Metal Bulletin Zine (est. 2006) is a metal music zine (Seattle region), online and on paper. 160 issues so far.
online pdfs available at www.fuglymaniacs.com
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Friday, January 17, 2020
review: Mindless Sinner
Pure Steel Records
January 17th, 2020
Mindless Sinner was a 1980s rocking heavy metal band in Sweden, at a time when young bands in the country were wild and crazy about the new heavy metal music taking the rock world by storm. Today, to the U.S. metal fans, this generation of bands is largely unknown and forgotten, mainly due to the fact that the younger crop of Swedish bands coming behind Mindless Sinner (and their contemporaries Nemesis, Europe, Heavy Load, 220 Volt, Torch, and a bunch of others) would take up extreme metal, and that particular trend would gain international prominence within the worldwide rise of death metal, leaving behind traditional heavy metal as untrendy, which often happens as young people tend to create false oppositions—in this case, traditional heavy metal versus death metal, and feel the need to declare one unfashionable and the other one as cool. That’s a shame because Mindless Sinner’s 1986 album Turn on the Power is such a fun, rocking album that you have to be a real anti-heavy metal stiff neck to not hear the tons of rocking going on.
Decades later Mindless Sinner has been active releasing new music and 2020 finds them doing well with their status as a cult band. The new album is a headbanging traditional heavy metal work with the classic-style riffs and the high singing that has been their brand. It’s a pleasure to report that they keep it rocking and have that great young-heavy-metal energy. It is even more exciting when you consider that these gentlemen are now grandfathers or old enough to be. Don’t expect a bunch of ballads, long slow introductions, tired songwriting and all that stuff. Expect rocking heavy metal for headbanging. If you did not know the ages of the band, you’d be hard-pressed not to think that these are bunch of rockers in their 20s who love Scorpions and Judas Priest, and the New Wave of British Heavy Metal, which of course, actually, they once were. At any rate, the young energy of the album is contagious and the band should feel pretty proud for making such a good album. They have a little less hair (or, a lot less, in some cases) than they did in the 1980s when they were a bunch of handsome young men, but their hearts are still in heavy metal and the music sounds awesome, whether it’s 1986 or 2020.