Tuesday, August 22, 2017

NEWS: Lady Beast Enters Studio To Record “Vicious Breed” Album

The American traditional heavy metal constructionist crew Lady Beast is preparing to bring their pitchforks and torches to get their name in the book of heavy metal. They have signed the contract with the devil, and they would die to be immortal and they are ready to give up their life to see their name in the book of heavy metal. It's not the fame that drives them, it's not the money, well, it's certainly not the money. What drives them is the fact that they have pledged their total allegiance to traditional heavy metal with riffs and solos and singing and this is the way that things are going to be and that's that. Listen for yourself at the first link below. This is how you want to live!
OFFICIAL: Pittsburgh, PA NWOBHM-inspired upstarts LADY BEAST will be entering +/- Studios in early September to record their third full-length album, “Vicious Breed”, which will also serve as the band’s first release for Italy’s Cruz Del Sur Music. Jason Jouver will be handling production duties; Karl Dahmer has been enlisted to create the album’s cover.
Comments guitarist Twiz: “Musically, I'd say it's a continuation of the ‘Metal Immortal’ EP. Some of the songs were written at the same time as the songs on the EP. I think it's our most dynamic and diverse album to date. We have fast songs (‘Vicious Breed’), heavy songs (‘Lone Hunter’), melodic songs, a ballad (‘Always With Me’), rockers (‘Get Out Of My Way’), and an instrumental. I'm probably most proud of the songs on this than I am of other stuff I've written”
“I am very proud of the melodies and lyrical content on this album,” adds vocalist Deborah Levine. “I have a bit of a formula when I start writing lyrics. The music and feel of the song obviously help the direction I turn, but also I like to have a skeleton of the same idea for each album. The song of an epic story, the hopeful song, the metal ripper, etc. Each is important as it builds the album as a whole. On 'Vicious Breed', we have our first ballad, on which it will be fun to slow it down and have people hear a different side of us.”
“Vicious Breed” is set for an early 2018 release, after which, LADY BEAST hopes to embark on their most expansive run of shows to date.
“We are excited to release our third full-length, but first release with Cruz Del Sur,” concludes the band. “This is by far our greatest album yet and we are excited to get out there and play it for the world. We have goals of more international touring in the next year. Europe is our biggest goal right now and we are networking as we speak trying to plan a LADY BEAST European tour, as well as touring in the States and writing new music!”
Biography: Lady Beast is a heavy metal band from Pittsburgh PA. Now in its 7th year, the band has played hundreds of shows, played festivals, done tours, and sold thousands of albums. Upon hearing a recording of the band, it’s easy for the listener to pick out the band’s musical influences (NWOBHM, Motörhead, Dio, etc), but that isn’t the only influence. The band draws heavily on the DIY ethos of the punk scene. Lady Beast has always done everything on its own. -Booking tours, doing band photos, printing t-shirts, setting up shows at home, writing songs, putting out albums (released on bassist Greg Colaizzi’s label, Cobra Cabana Records), and driving the van. Anyone that has seen the band live can attest to the band’s energy, and singer Deborah Levine’s vocal ability, charisma, and love for what she is doing. Lady Beast is getting ready to release a new EP with 4 new metal songs in the style that the band is known for. The EP (our third release) is also a debut for the band’s new lead guitarist, Andy Ramage. Andy is a familiar face, as he is the older brother of drummer Adam Ramage, and the two also played together in Oh Shit They’re Going To Kill Us. Andy’s style fits perfectly with the songs that rhythm guitarist Christopher “Twiz” Tritschler has been writing for the band. In addition to the EP, Twiz and Andy are writing songs for a full length, hopefully to be recorded next year.
ladybeast.bandcamp.com/
facebook.com/ladybeastofficial/

