Thursday, December 19, 2024
Impellitteri - for fans of shred guitar
Wednesday, December 18, 2024
Tungsten (melodic metal from Sweden) - official music videos
Sunday, December 15, 2024
Liminal Shroud - a call going out to a particular audience
Misanthropy - things are about to get ugly
Misanthropy
The Ever-Crushing Weight of Stagnance
Transcending Obscurity Records
13 December 2024
This particular Misanthropy from the Chicago area (as opposed to a handful of other U.S. bands with the same name, according to Metal Archives) has come a long way. If one listens to their debut album from 2015, it does not sound like the same band, when they were something like a thrash growl punk band obsessed with sharks and nachos. Here are some ideas for listening to the new music of their third album. First, don't let the cacophony distract you, which is difficult to do. This is technical, dissonant, brutal death metal. It's noisy, chaotic, ear-splitting horrific sounds from beginning to end. Second, try to hear the music beyond the noise of farm animal jazz from Mars.
If you are able to make it past the noise, then the fog will lift, and you will hear music hiding behind the hideous barrage. It's jolting, horrid music for sickos. It is unmelodic, self-indulgent, brutal tech-prog metal. It is a fun, engaging listen if you like challenging crossword puzzle extreme metal with many fun details behind the wall of brutality. The first song features warped Frankenstein funky jazz metal chops in a cloud of growling and blasting. The second track throws down some dissonant grooves, while the third track hits on some all-out blasting bursts of speed with some downtuned thrashy riffs to get a mosh pit going. The fourth song busts out some slamming riffs with some sideways math and pinch harmonics (?!). The fifth song explores something like dissonant doom math groove (what.exactly?). The sixth song has some subtle monk-like chanting with high shrieking with guitar work for which I needed to open my algebra book to look up some of these equations. Before I know it, I am on the last song, for a total of 44 minutes of string bending capriciousness. On the seventh song, one guitar is effectively attacking the other, and the two guitars are orchestrating a collision of notes spiraling into each other. Just like that, the puzzle ends. Did the album even make sense? Not at all, but sit up, chin up, shoulders back, pay closer attention. Run it back. This time, try to focus harder. The headache that the album has caused shall be cured with repeated listens. Keep going. This yellow brick road is pretty wobbly, but the dizziness can be fun.
Friday, December 13, 2024
Among These Ashes - The Undertow (Official Music Video)
Violet Eternal - things are about to get pretty
Violet Eternal
Reload the Violet
Rockshots Records
3 May 2024
This power metal album features the voice of Italian singer Ivan Giannini [Artaban's Redemption, Derdian, Heavy Generation, Ivan Giannini, ex-DarCloud, ex-Elegacy, ex-Ivory, ex-Airforce (live)]. The instrumentation is the work of Jien Takahashi (Heaven's Tragedy, Majustice, Stormheart), a Japanese guitarist with whose work I am not familiar and whose entities have demos and/or a debut album, but no sophomore albums yet, which is also the case for this project here, Violet Eternal. The singing is traditional power metal high-note vocals throughout and has no growling or extreme screaming. It is meant to be beautiful singing, which also turns out to be the case for the guitar work: very melodic, catchy and lots of shredding. These elements, the singing and guitar playing, really shine together on here. Then, when considered with the good songwriting, it all makes for a beautiful and pleasant listening experience for fans of melodic music based on classic rock and heavy metal. Metal Archives shows that there are several guests contributing some keyboards, guitars, bass and drums on the recording. The drumming sounds programmed and it contributes nothing in particular to the enjoyment of the music, but I do not know the actual details of it, I’m just going by what it sounds like to the ears. On the other hand, the songwriting itself should be provide plenty of entertainment to fans of this genre.
VIOLET ETERNAL - Under the Violet Sun (OFFICIAL MUSIC VIDEO)
https://www.facebook.com/profile.php?id=61555241974232
Tuesday, December 10, 2024
Shadows Fall - In The Grey (Official Music Video)
U.S. metalcore band Shadows Fall (1995-2015, 2021-present) has a new video. Some people on their team (video producer? video director? the band?) decided that they would make a video in which you are unable to see much of what's going on in the video. What a strange choice: to make the video difficult to see and render it unwatchable. This is a good example of metal bands sabotaging themselves so that the music will have as little success as possible and make it unattractive to potential listeners and viewers. Here is another metal band working hard to make their music not fun.
