Monday, February 18, 2013

Ad Patres (France): Scorn Aesthetics; Aum (China): Of Pestilence

Ad Patres  (France): Scorn Aesthetics   (Kaotoxin Records)
Ad Patres is a very competent band at precision and technicality in their low-growl death metal. There are headbanging riffs, catchy guitar solos here and there, and generally a band doing “modern death metal” skillfully.
It is beautiful and fun, in particular, for the total  “brutal death metal maniac” that listens to 7 to 20 death metal albums every day. Boy oh boy, do they know how to make a racket. You will love it!

Aum   (China): Of Pestilence           (Le Crépuscule du Soir)
Aum’s rabies-infested fugly of minimalistic black metal raises a nasty, necrotizing proposition for the enthusiast. Blazing speed, choking vocals, tremolo guitar, such as on “Temple,” the first track here: awesome energy, at one point, the vocalist sounds like he is coughing his lungs out, and it is hilariously evil funny. The coughing is a genius move.
Oh, wait a minute! I just received an “electronic mail” from Darkthrone telling me that Aum is too black metal for them. Darkthrone is going keep playing punk rock instead, because they can’t hang with this.
That sounds about right. To hang with Aum, you have to like ferocious, barebones black metal recorded in a cave. It is rough on the ears, just like the doctor ordered.   “Place of the Skull” drives some catchy riffs, covered in a nice sheet of battery acid. On the other hand, “The Forge of Zurvan” is more than 8 minutes long and in it, Aum plays fast, slow and everything in between, including adding a tiny bit of melody served with a gallon of salt. It’s just Aum being Aum.
Aum is doing something right with their black metal!
They also have a 16-minute song called “Aum (Acolytes to Eldritch Dimensions)” and I’m still not sure what’s up with that track because it is trippy, spaced out number. Just you wait, Aum will set the black metal fire to the Chinese black metal fanatics. Bring it.

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