Monday, August 21, 2017

review by Matt Spall: Decapitated

Our friend Matt Spall has never been a fan of Decapitated. The music has never impressed him as much as it has other people and the hype has not convinced him to become a fan. Why has Matt not thrown himself into the fandom of Decapitated? Maybe his thinking is too old-school? Maybe Decapitated hasn't had the songs to impress him in the first place? Maybe the hype was always just that, hype? Decapitated is an old band now. Once they were young and shiny, but life and death has thrown more than a few monkey wrenches their way. How does Matt see Decapitated now? Is it the same old stuff that has not impressed before? --MMB
Artist: Decapitated
Album Title: Anticult
Label: Nuclear Blast Records
Date of Release: 7 July 2017
My relationship with Polish death metal band Decapitated could be best described as casual. I was struck in the early days by two things: the band’s youth and their proficiency. The proficiency was mind blowing, savage and suddenly, to many, here was a band which helped to breathe new life into the death metal scene.
And yet, since their inception in 1996, I have only really dabbled in and out of their offerings. I admired the talent and I own a few of their albums but I’d not refer to myself as a hardcore fan. In many ways, I think that this had something to do with the overt technicality which threatened to make their albums sound just a little too polished and perfect. Nevertheless, their name carries enough of a cache to force me to take notice when a new album arrives.
‘Anticult’ is the seventh album from Decapitated, which may seem a relatively low number for a career that has now spanned more than two decades. Mind you, given the disaster that befell the band in 2007, we should be grateful that Decapitated still exist. Indeed, in the months and years following the vehicle accident that sadly claimed the life of drummer Witold ‘Vitek’ Kiełtyka, one of two founding members and the brother of guitarist Wacław ‘Vogg’ Kiełtyka, the band took a well-understood hiatus.
It can often sound trite, but positive shoots can grow out of adversity. And if there is any proof in the truth of this platitude, it is here. ‘Anticult’ can quite possibly claim the accolade of being the best album of their career. This is an album that does everything that is required of death metal and does it fantastically well. It sounds vital and fresh, it sounds full of anger, full of hunger and it is brutal as hell. And, most importantly for a band that has historically sat within the more technical end of the death metal spectrum, it is razor-sharp and incisive.
Decapitated 2017 is comprised of vocalist Rafał Piotrowski, guitarist Wacław ‘Vogg’ Kiełtyka, bassist Hubert Wiecek and drummer Michal Lysejko. And whilst ‘Anticult’ retains some of the overt technical prowess, the likes of which we have become accustomed to over the years I can’t help but think as I listen to this record that the technicality has been dialled down a little from the early days. It might be my brain playing tricks on me, but I found myself being surprised initially by the looser and freer delivery that I hear on ‘Anticult’. It is something that is bound to divide their fanbase. Those that love the precision might be concerned and even upset by ‘Anticult’. But those who are slightly more open-minded and embrace a touch of change, might just feel similarly to me about this record. It is a monster.
The most positive thing that I can say about this album is the fact that I have found myself somewhat addicted to it. This happens with other genres of metal, but for me, it’s a rarity where death metal is concerned. With ‘Anticult’, I have listened to it with a frequency that initially surprised me but over the past week, I realised it’s because it is a damn fine record, with plenty to entertain and delight.
The songs themselves are utterly immense; they are certainly some of the most immediate and accessible of the band’s career. However, this does not mean that they have lost any of their aggression. There is groove upon groove to be heard, clever atmospheric interludes, uncomfortably dissonant soundscapes and a welcome injection of progressive ideas that has been built on from 2014’s ‘Blood Mantra’. And that’s not to mention the veritable cornucopia of little subtle embellishments that litter the eight tracks, many of which go under the radar for the first few spins.
Case in point – track one, ‘Impulse’. Opening with some unsettling quiet and brooding melodies, it soon explodes into a blitzkrieg of intensity overlaid by some mournful lead guitar melodies before settling into explosive riff after explosive riff. The rhythm section, it almost goes without saying, is tighter than a duck’s behind and so are the transitions within a song that lasts six minutes but which packs an album’s worth of ideas into it almost seemlessly. The grooves, the drama, the sense of violence, it all comes gushing forth in a well-measured torrent but in a way that makes perfect sense, thus creating one hell of an opening statement.
The rest of the album follows suit with a further seven expertly crafted tracks that have an unmistakeable vibrancy to them. They live and breathe in a manner that I don’t think I’ve ever heard from Decapitated before, whilst still sounding distinctive enough to know you’re listening to Decapitated…or at least to one of the best death metal units out there on the scene today. To pick out personal favourites feels a little unfair given the unbelievably high standard here throughout. Nevertheless, ‘Kill The Cult’ is probably has the biggest grooves and the cockiest swagger to it, whilst I love the drum solo intro to ‘Anger Line’ as well as the ensuing three-and-a-half-minutes of high tempo devastation. I also have to mention the stomping excellence of ‘Earth Scar’ with its extended guitar solos and where the vocals of Piotrowski call to mind Darkane, another firm favourite of mine.
But all-in-all, there is nothing less than brilliance to be heard throughout this highly impressive album. You tend to know when you are listening to something a little bit special and that is most definitely the case here with Decapitated and ‘Anticult’. If this doesn’t end up being the best pure death metal album of 2017, I will be thoroughly shocked.
The Score of Much Metal: 9.5
twitter.com/ManOfMuchMetal?lang=en