Shadows Fall - In The Grey (Official Music Video)
Wednesday, November 27, 2024
Letallis - mesmerized lullabies of the crescent moon nights
Tuesday, November 26, 2024
Thalia - When you're stubborn, and French, and play melodic metal
Thalia
The River Of Books
Rockshots Records
26 April 2024
The hippopotamus groans and squeals. The dog barks and howls. The bear growls. It's not the zoo, kids. It's metal music. No wonder people don't like this genre, right?! It's loud and obnoxious and nobody wants to sing, only make farm animal noises. Going to a metal music show is like going to the Washington State fair: you'll see horses, you'll hear dogs, you'll smell pigs. It's fun, but it's not an event for people wanting something pretty, nice and fragrant.
Then, there's Thalia. Oh, my goodness, do my ears deceive me? Is that singing that I hear? Am I dreaming or am I hallucinating? The voice is full, melodic and strong. If you like good singing, perhaps more on the soulful side, then this voice may make you a fan. It sounds like a human man, but not an angry man yelling or hollering, but rather simply singing, and even when he does higher parts, it is melodic. If you would like to hear some singing (no growling, just singing!), or if you would like to sing along, then you've arrived at the right place. Naturally, if you are partial to melodic singing, then it is very likely that you will find pleasure in this music.
It also helps that the songwriting and the singing go very well together. Melodic, midpaced guitar work, anchored by a stout rhythm section, makes the songs a good listen. At times the music moves and sounds like prog heavy metal-classic rock, a bit more on the rocking side of the equation, although it goes to mellower, pensive and very melodic moments as well. The songwriting shows a lot of effort to keep the listener entertained and returning for repeated listens, without having the songs meander or launch into left-field tangents or show-off parts. The songs last anywhere from three to five minutes, with a few closer to six minutes, for some 12 songs in 51 minutes. When you hear them repeatedly, they do not feel like they wear out their welcome.
Maybe the album is so good because the band has a history. Apparently, they began in 1985 in France. In 1987 they had a six-song, 32-minute demo, with additional demos in 1990 and 1991, an EP in 1998 and the debut full-length in 2000 and broke up in 2001. They had tried to get it going again, but could not, until 2021 when they reactivated the band. This 2024 album seems to feature the exact same line-up as the 2000 album. In general, you'll want to turn to Thalia for some good, soulful singing within the context of adult contemporary melodic metal music. I have heard this album a whole bunch of times. It's always been good, and it never feels boring or redundant or like I have exhausted everything there is to be enjoyed on this album.
Thalia “Vision Empire“ - OFFICIAL LYRIC VIDEO
https://www.facebook.com/profile.php?id=100063830147716
Sunday, November 24, 2024
Redgauntlet's dungeon synth: black metal's stepbrother won't stay quiet anymore
Redgauntlet
Mad Wizard's Keep
Often relegated to the back of the line, frequently told to remember that he has no first-born privileges, in black metal dungeon synth has been called upon countless times, many times as a groomsman, plenty of times as an usher. Never the groom. In black metal dungeon synth has been employed as introductions, contracted out as interludes and temporarily hired as outros, to lay out the road to be traversed, to welcome visitors to the castle. But told to remain outside. Such pieces often are not actually black metal or even rock, for that matter.
Redgauntlet is not black metal, but rather an all-out dungeon synth project. Have you ever listened to the beginning of a black metal album with an introduction? Does it sound ominous, gothic or atmospheric? Alright, well, this recording is that, but now as an entirely separate concept, taking the idea all the way to its logical conclusion. Redgauntlet is dungeon synth finding its own path and refusing to only be a greeter to the festivities. There is a kingdom that Redgauntlet is already building!
Warning: Just in case that it is not clear, there is no rock music whatsoever here. Rather, you will encounter a landscape of sounds for the battles ahead, of the worlds of the goblins, orcs, mountain trolls, gremlins, and of the dragon, the stingy, vengeful dragon unwilling to part with a single ounce of his gold.
Somber and heavy, epic and frightful, contemplative and abstruse, perhaps you won't mosh or bench press 290 pounds to this music because it is not abrasive like black metal, but it is heavy in a different way. It is meant to take you on a journey, sometimes marching, oftentimes running, perhaps crawling, maybe looking for cover or searching out the roads, ravines, old bridges and crevices where the day and the night run up against the beckoning horizon. The time of Redgauntlet is here, making dungeon synth great again by giving you what you don't know you want.
Monday, November 18, 2024
Helloween - Pumpkins Living Their Best Live
Helloween
Live At Budokan
Reigning Phoenix Music
13 December 2024
The godfathers of power metal have been making albums and touring for more than 40 years since starting out in Hamburg, Germany as a band influenced by the New Wave of British Heavy Metal and turning those influences into a faster, leaner form of metal, then making a turn towards adding more melody, both with the guitars and through the addition of perfected air-raid singing to their sound. Throughout their history there have been line-up changes, not-so-friendly splits, and anticipated reunions, as well as exciting albums, landmark works, successful songs, disappointing albums and great comebacks that have achieved much towards restoring their place and shoring up their legacy.
