was not forgotten during the 1990s and early 2000s.

Phil died on February 6, 2008, at the age of 59 following a battle with colon cancer.

Black Death - Night of the Living Death