Saturday, August 19, 2017

review: Wintersun

Wintersun
The Forest Seasons
release date: July 21st, 2017
label: Nuclear Blast
Wintersun receives, on one hand, glowing reviews all over the place and the words genius and masterpiece seem to be used often and the hype machine never rests and it has worked for the band. On the other hand, Wintersun also receives lots of money, apparently substantially more than half a million dollars, in its crowdfunding campaigns. The band has convinced the fans that they need to give money in order to hear more masterpieces of computerized symphonic happy metal in the future. The powerful television evangelists convince people to bankroll their lifestyles and maybe that's what happening with Wintersun. From the looks of it, the fans want to give their money in bucketloads to the band and the band, being the sensitive, caring depressive Finns that they are, reluctantly accept the money, and go crying all the way to bank. Oh, what to do with all that fan money. Buy a new house? Maybe buy that vacation house in Hawaii? Maybe send the kids to Harvard? Hey, that's the dilemma that a symphonic computer metal band faces. Oh, also, once every 12 years or so, the band might release an album. They tell the metal press that they have been sweating and working hard at this new music. All the money is necessary for all that computer software, you know.
"Welcome to the church of Wintersun
We'll have a service and wonderful recital
But before we go on, there's something I must mention
An important message I must bring to your attention
I was in meditation and prayer last night
I was awakened by a shining bright light
Over head, a glorious spirit
He gave me a message and you all need to hear it
'Send me your money', that's what he said
He said to 'Send me your money'
Now if you can only send a dollar or two
There ain't a hell of a lot I can do for you
But, if you want to see a new album some day
Make a check out for five hundred today.
'Send me your money', do you hear what I'm saying?"
review by MMB

Friday, August 18, 2017

reminder about Saturday night in Seattle: Thou Shall Kill

Thou Shall Kill CD RELEASE at El Corazón
w/
The Morning After
Dilapidation
Urdr
Religicide
facebook.com/thoushallkill

