Disillusion - "I guess you guys aren't ready for that yet, but your kids are gonna love it"

Disillusion

Back to Times of Splendor (20th Anniversary Edition)

Metal Blade Records

26 April 2024

Take a look at this gem by the long-running prog melodic extreme metal band Disillusion (1994-present; Saxony, Germany). Earlier in 2024 Metal Blade Records reissued a 20th-anniversary edition remastered version of the 2004 debut album, a highly-regarded work that has continued to impress throughout the previous 20 years. This reissue includes two additional songs from the 2002 single “The Porter” and live renditions of two songs from the album.

1. ...and the Mirror Cracked 08:27

2. Fall 04:54

3. Alone I Stand in Fires 06:53

4. Back to Times of Splendor 14:39

5. A Day by the Lake 04:54

6. The Sleep of Restless Hours 17:03

original album playing time 56:50

Two songs from the single “The Porter” (2002)

7. The Porter 04:17

8. Eternal Duality 05:05

Two live songs from the original album:

9. And the Mirror Cracked (live) 06:24

10. Alone I Stand in Fires (live) 06:27

Of course, the extra material is nice to hear. However, it is the album itself that is the centerpiece of this reissue. As you can see above, there are two songs that are very long. Is this a problem? No, it's not. Why? Well, the album is undoubtedly in the category of melodic death metal, with both growling and singing, and riff-focused thrashy guitar work, and the other side of the coin is that it is not only melodic death metal. There is a prog component to the music giving it a different sound, more personality, if you will. The music bundles melodeath and prog into one smooth sound. If given a couple of proper listens, the album works well overall and the long songs turn out to be indispensable. Given the 20 years that have passed, the album still sounds fun. Plus, today's metal listeners often are much smarter when it comes to understanding albums that blur the lines between genres. If anything, nowadays the album sounds more acceptable, and less a novelty, as perhaps it did for some people in 2004. It's not an instant-gratification album, but over the years it has gained a certain following and it's because the music possesses traits that keeps people coming back for more.

https://www.facebook.com/disillusionBand

Legend Revisited - bringing a 1979 album to the present day

Legend Revisited

From the Lord

Sonic Age Records / Cult Rock Classics

21. June 2024 (CD / LP); 6. Sep. 2024 (Digital)

If you have an interest in the history of metal music, Legend (a trio from New Haven, Connecticut, U.S.) may spark your curiosity due to the 1979 album Fröm the Fjörds. Said work has drawn interest from a small group of devoted listeners searching for more music than just whatever the official media promotes. Over the course of decades, some audiences have learned that there are bands and albums that may never get an abundance of coverage by the popular writers, reviewers or websites. That is certainly the case with Legend. So, what is Legend Revisited and what is the new album then? To put it simply, the 2024 album is a re-recording of the 1979 album by a new line-up and with new lyrics.

The new recording features the original drummer Raymond E. Frigon, without the bass player Fred Melillo and without the vocalist/guitarist Kevin Nugent, who died in 1983. Raymond enlisted Swedish bassist Janne Stark (Constancia, Overdrive, Locomotive Breath, ex-Overheat, ex-Planet Alliance) and Danish guitarist Martin Jepsen Andersen (Anchorite, Chalice of Sin, Meridian, ex-Legend (live), ex-David Reece). According to the information on Metal Archives, Raymond takes care of the drums and also the vocals on this re-recording. The idea of the new recording is to give the old album a better production while following rather closely the music. Another important objective of the new recording is to give the album new lyrics, given that Raymond has been dis-satisfied with the old lyrics for a long time.

Musically, it is pretty much the same but with a better sound quality. The music sounds like 1970s heavy and prog rock. The original album was released in 1979, but the music in a way looked towards the early and mid 1970s, and not so much to the fashions at the end of the 1970s like low-skill, low-IQ punk rock or the influence of disco. Thus, the music has the general heaviness of Led Zeppelin or Black Sabbath while also incorporating the influence of prog rock from the 1970s, making the album seem to be in the same family as Rush or Uriah Heep in some ways. The singing is not super loud, like, say Led Zeppelin or Deep Purple, but rather a bit more like earlier heavy rock, perhaps closer to Cream, Blue Cheer or Iron Butterfly: it’s not wailing, air-raid siren, full-on Led Zeppelin singing-screaming. The rhythm section is very important because the music is not totally controlled by the guitar. The guitar does its job, but it is not trying to steal the thunder from the songs. Interestingly, the album is a drumming tour de force. There is no doubt that the drummer is overplaying, including segments that seem like mini solos on drums and an actual drum solo in the middle of the song.