As with any prosperous band with a long discography, it is a daunting task to think how they could do justice to their catalogue. It is impossible, but with their most recent tours, as documented here with this live recording in Japan, they have attempted to cover as many highlights as possible, and for that they deserve credit. In this case, they really do make a serious effort to show their various phases. For example, the band has had three singers. All three are members of the band once again, and took the show on the road like that, with all three. All three eras get represented, including the early days when they were a younger boisterous bunch playing faster than the previous generation of British, American and German bands. Now equipped with three guitarists onstage, they are able pull off rather faithful renditions of their songs.
While it is not possible to please completely all the fans' preferences for this or that particular era, they are to be commended for remembering to honor their most important eras. At this point they have all three of the original surviving members in the band once more, plus the "newer" members that joined later on. What a fun, fun album!
1. Orbit
2. Skyfall
3. Eagle Fly Free
4. Mass Pollution
5. Future World
6. Power
7. Save Us
8. Kai's Medley
9. Forever and One (Neverland)
10. Best Time
11. Dr. Stein
12. How Many Tears
13. Keeper of the Seven Keys
14. Perfect Gentleman
15. I Want Out
total time: 2 hours and 1 minute
Markus Grosskopf - bass (1983-present)
Michael Weikath - guitars (1983-present)
Kai Hansen - guitars, vocals (1983-1989, 2017-present)
Michael Kiske - vocals (1986-1993, 2017-present)
Andi Deris - vocals (1994-present)
Sascha Gerstner - guitars (2002-present)
Dani Löble - drums (2005-present)
https://www.facebook.com/ReigningPhoenixMusicOfficial
https://www.facebook.com/helloweenofficial
HELLOWEEN - Best Time [Live At Budokan] (Official Music Video)
HELLOWEEN - Eagle Fly Free [Live At Budokan] (Official Music Video)
Friday, September 20, 2024
Disillusion - "I guess you guys aren't ready for that yet, but your kids are gonna love it"
Disillusion
Back to Times of Splendor (20th Anniversary Edition)
Metal Blade Records
26 April 2024
Take a look at this gem by the long-running prog melodic extreme metal band Disillusion (1994-present; Saxony, Germany). Earlier in 2024 Metal Blade Records reissued a 20th-anniversary edition remastered version of the 2004 debut album, a highly-regarded work that has continued to impress throughout the previous 20 years. This reissue includes two additional songs from the 2002 single “The Porter” and live renditions of two songs from the album.
1. ...and the Mirror Cracked 08:27
2. Fall 04:54
3. Alone I Stand in Fires 06:53
4. Back to Times of Splendor 14:39
5. A Day by the Lake 04:54
6. The Sleep of Restless Hours 17:03
original album playing time 56:50
Two songs from the single “The Porter” (2002)
7. The Porter 04:17
8. Eternal Duality 05:05
Two live songs from the original album:
9. And the Mirror Cracked (live) 06:24
10. Alone I Stand in Fires (live) 06:27
Of course, the extra material is nice to hear. However, it is the album itself that is the centerpiece of this reissue. As you can see above, there are two songs that are very long. Is this a problem? No, it's not. Why? Well, the album is undoubtedly in the category of melodic death metal, with both growling and singing, and riff-focused thrashy guitar work, and the other side of the coin is that it is not only melodic death metal. There is a prog component to the music giving it a different sound, more personality, if you will. The music bundles melodeath and prog into one smooth sound. If given a couple of proper listens, the album works well overall and the long songs turn out to be indispensable. Given the 20 years that have passed, the album still sounds fun. Plus, today's metal listeners often are much smarter when it comes to understanding albums that blur the lines between genres. If anything, nowadays the album sounds more acceptable, and less a novelty, as perhaps it did for some people in 2004. It's not an instant-gratification album, but over the years it has gained a certain following and it's because the music possesses traits that keeps people coming back for more.
https://www.facebook.com/disillusionBand
Tuesday, September 17, 2024
Legend Revisited - bringing a 1979 album to the present day
Legend Revisited
From the Lord
Sonic Age Records / Cult Rock Classics
21. June 2024 (CD / LP); 6. Sep. 2024 (Digital)
If you have an interest in the history of metal music, Legend (a trio from New Haven, Connecticut, U.S.) may spark your curiosity due to the 1979 album Fröm the Fjörds. Said work has drawn interest from a small group of devoted listeners searching for more music than just whatever the official media promotes. Over the course of decades, some audiences have learned that there are bands and albums that may never get an abundance of coverage by the popular writers, reviewers or websites. That is certainly the case with Legend. So, what is Legend Revisited and what is the new album then? To put it simply, the 2024 album is a re-recording of the 1979 album by a new line-up and with new lyrics.