Seattle and Washington concert calendar, updated August 18, 2017

Friends in the state of Washington,
Is there a metal music show in your area that is not listed in this calendar? Does your local metal band have a show coming up and is not listed here? Is your band's name spelled incorrectly? Are the dates wrong? If you have information about shows/updates/cancellations, please get in contact with Metal Bulletin Zine.
Seattle and Washington concert calendar, updated August 18, 2017
August 19 Siren's Rain at The WA Midsummer Renaissance Faire, Bonney Lake, WA
August 19 Noctium at Tony V's, Everett, WA
August 19 Xoth, Oxygen Destroyer, Master Kush Ultra at 1017 East First Street, Port Angeles, WA
August 19 Voodoo Death Gun, Convergence, Fifteen Stitches, The Bare Minimum at Louie G's Pizza, Fife, WA
August 19 Thou Shall Kill, The Morning After, Dilapidation, Urdr, Religicide at El Corazón, Seattle, WA
August 19 Thread the Sky, Ergo I Exist at Funhouse, Seattle, WA
August 19 Countless the Dead at McCoys Tavern, Olympia, WA
August 20 DevilDriver, 36 Crazyfists, Uncured at The Pin, Spokane, WA
August 24 Diamond Head, Substratum, Skelator, Ape Machine, Salem Knights at El Corazón, Seattle, WA
August 25 Hell's Belles at Uncle Sam's Bar & Grill, Spanaway, WA
August 25 Helldorado, Zero Down, others at Sky River Rock Festival, Sultan, WA
August 26 Ashen Pyre at Black Lodge, Seattle, WA
August 26 Oxygen Destroyer, Religicide, Blood and Thunder, Religicide, Wuththphuk at Black Zia Cantina, Burien, WA
August 28 Metal Mondays: Beekeeper (CA), Noceur, Iron Nightingale at Substation, Seattle, WA
August 30 Weedeater, Telekinetic Yeti at The Pin, Spokane, WA
August 31 Decapitated, Thy Art Is Murder at The Pin, Spokane, WA
August 31 Whythre, Prey the Hunter, Born without Blood at The Skylark, Seattle, WA
September 1 Queensryche at Walla Walla Frontier Days, Walla Walla, WA
September 1 Massacre at the Opera, Casualty of God at Louie G's, Fife, WA
September 2 Monsters among Gods, Crowskull, others at Studio Seven, Seattle, WA
September 3 Decapitated, Thy Art Is Murder, Fallujah, Ghost Bath, Dismembering Mary, Aethereus at Studio Seven, Seattle, WA
September 5 Inquisition, Uada, Volahn, Noceur at Studio Seven, Seattle, WA
September 8 The Drip at El Corazón, Seattle, WA
September 9 Blaze Bailey, Killian Mahaffey at Funhouse, Seattle, WA
September 9 Versus, Dead Crown, Follow the Lights, Down the Scope, Rucker, Vesuvian at El Corazón, Seattle, WA
September 9 TitanFest 2017: Motograter, Chronological Injustice, The National Guard - Music, Invasive, Bleed The Stone, Syztem7, Jesus Wears Armani, Vial 8, Heart Avail, Salem Knights, Hammerz Down, Voodoo Death Gun at Louie G's Pizza, Fife, WA
September 11 Epica, Lacuna Coil, Insomnium, Elantris at The Showbox, Seattle, WA
September 13 Venom, Inc., Goatwhore, Toxic Holocaust, The Convalescene, Rutah, Dysfunktynal Kaos at The Pin, Spokane, WA
September 14 Venom, Inc., Goatwhore, Toxic Holocaust, The Convelesence, Noctium at Studio Seven, Seattle, WA
September 14 Isenordal, Vradiazei, Omens, Exulansis at Obsidian, Olympia, WA
September 15 Hell's Belles at Lucky Eagle Casino, Rochester, WA
September 16 Hell's Belles (AC/DC tribute) at Kitsap County Fairgrounds, Bremerton, WA
September 16 Army of Dagon at Black Zia Cantina, Burien, WA
September 16 The War Within, Visceral Disembodiment, others at Anchor Pub, Seattle, WA
September 18 Orphaned Land, Pain, Voodoo Kungfu, Wythre at Studio Seven, Seattle, WA
September 20 Lich King at Tony V's Garage, Everett, WA
September 22 Hell's Belles (AC/DC tribute) at Swinomish Casino, Anacortes, WA
September 22-23 Famine Fest Seattle at Highline, Seattle, WA. Friday September 22nd. Witchtrap (Colombia), Witchaven (Los Angeles), Drawn And Quartered, Malleus (Boston), Xoth. Saturday September 23rd. Hirax (from Los Angeles), Plague Bearer (Ancient Seattle Death Cult reunion), Effluvia (recently refomred death Metal from Washington), Raptor (Portland, Oregon), Oxygen Destroyer