It is an excellent re-recording that gives new life to an old recording and a new chance for audiences to hear the music of Legend. Lyrically, the old album referenced Norse mythology in various ways, whereas the new version features Biblical themes and stories. The drummer Raymond has explained in various interviews that he was a vehement atheist by the age of 13, but by the time the album came out he was 24 years old and he was no longer attracted to the atheist, hippy, drug-addict and alcoholic way of life that he saw around the band. The atheist way of life seemed empty to him, so by time the album came out he had one foot out the door and he wanted to live his life in a more meaningful, purposeful way, and for him, it meant living life as a practicing Christian. Below is a list of the songs from the original album and the new version. The music is mostly the same, although there are some changes, like for the old song “R.A.R.Z.,” and the song in its place (“Gideon”) sounds nothing like the old song. Whereas there used to be two instrumentals, there are now no instrumentals. Anyway, take a look at this list below to get a glimpse of the lyrical changes.

1.The Destroyer 05:15 1.The Creator 05:04

2.The Wizard's Vengeance 03:21 2.The Lord's Vengeance 03:25

3.The Golden Bell 07:10 3.The Golden Crown 07:15

4.The Confrontation 03:23 instrumental 4.Confrontation 03:31

5.R.A.R.Z. 05:12 5.Gideon 04:42

6.Against the Gods 03:43 6.Against the Beast 03:46

7.The Iron Horse 06:29 instrumental 7.The Gospel Train 06:16

8.From the Fjords 08:01 8.Armageddon 08:01

total time 42:34 total time 42:00

By the way, in 2019 there was a 40th anniversary edition of the original album released, a project that the drummer Raymond supported, approved and collaborated with. That version is the original album, the original recording (plus some demo songs), whereas the re-recording represents a new, updated version of the music with lyrics that are not a glorification of pagan and heathen themes. Raymond has stated that they did not think of themselves as a “heavy metal band” because they were too much into jazz, fusion and prog, even though the album did come out sounding pretty heavy. Raymond has been surprised that it is metal fans that have taken an interest in Legend. At the same time, Raymond has explained in interviews that he is not a fan of what he sees as metal music’s promotion of drugs, alcoholism, promiscuity, violence, sexual assault, murder, war and all the things that he sees as metal music’s repertoire and toolbox of lyrical topics. Regardless of how a person may feel about the lyrics, at this point, audiences can listen to the original album and/or the new version! Legend clearly is an interesting story for students of metal music history that are curious about bands that seem to have been forgotten. Legend is one of the those that is almost to-tally forgotten, but certain audiences simply refuse to let the name die. Maybe there is a good reason for the interest in the band decades after they released their one and only album.

LEGEND REVISITED "Gideon" taken from "From the Lord" LP/CD

Legend - From The Fjords 1979 (FULL ALBUM)

https://www.facebook.com/cultmetalclassics

Vision Divine - Italian prog power band is streaming two new songs

Long-running prog power band Vision Divine (Italy) is now streaming two songs from their upcoming album Blood And Angels' Tears, scheduled to be released on the 20th of September, 2024. Active since 1997, the new album will be their ninth full-length. I have been listening to the new work, and it sounds like an album that emphasizes quality in the songwriting, balancing the prog while keeping the music melodic heavy metal, very often uptempo and catchy. The singing is on the higher end of the spectrum, but it's smooth and it's not banshee screaming for its own sake. The album is a good combination of intelligent musicianship and rocking songs. In addition, this is riff-based music, and it's not lazy, groove-based string plucking relying on chugging to be "prog." The guitar soloing is exquisite and memorable, with a bit of that shredding legacy, too. Credit to the band for not forgetting to balance all the various elements, despite the fact that this is a concept album. Apparently the band will be continuing the story on the next album, too. A summary of the idea of the lyrics is the following from the Book of Revelation: “And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, And prevailed not; neither was their place found any more in heaven. And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him” (Revelation 12:7-9). The album feels like the soundtrack of an opera or an epic movie, if such work used melodic metal. It sounds like a pretty big production. If you like trivia, you may like to know that they have some guests on vocals: Ray Alder (Fates Warning), Alle Conti (Twilight Force, Trick Or Treat) and AC Wild (Bulldozer). At any rate, the album should be a delight for fans of melodic singing and melodic prog metal.