The new recording features the original drummer Raymond E. Frigon, without the bass player Fred Melillo and without the vocalist/guitarist Kevin Nugent, who died in 1983. Raymond enlisted Swedish bassist Janne Stark (Constancia, Overdrive, Locomotive Breath, ex-Overheat, ex-Planet Alliance) and Danish guitarist Martin Jepsen Andersen (Anchorite, Chalice of Sin, Meridian, ex-Legend (live), ex-David Reece). According to the information on Metal Archives, Raymond takes care of the drums and also the vocals on this re-recording. The idea of the new recording is to give the old album a better production while following rather closely the music. Another important objective of the new recording is to give the album new lyrics, given that Raymond has been dis-satisfied with the old lyrics for a long time.
Musically, it is pretty much the same but with a better sound quality. The music sounds like 1970s heavy and prog rock. The original album was released in 1979, but the music in a way looked towards the early and mid 1970s, and not so much to the fashions at the end of the 1970s like low-skill, low-IQ punk rock or the influence of disco. Thus, the music has the general heaviness of Led Zeppelin or Black Sabbath while also incorporating the influence of prog rock from the 1970s, making the album seem to be in the same family as Rush or Uriah Heep in some ways. The singing is not super loud, like, say Led Zeppelin or Deep Purple, but rather a bit more like earlier heavy rock, perhaps closer to Cream, Blue Cheer or Iron Butterfly: it’s not wailing, air-raid siren, full-on Led Zeppelin singing-screaming. The rhythm section is very important because the music is not totally controlled by the guitar. The guitar does its job, but it is not trying to steal the thunder from the songs. Interestingly, the album is a drumming tour de force. There is no doubt that the drummer is overplaying, including segments that seem like mini solos on drums and an actual drum solo in the middle of the song.
It is an excellent re-recording that gives new life to an old recording and a new chance for audiences to hear the music of Legend. Lyrically, the old album referenced Norse mythology in various ways, whereas the new version features Biblical themes and stories. The drummer Raymond has explained in various interviews that he was a vehement atheist by the age of 13, but by the time the album came out he was 24 years old and he was no longer attracted to the atheist, hippy, drug-addict and alcoholic way of life that he saw around the band. The atheist way of life seemed empty to him, so by time the album came out he had one foot out the door and he wanted to live his life in a more meaningful, purposeful way, and for him, it meant living life as a practicing Christian. Below is a list of the songs from the original album and the new version. The music is mostly the same, although there are some changes, like for the old song “R.A.R.Z.,” and the song in its place (“Gideon”) sounds nothing like the old song. Whereas there used to be two instrumentals, there are now no instrumentals. Anyway, take a look at this list below to get a glimpse of the lyrical changes.
1.The Destroyer 05:15 1.The Creator 05:04
2.The Wizard's Vengeance 03:21 2.The Lord's Vengeance 03:25
3.The Golden Bell 07:10 3.The Golden Crown 07:15
4.The Confrontation 03:23 instrumental 4.Confrontation 03:31
5.R.A.R.Z. 05:12 5.Gideon 04:42
6.Against the Gods 03:43 6.Against the Beast 03:46
7.The Iron Horse 06:29 instrumental 7.The Gospel Train 06:16
8.From the Fjords 08:01 8.Armageddon 08:01
total time 42:34 total time 42:00
By the way, in 2019 there was a 40th anniversary edition of the original album released, a project that the drummer Raymond supported, approved and collaborated with. That version is the original album, the original recording (plus some demo songs), whereas the re-recording represents a new, updated version of the music with lyrics that are not a glorification of pagan and heathen themes. Raymond has stated that they did not think of themselves as a “heavy metal band” because they were too much into jazz, fusion and prog, even though the album did come out sounding pretty heavy. Raymond has been surprised that it is metal fans that have taken an interest in Legend. At the same time, Raymond has explained in interviews that he is not a fan of what he sees as metal music’s promotion of drugs, alcoholism, promiscuity, violence, sexual assault, murder, war and all the things that he sees as metal music’s repertoire and toolbox of lyrical topics. Regardless of how a person may feel about the lyrics, at this point, audiences can listen to the original album and/or the new version! Legend clearly is an interesting story for students of metal music history that are curious about bands that seem to have been forgotten. Legend is one of the those that is almost to-tally forgotten, but certain audiences simply refuse to let the name die. Maybe there is a good reason for the interest in the band decades after they released their one and only album.