September 23 Wovoka, Drainage, Addaura at McCoy's Tavern, Olympia, WA
September 24 Black Table, Hexis at Funhouse, Seattle, WA
September 25 The Casualties at The Pin, Spokane, WA
September 29 Dark Tranquillity, Warbringer, Striker, Last Bastion, ReEvolution at El Corazón, Seattle, WA
September 29 Scorpions, Megadeth at Spokane Veterans Memorial Arena, Spokane, WA
September 30 Scorpions, Megadeth at Tacoma Doma, Tacoma, WA
October 2 Bat, Savage Master, Bewitcher, Substratum at Highline, Seattle, WA
October 3 The Devils of Loudun at The Pin, Spokane, WA
October 4 Cerebral Incubation, Cordyceps, Angel Splitter, others at Studio Seven, Seattle, WA
October 5 American Wrecking Company at El Corazón, Seattle, WA
October 7 A Flourishing Scourge, Anthrocene, Shades Of Static at The Charleston, Bremerton, WA
October 7 Army of Dagon at Skylark, Seattle, WA
October 8 Hell's Belles (AC/DC tribute) at Jazzbones, Tacoma, WA
October 10 Soulfly does Nailbomb performing "Point Blank"; Cannabis Corpse, Noisem, Lody Kong, others at Studio Seven, Seattle, WA
October 15 Warning, The Body, Worm Ouroboros at Highline, Seattle, WA
October 17 Cattle Decapitation, Revocation, Full of Hell, Artificial Brain, Transcribing The Necronomicon, Dismembering Mary, others at Studio Seven, Seattle, WA
October 24 Aura Noir, Mutilation Rites, Weregoat at Highline, Seattle, WA
October 25 Wolves in the Throne Room at Obsidian, Olympia, WA
October 28 Vale of Pnath, First Fragment, Virvum, Aethereus at The Pin, Spokane, WA
October 28 Hell's Belles (AC/DC tribute) at Jazzbones, Tacoma, WA
October 29 Vale of Pnath, First Fragment, Virvum, Aethereus at Studio Seven, Seattle, WA
November 4 Narcotic Wasteland, Dreaming Dead, Countless the Dead at Studio Seven, Seattle, WA
November 7 Children of Bodom, Carach Angren, Lost Society, Uncured at El Corazón, Seattle, WA
November 11 Children of Bodom, Carach Angren, Lost Society, Uncured at El Corazón, Seattle, WA
November 15 Gwar, Ghoul,U.S. Bastards at Showbox Sodo, Seattle, WA
November 17 Cannibal Corpse, Power Trip, Gatecreeper at Neumos, Seattle, WA
November 17 Washington Deathfest at The Charleston, Bremerton, WA: The Charleston (Monsters Brawl Main Stage) 6pm: Embryonic Devourment, Violent Hallucinations, Progenitor, Whythre, Ghostblood, Nihilist Nation, Ashen Pyre, Oxygen Destroyer. High Fidelity lounge (The Chaos stage 2) 4pm: Monsters Among Gods, Abiosis, Inside Defiance, Prey The Hunter, Noceur
November 18 Boycott the Baptist at The Charleston, Bremerton, WA
November 24 Arch Enemy, Trivium, While She Sleeps, Fit For An Autopsy at Showbox Sodo, Seattle, WA
December 2 Ghoul, The Plot Sickens, Crud Guns, Misuse of Power, Kömmand at El Corazón, Seattle, WA
December 4 Ghost Ship Octavius, American Wrecking Company, Avoid the Void, Omnisight at Studio Seven, Seattle, WA
December 9 Jesus Wears Armani, Massacre at the Opera, Chamber 6, Method 13, Odyssian, Born without Blood, Children of Seraph, As Pillars Fall, Blood and Thunder, After the Fallout, Prey the Hunter, Anthrocene, Bleed the Stone at at Tony V's, Everett, WA
December 22 Black Bone Exorcism, Thou Shall Kill, others at Substation, Seattle, WA
December 29 Zoso - The Ultimate Led Zeppelin Experience at Knitting Factory, Spokane, WA
March 19 Udo Dirkschneider, Zero Down, Children of Seraph at El Corazón, Seattle, WA
March 22 Michael Schenker at Neptune Theatre, Seattle, WA
April 6 Nightwish at Knitting Factory, Spokane, WA
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Metal Bulletin Zine
P.O. Box 1339
Lake Stevens WA 98258 USA
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Wednesday, August 16, 2017

