Brutally Deceased (Czech
Republic):
Dead Lovers’ Guide (Lavadome)
The quick, easy way to
describe Brutally Deceased is: a younger, hungrier, rawer Dismember with
well-placed bursts of ultra-high speed used for emphasis.
Traditional, classic Stockholm/Sunlight Studio from 1990-1991 is
what really, really drives Brutally Deceased.
Example 1: “Blissful Desecration”: begins with a midpaced, total
buzzsaw riff, slightly melodic in a raw way, then it speeds up and the superlow
growling kicks in, as the song settles into a pace that alternates between
uptempo and fast. The middle of this song has a quick guitar “solo,” a bass
“solo” and a nice little drum “solo,” too. It then speeds up and ends. Done.
Example 2. “All That Rots and Withers”: The start is total death
metal blasting low-growl brutality. Wunderbar! The middle part slows down to an
uptempo, galloping speed. This is where you raise your fist and growl along.
Don’t get too comfortable, here comes the blasting once again. And done.
¿Comprende? I think so! Oh, yup, they do a cover of Dismember’s
“Override of the Overture.” This is less polished than the original because
Brutally Deceased is rawer.
www.myspace.com/brutallydeceasedband
Cardiac Arrest (U.S.): Vortex of Violence (Ibex Moon)
Cardiac Arrest plays
nothing but brutal death metal. The growling is low, and the blasting is
constant.
Oh, well, what about
the melodies?
What melodies, what you say?! The guitar work is meat and potatoes,
direct chainsaw-sound guitar.
This band must hate all those trendy thrash bands, the emo/core
bands, and the bands with breakdowns.
Here’s a clue. Suffocation. Lock Up. Bands like those. Mainly, fast
and heavy. Lots of heaviness, and on a death metal mode of blast and growl and
bang your head, now.
If you hate the brutal stuff, you best keep walking because Cardiac
Arrest don’t like you very much and want you to go listen to whatever you like,
as long as you stay away from them. Cardiac Arrest is just nasty stuff. Fun,
too. www.cardiacarrest666.com
Fisthammer (U.S.): Devour All You See (Horror
Pain Gore Death)
Part brutal, blasting
death metal, part melodic/thrashy Fisthammer wants everybody moshing.
Not really a bad to stay within one particular, narrow style,
Fisthammer appears to be brutal death metal, with other spices. The low,
growled vocals and blasting certainly create a particular image.
Tell Fisthammer what you want!
They have it. Speed?
Check. Blasts? Check. Fury? Check. Power ballads? Nope! Jazzy parts? No!
Alright, so, they don’t have everything, but they are a-ok. Now, if
they could figure out how to do a jazzy power ballad of brutal, blasting death
metal, then they would have everything in the world. C’mon, Fisthammer, you can
do it!
www.myspace.com/fisthammerband
Kraanium (Norway): Post Mortal Coital Fixation (Comatose)
This just has very
little energy, or creativity or intensity, so it’s difficult to see where is
the excitement.
Of course, this is exciting to the band themselves, and also maybe
metallers who are new to the genre of midtempo/slow-ish “woof-woof,
burp-burp…brootal” dog-barking metal.
The
low-level of creativity and lack of energy really do destroy any possibilities
for headbanging or even nodding along.
Investigate
if you like slow/midtempo, very basic, repetitive burp “brootal” music that has
extremely low-IQ horror/gore lyrics. www.comatosemusic.com
Sexcrement (U.S.): Sloppy Seconds (Comatose)
This
type of chugging guitar—all the songs sound like “chug-chugga-chugga-chug” and
repeat—lacks imagination.
This
is supposed to be heavy and brutal, but it’s not possible to be heavy if the
music has no intensity in the playing. Doing play-on/chugga-chugga repetitive
guitar riffs offers little in the way of interesting things to the listener
looking for frenzied energy, aggression, power, anger, creativity or just a
good amount of musical talent.
Deadly Remains (U.S.): Severing Humanity (Deepsend)
Chugga-chugga death
metal and blast and groove.
They depend a lot on the play-on riff: the chugging guitar riff that
seeks to make the audience mosh. They want the listener to stand up, and mosh.
The growling thrives on the low-muttered completely woof-woof.
Deadly Remains objectives are basic. So the music sounds basic.
The guitar sound is particularly annoying because it comes from the Zakk
Wilde school of playing: at every moment the guitar makes a high-pitched
irritating sound. Pinch harmonics is one of the most annoying things in guitar
playing, but especially when it becomes “the thing” about the songs.
Play a real riff. Do a solo. Anything else that would involve
creativity.
Pinch harmonics is the equivalent of that annoying kid who thinks
that nails on a chalkboards is a fun sound.
It’s only fun to you because you are making it.
The rest of us want to
kill you.
Final verdict: good energy, nice blasting, loving the intensity. Now
Deadly Remains only has to stop their guitar player from being so annoying.
Stop! Stop! Just play a riff, man! www.deepsend.com
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