LEGEND REVISITED "Gideon" taken from "From the Lord" LP/CD
Legend - From The Fjords 1979 (FULL ALBUM)
https://www.facebook.com/cultmetalclassics
Monday, September 9, 2024
Vision Divine - Italian prog power band is streaming two new songs
Long-running prog power band Vision Divine (Italy) is now streaming two songs from their upcoming album Blood And Angels' Tears, scheduled to be released on the 20th of September, 2024. Active since 1997, the new album will be their ninth full-length. I have been listening to the new work, and it sounds like an album that emphasizes quality in the songwriting, balancing the prog while keeping the music melodic heavy metal, very often uptempo and catchy. The singing is on the higher end of the spectrum, but it's smooth and it's not banshee screaming for its own sake. The album is a good combination of intelligent musicianship and rocking songs. In addition, this is riff-based music, and it's not lazy, groove-based string plucking relying on chugging to be "prog." The guitar soloing is exquisite and memorable, with a bit of that shredding legacy, too. Credit to the band for not forgetting to balance all the various elements, despite the fact that this is a concept album. Apparently the band will be continuing the story on the next album, too. A summary of the idea of the lyrics is the following from the Book of Revelation: “And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, And prevailed not; neither was their place found any more in heaven. And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him” (Revelation 12:7-9). The album feels like the soundtrack of an opera or an epic movie, if such work used melodic metal. It sounds like a pretty big production. If you like trivia, you may like to know that they have some guests on vocals: Ray Alder (Fates Warning), Alle Conti (Twilight Force, Trick Or Treat) and AC Wild (Bulldozer). At any rate, the album should be a delight for fans of melodic singing and melodic prog metal.
https://www.facebook.com/visiondivineofficial
Saturday, September 7, 2024
Blighted Eye - Washington State prog extreme band streaming three songs from upcoming album
The Washington State, U.S. prog extreme band Blighted Eye is already streaming three songs from the upcoming album Agony's Bespoke, scheduled to be released on the 20th of September, 2024. Metal Archives shows that they began in 2019 and in 2020 released an EP. The album will be eight full songs, ranging from about six minutes to some eight minutes or more, and one track goes over the 11-minute mark. Fans of Opeth and Dark Tranquillity may want to hear this particular sound, as the music embraces those influences. Of course, keep in mind that this album will be the band's debut full-length. It is, by any stretch of the imagination, an album has been put together very well and with a professional sound quality. In that sense, the level of the album is tremendous. I do not have access to the lyrics, so I am unable to say as to how intelligent or skilled the lyrics are. I hope that a song like "A Feast for Worms" is not as moronic as a band like Cannibal Corpse or Deicide, although the album artwork does seem to be a brutal album cover fulfilling all the stereotypes of metal music as being music for imbeciles with a penchant for celebrating violence, murder and torture. Fortunately, the music does not sound like a typical brutal band. Despite these reservations, fans of prog extreme metal should give the band a chance because the musicianship is top notch. They sound way better than a song title like "A Feast for Worms" and that awful artwork would suggest.
https://www.facebook.com/BlightedEye/
Wolfheart - melodic extreme metal from Finland
Wolfheart
Draconian Darkness
September 6th, 2024
Reigning Phoenix Music
Although this particular entity Wolfheart has been active for over ten years, the head honcho, multi-instrumentalist Tuomas Saukkonen, who was born in 1980, has been making music for a long time with bands active, officially, if we go by the information on Metal Archives, since 1996, and who knows how many years before that. The seventh album (nine songs in 39 minutes) is a type of coherent pastiche of melodic death, but given the extensive experience in music the various components do not come across as disparate or haphazard. A likely explanation for the smooth sound of variety, besides the studio magic, could be that the band utilizes eclecticism but never fully commits ten-toes-down to any particular genre, thereby allowing transitioning in and out adjacent turns. The songs tend to have the expected parts of melodeath, like the semi-thrashy riffs, melodies and the growling. However, there are also surprises along the way to make things more interesting: some neosymphonic elements, a clean guitar here and there, a proggy segment, some melodic singing, some djent rhythms, some metalcore vibes, some black metal bits, so on and so forth, but without making it sound like a crazy salad of styles.