issue number 128 of Metal Bulletin zine

At the first link below you can read number 128 of Metal Bulletin zine.
Assassin's Blade (Sweden/Canada)
Damnations Day (Australia)
Al Joseph (U.S.)
Firespawn (Sweden)
PLUS: Axemaster (U.S.)
fuglymaniacs.com/pdf-files/MetalBulletin128.pdf
fuglymaniacs.com

Tuesday, August 15, 2017

Kömmand comes to Everett on August 17

“Stop triggering drums. This is metal, not a typewriting class.”
That’s Kömmand. This Seattle band captures the spirit of underground old thrash. A long time ago, before thrash bands began thinking like business people, before thrash became streamlined, commercialized and packaged with releases like Master of Puppets and Reign in Blood, thrash was a down-and-dirty endeavor. Kömmand is thrash, but it’s the spirit of Venom, very early Destruction and Sodom, early Bathory, so on and so forth. Kömmand’s black thrash came to be because they are not happy with the mechanized robotic computerization in metal music. Instead of complaining about it online like impotent losers, they decided to form a band to show how it is done.
Listen to their full-length album Nekrö Kömmandö Attack!
Observe that Kömmand will be playing in Everett.
August 17 at Obscurus, Everett, WA
Sentient Divide, Kömmand, Morrow, Florida Man, Lore of the Cannibals
kmmnd.bandcamp.com/releases
facebook.com/Kmmndmusic/

Hyper Fury

Hyper Fury is progressive metal from Memphis, Tennessee, U.S. This year they an EP called Diamonds. They are a new band to this publication. Find out more about them below.
OFFICIAL: Hyper Fury was started in February of 2014 by Christopher Thornton, Chris McCoy, and Andrew Smothers. The band began on the concept of forming a faster progressive sound. The goal, to stray away from the common hard rock three chord theme of many area bands. The trio knew they would need a great singer to back this sound. After a short search, the band settled on the idea of a female voice. Their first initial attempt fell flat, and after about a year the band decided to part ways with their first vocalist. After a short search the band found the amazing voice of their current singer Amber King in May of 2015.
Chris McCoy and Amber had known each other for quite sometime, running into each other several times in different areas in the Memphis music scene. Amber was contacted and was immediately on board. In fact with in a few short months the band was once again playing live shows, and recorded a new song "Manipulation" for their fans, flaunting their new vocalist. Shortly after the band began gaining in popularity, and experienced their songs being played on local radio shows such as Rock 103's "Locals only", and The Cock and Crow Show, a facebook live radio show, and more.
Overtime the bands sound has evolved, and although still technical and fast, has developed more into being just a straight metal band rather than a progressive band. However progressive elements are always at the root of their music. The band has many fans, and quite a few worldwide, many in Canada and the UK. In a few short years they have overcome many obstacles, and have set themselves up to conquer even more. Check out their website for the latest in the bands adventures.
The band’s sound: Hyper fury produces a tight, fast, more technical sound, with melodies, grooves, soaring leads, and tight destructive low end by the bass guitar. Many elements come together to form this band's sound. Components of the sound include, but are not limited to, Thrash Metal, Hard Rock, Progressive Rock and Metal, Soul, Jazz and Blues. Each element is formed into songs that are relevant to the average ear, but traditionally true to the most hard core of metal listeners. Each song is worked to get the best impact for modern listeners, and technical Musicians alike. A tight rhythm by the drums ,and a vocalist with a beautiful sometimes soulful voice top off the energy that is Hyper Fury, a truly unique gem of a band.
hyperfuryband.com
soundcloud.com/hyper-fury
facebook.com/hyperfury/
hyperfuryband@gmail.com