https://www.facebook.com/visiondivineofficial

Blighted Eye - Washington State prog extreme band streaming three songs from upcoming album

The Washington State, U.S. prog extreme band Blighted Eye is already streaming three songs from the upcoming album Agony's Bespoke, scheduled to be released on the 20th of September, 2024. Metal Archives shows that they began in 2019 and in 2020 released an EP. The album will be eight full songs, ranging from about six minutes to some eight minutes or more, and one track goes over the 11-minute mark. Fans of Opeth and Dark Tranquillity may want to hear this particular sound, as the music embraces those influences. Of course, keep in mind that this album will be the band's debut full-length. It is, by any stretch of the imagination, an album has been put together very well and with a professional sound quality. In that sense, the level of the album is tremendous. I do not have access to the lyrics, so I am unable to say as to how intelligent or skilled the lyrics are. I hope that a song like "A Feast for Worms" is not as moronic as a band like Cannibal Corpse or Deicide, although the album artwork does seem to be a brutal album cover fulfilling all the stereotypes of metal music as being music for imbeciles with a penchant for celebrating violence, murder and torture. Fortunately, the music does not sound like a typical brutal band. Despite these reservations, fans of prog extreme metal should give the band a chance because the musicianship is top notch. They sound way better than a song title like "A Feast for Worms" and that awful artwork would suggest.

https://www.facebook.com/BlightedEye/

Wolfheart - melodic extreme metal from Finland

Wolfheart

Draconian Darkness

September 6th, 2024

Reigning Phoenix Music

Although this particular entity Wolfheart has been active for over ten years, the head honcho, multi-instrumentalist Tuomas Saukkonen, who was born in 1980, has been making music for a long time with bands active, officially, if we go by the information on Metal Archives, since 1996, and who knows how many years before that. The seventh album (nine songs in 39 minutes) is a type of coherent pastiche of melodic death, but given the extensive experience in music the various components do not come across as disparate or haphazard. A likely explanation for the smooth sound of variety, besides the studio magic, could be that the band utilizes eclecticism but never fully commits ten-toes-down to any particular genre, thereby allowing transitioning in and out adjacent turns. The songs tend to have the expected parts of melodeath, like the semi-thrashy riffs, melodies and the growling. However, there are also surprises along the way to make things more interesting: some neosymphonic elements, a clean guitar here and there, a proggy segment, some melodic singing, some djent rhythms, some metalcore vibes, some black metal bits, so on and so forth, but without making it sound like a crazy salad of styles.

https://www.facebook.com/WolfheartRealm

Nocturna - melodic power pop from Italy

Nocturna

Of Sorcery And Darkness

Scarlet Records

19 April 2024

The central premise of Nocturna is to take the elements of Europower metal and pair it all up with gothic-pop sensibilitis and let's see what happens! The sound is very upbeat, danceable, very melodic, catchy and with operatic singing. On paper, the idea may seem crazy or perhaps even unworkable, but when you hear the music there is no doubt that power metal is the driving force. The singing is a duo of one high voice, which perhaps sounds like it fits power metal in a way that fans would expect: melodic, clear and pleasant on the ears. Then, there is a higher voice that sounds like it comes from opera. The combination, the contrast, the unity, the duality, it's all very easy to get into, in particular for fans of power metal. The lyrics are warnings of what happens when people choose a life of deceit, manipulation and greed for power. Those actions will cause a reaction and when it comes back around it's not a pretty sight.

https://www.facebook.com/officialnocturna/

Oxygen Destroyer - relentless underground volcanic metal of monstrous aberrations for seismic fractures