https://www.facebook.com/WolfheartRealm
Nocturna - melodic power pop from Italy
Nocturna
Of Sorcery And Darkness
Scarlet Records
19 April 2024
The central premise of Nocturna is to take the elements of Europower metal and pair it all up with gothic-pop sensibilitis and let's see what happens! The sound is very upbeat, danceable, very melodic, catchy and with operatic singing. On paper, the idea may seem crazy or perhaps even unworkable, but when you hear the music there is no doubt that power metal is the driving force. The singing is a duo of one high voice, which perhaps sounds like it fits power metal in a way that fans would expect: melodic, clear and pleasant on the ears. Then, there is a higher voice that sounds like it comes from opera. The combination, the contrast, the unity, the duality, it's all very easy to get into, in particular for fans of power metal. The lyrics are warnings of what happens when people choose a life of deceit, manipulation and greed for power. Those actions will cause a reaction and when it comes back around it's not a pretty sight.
https://www.facebook.com/officialnocturna/
Friday, September 6, 2024
Oxygen Destroyer - relentless underground volcanic metal of monstrous aberrations for seismic fractures
Oxygen Destroyer
Guardian of the Universe
August 9th, 2024
Redefining Darkness Records
For ten years Oxygen Destroyer has been churning out unrelenting intensity in the form of death/thrash/black obsessed with the Godzilla movies. Come and enter the realm of no-nonsense headbanging underground metal. Song after song is an exposition in the art of fast and blasting metal, something like a virulent combination of Kreator-Vader exercises in making the human move into a frenzy of energy. For about 33 minutes Oxygen Destroyer seeks to awaken the metal fanatic to get up and join the mosh pit. The riffs launch from the left and from the right, the solos jump out from all sorts of angles, the drumming speeds up and then speeds up some more, all the while the vocals go into black and death tales of all things related to the monster movies that occupy the imagination and fanaticism of this band. If you want 100% headbanging metal that takes the best elements of thrash, death and black metal, then play this album until the cows come home. Just make sure that you have a neck brace handy, just in case that you get out of control and you feel some pain in the morning. Take your medica-tion. You’ll be fine. Your medicine is called Oxygen Destroyer.
https://www.facebook.com/KaijuConjuringDeathMetal
RivetSkull - when the going gets tough, the tough get going
RivetSkull
Abscence of Time
June 14th, 2024
I dropped the ball on this one. Recently I missed a chance see to this band live. I also totally missed the boat on the new album. Next thing I know the album is out and the band is out and about playing shows. I enjoyed the 2022 album Trail of Souls: Samsara. I thought I knew what the new music would sound like, but the new songs, to my ears, are more muscular than I expected. I sense more crunch on the guitars and a heavier sound, while still keeping their traditional metal featuring singing, catchy choruses, melodic guitar solos and a groovy rhythm section. Having seen them live before, I can tell you that they do a good job of representing live renditions of their music. In fact, the time I saw them they had some technical difficulties, and they kept on like champs with the motto "the show must go on" and it did go on. I liked them even more for find-ing a way to tough it out. Anyway, if you enjoy melodic metal, you might like to know that here in the Seattle region, we have this band delivering some memorable melodic songs with the sound of classic rock and heavy metal.
https://www.facebook.com/RivetSkull/
Grendel's Sÿster - descending into the dream chamber of heavy metal
Grendel’s Sÿster
Katabasis into the Abaton/Abstieg in die Traumkammer
Cruz Del Sur Music
6 September 2024
If you listen to this band’s album, you will notice what type of statement they are making. Essentially, they sound like a band that wants you to hear music made by human beings, and not computers. By 2018 they released an EP called Orphic Gold Leaves/Orphische Goldblättchen in two versions, one in English and one in German, the latter being their native language. In 2019 did another EP called Myrtle Wreath/Myrtenkranz. Now in 2024 they make a strong comeback with a new album, which in plain English comes out to something like "descend into the dream chamber."
They sound like a metal band from the 1970s, with emphasis on the heavier side of Thin Lizzy or Led Zeppelin. Big melodies through the guitars in a sound of classic-rock heavy metal are an important feature of their sound. The singing works well with the music, whether in English or German. The singing sounds genuine, which is also the case with the drums, with the band making a serious effort to demonstrate music played by people, to show all the details of the drumming. It's pretty easy to hear what is happening with the drumming. It’s a fun listen, too.
Would you be interested in hearing musicians that want you to experience the sound of their musicianship and instrumentation? There are lots of bands that want to show their technological prowess or their studio magic. There are lots of bands that want to trick you, but what about a band that lays the cards on the table and shows you what they have, and simply asks, "Do you want to hear real rock?," with emphasis on the word real?
