Ad Patres (France): Scorn Aesthetics (Kaotoxin
Records)
Ad Patres is a very competent band at
precision and technicality in their low-growl death metal. There are
headbanging riffs, catchy guitar solos here and there, and generally a band
doing “modern death metal” skillfully.
It is
beautiful and fun, in particular, for the total “brutal death metal maniac” that listens to 7 to 20 death
metal albums every day. Boy oh boy, do they know how to make a racket. You will
love it! www.adpatres.net
Aum (China): Of Pestilence (Le
Crépuscule du Soir)
Aum’s rabies-infested fugly of minimalistic
black metal raises a nasty, necrotizing proposition for the enthusiast. Blazing
speed, choking vocals, tremolo guitar, such as on “Temple,” the first track
here: awesome energy, at one point, the vocalist sounds like he is coughing his
lungs out, and it is hilariously evil funny. The coughing is a genius move.
Oh, wait
a minute! I just received an “electronic mail” from Darkthrone telling me that
Aum is too black metal for them. Darkthrone is going keep playing punk rock
instead, because they can’t hang with this.
That
sounds about right. To hang with Aum, you have to like ferocious, barebones
black metal recorded in a cave. It is rough on the ears, just like the doctor
ordered. “Place of the Skull” drives some catchy riffs, covered in a
nice sheet of battery acid. On the other hand, “The Forge of Zurvan” is more
than 8 minutes long and in it, Aum plays fast, slow and everything in between,
including adding a tiny bit of melody served with a gallon of salt. It’s just
Aum being Aum.
Aum is doing something
right with their black metal!
They also have a 16-minute song called “Aum
(Acolytes to Eldritch Dimensions)” and I’m still not sure what’s up with that
track because it is trippy, spaced out number. Just you wait, Aum will set the
black metal fire to the Chinese black metal fanatics. Bring it. www.facebook.com/aumofficial
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.