Oxygen Destroyer

Guardian of the Universe

August 9th, 2024

Redefining Darkness Records

For ten years Oxygen Destroyer has been churning out unrelenting intensity in the form of death/thrash/black obsessed with the Godzilla movies. Come and enter the realm of no-nonsense headbanging underground metal. Song after song is an exposition in the art of fast and blasting metal, something like a virulent combination of Kreator-Vader exercises in making the human move into a frenzy of energy. For about 33 minutes Oxygen Destroyer seeks to awaken the metal fanatic to get up and join the mosh pit. The riffs launch from the left and from the right, the solos jump out from all sorts of angles, the drumming speeds up and then speeds up some more, all the while the vocals go into black and death tales of all things related to the monster movies that occupy the imagination and fanaticism of this band. If you want 100% headbanging metal that takes the best elements of thrash, death and black metal, then play this album until the cows come home. Just make sure that you have a neck brace handy, just in case that you get out of control and you feel some pain in the morning. Take your medica-tion. You’ll be fine. Your medicine is called Oxygen Destroyer.

https://www.facebook.com/KaijuConjuringDeathMetal

RivetSkull - when the going gets tough, the tough get going

RivetSkull

Abscence of Time

June 14th, 2024

I dropped the ball on this one. Recently I missed a chance see to this band live. I also totally missed the boat on the new album. Next thing I know the album is out and the band is out and about playing shows. I enjoyed the 2022 album Trail of Souls: Samsara. I thought I knew what the new music would sound like, but the new songs, to my ears, are more muscular than I expected. I sense more crunch on the guitars and a heavier sound, while still keeping their traditional metal featuring singing, catchy choruses, melodic guitar solos and a groovy rhythm section. Having seen them live before, I can tell you that they do a good job of representing live renditions of their music. In fact, the time I saw them they had some technical difficulties, and they kept on like champs with the motto "the show must go on" and it did go on. I liked them even more for find-ing a way to tough it out. Anyway, if you enjoy melodic metal, you might like to know that here in the Seattle region, we have this band delivering some memorable melodic songs with the sound of classic rock and heavy metal.

https://www.facebook.com/RivetSkull/

Grendel's Sÿster - descending into the dream chamber of heavy metal

Grendel’s Sÿster

Katabasis into the Abaton/Abstieg in die Traumkammer

Cruz Del Sur Music

6 September 2024

If you listen to this band’s album, you will notice what type of statement they are making. Essentially, they sound like a band that wants you to hear music made by human beings, and not computers. By 2018 they released an EP called Orphic Gold Leaves/Orphische Goldblättchen in two versions, one in English and one in German, the latter being their native language. In 2019 did another EP called Myrtle Wreath/Myrtenkranz. Now in 2024 they make a strong comeback with a new album, which in plain English comes out to something like "descend into the dream chamber."

They sound like a metal band from the 1970s, with emphasis on the heavier side of Thin Lizzy or Led Zeppelin. Big melodies through the guitars in a sound of classic-rock heavy metal are an important feature of their sound. The singing works well with the music, whether in English or German. The singing sounds genuine, which is also the case with the drums, with the band making a serious effort to demonstrate music played by people, to show all the details of the drumming. It's pretty easy to hear what is happening with the drumming. It’s a fun listen, too.

Would you be interested in hearing musicians that want you to experience the sound of their musicianship and instrumentation? There are lots of bands that want to show their technological prowess or their studio magic. There are lots of bands that want to trick you, but what about a band that lays the cards on the table and shows you what they have, and simply asks, "Do you want to hear real rock?," with emphasis on the word real?

There are at least two reasons why this album is worthy of your time and money. First, it's difficult to imagine how a band could be more honest with the listener. This album sounds like real music and it's refreshing to hear something like this because we are all so used to the fraud of studio magic. Second, the songs are good: they range from hard-rocking tunes to anthems and a bit of folk in some segments. I have enjoyed the singing both in English and in German. Sometimes I feel like I prefer the German version, but then I hear the English version again, and it's just as good. The lyrics seem like stories from mythology or ancient times, told about a different time in the past, whether the Middle Ages or the Roman or Greek worlds.