There are at least two reasons why this album is worthy of your time and money. First, it's difficult to imagine how a band could be more honest with the listener. This album sounds like real music and it's refreshing to hear something like this because we are all so used to the fraud of studio magic. Second, the songs are good: they range from hard-rocking tunes to anthems and a bit of folk in some segments. I have enjoyed the singing both in English and in German. Sometimes I feel like I prefer the German version, but then I hear the English version again, and it's just as good. The lyrics seem like stories from mythology or ancient times, told about a different time in the past, whether the Middle Ages or the Roman or Greek worlds.
I have liked the idea of this band's music. It's definitely interesting to hear their approach to making music. Their music by itself does the talking by showing how they feel about state of metal and rock music. How do they feel about it?! Listen to this album and it will all be clear. Very clear.
https://www.facebook.com/systerofgrendel
Thursday, September 5, 2024
Officium Triste - melodic death doom from Holland
Officium Triste
Hortus Venenum
Transcending Obscurity Records
6 September 2024
Officium Triste (1994-present) has a justifiably proud discography in the field of melodic death doom. Really, you can't go wrong with the 1997 debut Ne Vivam or 2004's Reason or 2019's The Death of Gaia, all of which represent as outstanding examples of graceful interpretations of melodic death doom as you are likely to find anywhere. Actually, any of the six previous full-lengths are good examples of the type of melancholic songwriting for which the Dutchmen are standard-bearers. I also like the various EPs and singles that they have done over the years. With such a good discography, it is fair to say that the new album has to meet a certain level of expectations. Well, I am glad to report that Hortus Venenum (six songs in 41 minutes) is already one of my favorite albums from the band. As is generally the case with this band, the music is melodic death doom that is midtempo (not super duper slow) with some passages moving in a slower direction and some other segments picking up the pace here and there. While it is a given that heaviness is abundant, what is more interesting is their skillful use of melody, of extended, melancholic guitar melodies (not too radically different from the slow, bluesy melodies that characterize Pink Floyd’s songwriting in classic rock) that make it seem like the guitar is singing and the melodies stay in the listener's memory. This idea of making guitar melodies that the listener remembers unfolds rather well with repeated listens, given the playability of the album. The growling is a low, graceful, friendly monstrous voice. The rhythm section provides the heaviness, with the synths assisting with the melodies, which are fundamentally guitar-driven.
The band often bases lyrics on disappointment, disillusion and uncertainty. Per-haps the negativity of the lyrics may turn off some listeners who may not enjoy the constant pessimism, although the lyrics are not any more negative than Paradise Lost or Katatonia, for example. Personally, I think the lyrics are acceptable, though I think it would have been better to find a smarter word to rhyme with “forevermore” in the song “Anna’s Woe.” Thankfully, the lyrics are better than their album The Pathway (2001), which seemed way too angry. In addition, the artwork is good, and they have not repeated the awful artwork of their 2007 album Giving Yourself Away, which is way too clichéd, cheap and stereotypical for depressive doom. Interestingly about the new album, you may find yourself plenty happy with the uptempo moments of “Forcefield,” a song with some nice, upbeat moods. It’s not all downtempo doom!
Overall, the boys from Rotterdam have outdone themselves once again. There is very little to complain about and lots to celebrate. As they get older, the boys seem to take about five years to put out a new album. So, it’s going to be a while before we hear from them again; all the more reason to dive into the new album and see what it has to offer to fans of doom. Then, come back to it later. You are bound to find that the album gets better when you return to it for subsequent listens.
https://www.facebook.com/officiumtriste/
Tuesday, September 3, 2024
Carmeria - melodic-gothic metal from Australia
Carmeria
Tragédie D’amour
23 August 2024
The second full-length by the Australian melodic band catches the listener’s attention more quickly and more efficiently than their 2021 debut album, which I enjoyed and still enjoy. I was not ready for how much they have improved on all fronts. While I do like the band’s very first EP from 2013 (when they had a different singer) and the 2021 album, they are now operating at higher levels. Even though they a have a certain aspect of power metal, after hearing the album a few times, it should become obvious that they are not really a power metal band. Instead, they have a very melodic, ear-friendly romanticist ethos with gothic elements. Sure, the first song sounds like power metal in some ways, but said track is just a show starter to get the audience warmed up. Once the album gets going, songs like “Leading the Lyre,” “Whispers of Forgiveness,” “Immortal,” or “Burning Ships,” their elegant form of melodic-gothic metal becomes clearer. Therefore, expect keyboards to carry melancholy and an interplay between melodies, but with a tristesse that never seems to disappear fully even though the music is substantially upbeat and uptempo. Vocally, expect romanticist-gothic melodic singing, with very few moments of growling, which I can do without, as this music is perfect without any growling. The lyrics, I'm happy to report, are done well, focusing on love, love lost, loneliness, the joys and sorrows of searching for a soulmate. The lyrics are appropriate for all audiences. Secondly, give credit to the band for keeping everything, from the music and vibes to the lyrics intelligent and mature, avoiding low-IQ clichés, for a very, very good album that hopefully will put the band's name on the map for melodic metal fans.