I have liked the idea of this band's music. It's definitely interesting to hear their approach to making music. Their music by itself does the talking by showing how they feel about state of metal and rock music. How do they feel about it?! Listen to this album and it will all be clear. Very clear.

https://www.facebook.com/systerofgrendel

Officium Triste - melodic death doom from Holland

Officium Triste

Hortus Venenum

Transcending Obscurity Records

6 September 2024

Officium Triste (1994-present) has a justifiably proud discography in the field of melodic death doom. Really, you can't go wrong with the 1997 debut Ne Vivam or 2004's Reason or 2019's The Death of Gaia, all of which represent as outstanding examples of graceful interpretations of melodic death doom as you are likely to find anywhere. Actually, any of the six previous full-lengths are good examples of the type of melancholic songwriting for which the Dutchmen are standard-bearers. I also like the various EPs and singles that they have done over the years. With such a good discography, it is fair to say that the new album has to meet a certain level of expectations. Well, I am glad to report that Hortus Venenum (six songs in 41 minutes) is already one of my favorite albums from the band. As is generally the case with this band, the music is melodic death doom that is midtempo (not super duper slow) with some passages moving in a slower direction and some other segments picking up the pace here and there. While it is a given that heaviness is abundant, what is more interesting is their skillful use of melody, of extended, melancholic guitar melodies (not too radically different from the slow, bluesy melodies that characterize Pink Floyd’s songwriting in classic rock) that make it seem like the guitar is singing and the melodies stay in the listener's memory. This idea of making guitar melodies that the listener remembers unfolds rather well with repeated listens, given the playability of the album. The growling is a low, graceful, friendly monstrous voice. The rhythm section provides the heaviness, with the synths assisting with the melodies, which are fundamentally guitar-driven.

The band often bases lyrics on disappointment, disillusion and uncertainty. Per-haps the negativity of the lyrics may turn off some listeners who may not enjoy the constant pessimism, although the lyrics are not any more negative than Paradise Lost or Katatonia, for example. Personally, I think the lyrics are acceptable, though I think it would have been better to find a smarter word to rhyme with “forevermore” in the song “Anna’s Woe.” Thankfully, the lyrics are better than their album The Pathway (2001), which seemed way too angry. In addition, the artwork is good, and they have not repeated the awful artwork of their 2007 album Giving Yourself Away, which is way too clichéd, cheap and stereotypical for depressive doom. Interestingly about the new album, you may find yourself plenty happy with the uptempo moments of “Forcefield,” a song with some nice, upbeat moods. It’s not all downtempo doom!

Overall, the boys from Rotterdam have outdone themselves once again. There is very little to complain about and lots to celebrate. As they get older, the boys seem to take about five years to put out a new album. So, it’s going to be a while before we hear from them again; all the more reason to dive into the new album and see what it has to offer to fans of doom. Then, come back to it later. You are bound to find that the album gets better when you return to it for subsequent listens.

https://www.facebook.com/officiumtriste/

Carmeria - melodic-gothic metal from Australia

Carmeria

Tragédie D’amour

23 August 2024

The second full-length by the Australian melodic band catches the listener’s attention more quickly and more efficiently than their 2021 debut album, which I enjoyed and still enjoy. I was not ready for how much they have improved on all fronts. While I do like the band’s very first EP from 2013 (when they had a different singer) and the 2021 album, they are now operating at higher levels. Even though they a have a certain aspect of power metal, after hearing the album a few times, it should become obvious that they are not really a power metal band. Instead, they have a very melodic, ear-friendly romanticist ethos with gothic elements. Sure, the first song sounds like power metal in some ways, but said track is just a show starter to get the audience warmed up. Once the album gets going, songs like “Leading the Lyre,” “Whispers of Forgiveness,” “Immortal,” or “Burning Ships,” their elegant form of melodic-gothic metal becomes clearer. Therefore, expect keyboards to carry melancholy and an interplay between melodies, but with a tristesse that never seems to disappear fully even though the music is substantially upbeat and uptempo. Vocally, expect romanticist-gothic melodic singing, with very few moments of growling, which I can do without, as this music is perfect without any growling. The lyrics, I'm happy to report, are done well, focusing on love, love lost, loneliness, the joys and sorrows of searching for a soulmate. The lyrics are appropriate for all audiences. Secondly, give credit to the band for keeping everything, from the music and vibes to the lyrics intelligent and mature, avoiding low-IQ clichés, for a very, very good album that hopefully will put the band's name on the map for melodic metal fans.

Tragédie D'amour by Carmeria

https://www.facebook.com/CarmeriaMusic