Tragédie D'amour
by Carmeria
https://www.facebook.com/CarmeriaMusic
Saturday, August 3, 2024
Vanquishment - black metal debut from Washington State, U.S.
Vanquishment
Dogfights
May 15th, 2024
1. Dogfights (On the Horizon) 03:55
2. Alpine Trenches 03:52
3. Fusional Bombardment 04:17
total time 12:04
C. Barthels - drums (ex-Abject Offering, ex-Empyrean)
J. Bowens - guitars, bass (Open Grave, ex-Minas Tirith, ex-Helcaraxë, ex-Humanicide, ex-Kult ov Azazel)
J. Knowlton - guitars, vocals (ex-Dioghaltas, ex-Sacrament ov Impurity, ex-Weary, Entrails, ex-Kömmand [live])
Even though it is accurate that while there are only three songs that comprise the debut by this Washington State, U.S. black metal band, the recording is much better than you would otherwise surmise. The first trait that caught my attention was the overall sound quality. The traditional black metal style of the vocals, the ripping tone of the guitars, and the liveliness of the rhythm section. In addition, the war-themed lyrics read like a documentary on modern warfare strategies, techniques and terrains. Supporters of traditional black metal—the genre that focuses on headbanging music, on riffs and melodies—may be more than well pleased by the sense that the musicians are using their combined, considerable experience to make no-nonsense, intense, headbanging music, but that also avoids rock music’s low IQ elements, such as dumb lyrics or the fake-persona gimmickry or the glorification of stupidity. In other words, the music is enjoyable and there is no need to warn listeners that they must lower their expectations because the vocals may be subpar, the guitar work may lack skill or that there may not be much in the way of the rhythm section or that the lyrics may be total garbage. Lastly, I have also enjoyed the sound and personality of the drumming. There are quite a few details to be heard when one listens closely to the drumming. Of course, I do not know how much tinkering they have done to the drumming, but fortunately it does not sound like computer software clinical plastic perfection. In addition, it is very nice to hear a full rhythm section on this recording, with both the bass and drums.
https://www.facebook.com/vanquishmentband/
Tuesday, July 23, 2024
Rendell Gary
U.S. guitarist Rendell Gary (Newport News, Virginia) so far has two solo instrumental recordings. The first one is called And the Gods Cried Guitar from 2017, comprised of seven songs in 22 minutes. The second recording is called The Seven String Theory from 2022 and it is also seven songs in 24 minutes. Metal Archives states that Mr. Gary takes care of all the instruments. (Apparently there was a demo in 2006 (!), although I have not heard it. Amazon Music and Metal Archives show only the two recordings mentioned here.
Both are instrumental works recommended for audiences interested in serious and multifaceted guitar. The songs go beyond a particular subgenre or style, reflecting Mr. Gary's love of variety of different musical traditions channeled through a wide interpretation based on heavy metal guitar foundations, which is to say that it is not a single-genre songwriting method. It is not shred, for example. There is shredding in which the fast-finger action comes out of the woodwork, but there is also lots of melody. In addition, there is acoustic or clean guitar. The 2017 recording ends with an acoustic rendition of Beethoven's famous piece "Für Elise." Of course, there is a certain heaviness to balance out the variety, and it does not sound like a super crazy mix of eclecticism. There is variety, but to my ears it all sounds coherent, and not simply a compilation of different styles.
The 2017 recording feels like it is half and half: classical, clean, acoustic or Spanish guitar, on one hand, and heavy metal on the other. The 2022 recording leans more towards electric guitar/metal music, while still celebrating the classical guitar elements. Both recordings are similar but they feel a bit different due to the song sequence. Either way, it does not matter: both are enjoyable and fun if you like instrumental guitar music.
KING FOR A DAY
https://www.instagram.com/757sixstringkiller/
Friday, June 7, 2024
Veriteras - melodic death/black from Washington State, USA
Thursday, March 28, 2024
Plush - Find the Beautiful
Meadows - Barabbas (Silence of Innocence)
Friday, March 15, 2024
Lutharo - blazing across the Ontario skies
Monday, March 4, 2024
Sovereign - will the real Sovereign stand up?
Hyloxalus - operatic metal boldly going to the firmament
Sunday, March 3, 2024
Dreams of Gray - new melodic death metal out of Chicago, USA
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