Gateway to Hell

Gateway to Hell is a doom band from Baltimore, Maryland, U.S. This year they have an EP called Clovers. Their sound is descended from 1970s Black Sabbath, with bits, pieces and echoes of other sounds that crept their way into the band’s identity. This is a new band to this publication. Learn more about them below.
OFFICIAL: GATEWAY TO HELL was forged in 2013 when drummer Dan Petruccelli and bassist Rudy Gomez started jamming in the basement of an otherwise reputable Baltimore cake shop. Taking cues from John Carpenter soundtracks, Type O Negative, and Ministry, they realized they were onto something fun and brought in Jerrod Bronson on vocals and Jo K on guitar to complete the initial lineup. The band released a self-recorded demo in October of 2014 and shows with the likes of The Skull and Crypt Sermon ensued.
By 2015, Gomez moved to Austin, Texas but remains an integral part of the band as the painter responsible for much of the band's artwork. Eric Smythe was brought in on bass and later Alex Briscoe joined as a second guitarist. Together, they played shows regionally opening for Valient Thorr, The Bronx, Mac Sabbath, and Mondo Generator. In the spring of 2016, they recorded the soon-to-be-unleashed Clovers EP featuring five songs of atmospheric and crushing metal that fuses their many metal and punk influences. Later that year, Jo K. fled the band to pursue new projects. The band remains a four-piece. GATEWAY TO HELL's catalog includes a self-titled demo, one single titled "Scorched Earth," and their upcoming 2017 debut EP Clovers. The band is currently writing new material for their next album.
gatewaytohell.bandcamp.com
facebook.com/Gatewaytohellbmore

Monday, August 14, 2017

review: Opposer

review by MMB
Opposer
Darkest Path
release date: February 9th, 2017
label: Morbid Shrine Productions
Opposer is uptempo, nonblasting traditional death metal with melodic guitar solos, and with vocals in the classic style of the prime and early Death/Obituary school. This work is the group's second effort, which follows the 2013 debut Remember the Past. It cannot be an accident that they gave their debut that special and specific title. In addition, if we reasonably postulate that a band's music speaks louder than any word ever can, then their brand of death metal has to express their frustration with the directions that the genre and forms of death metal have taken. Why? Opposer—their name now begins to seem more logical, doesn't it?—makes its case very clearly, succinctly and skillfully on this, the 2017 second album.
The history of the band itself is curious. They have two albums so far, as already mentioned. They began in 2010. Yet, that's not the whole story. Opposer existed in another life before. This is actually a reincarnation, a resurrection or a second chance at life, if you will. Back in the late 1980s and early 1990s extreme metal music was reaching every corner of the world and Spain was no different. Thrash and death metal were attracting new recruits everywhere and it convinced some young metal fanatics to form Opposer and join the crusade. By 1992 Opposer was active as a band working to improve its chops. The songs originally had lyrics in Spanish, but as time went on and some member changes took place, they switched over to English. The band recorded several demos, but the instability that young inexperienced demo bands go through caused to them to transform into another band altogether called Moonshine. Eventually, however, the old Opposer would emerge again.
Here we are. Let's see what the situation is with Opposer in 2017 and the second album Darkest Path. Opposer might strike the new listener as different from the vast majority of extreme metal. They do not have any gimmicks, they seem unconcerned about their image, and their music is devoid of any trends, fashions and 2017 stylistic concessions. I wonder what year we would all guess this music is from, if we did not know that it is issued in 2017. I am pretty sure that I would not know. Why? It's probably because the band is convinced that they want a more timeless form of sound. Opposer relies on nothing but the songs themselves to make its case to the audience. Playing fast or playing slow for the sake of it isn’t what the band represents. Given that it is death metal, there's no point in trying to be the heaviest thing ever because it's already heavy. There's none of that singing/growling cliché and there's no attempts at being cool or hip to the current expectations.
The guitar tone is straight from the classic Obituary (or if you want to go back further, it comes from Celtic Frost) school: simple, thick, heavy, direct and catchy. It's also possibly not too different from the tone/heaviness that you find in later, more melodic Bolt Thrower. There is a somewhat melodic component to the tone, and the overall speed is uptempo, perfect for headbanging along with the music. The drumming (Are these real drums?) plays to the song at all times. It's not there as a gimmick or to steal the show. The show is the song, not a particular element of the song. Unfortunately, I cannot hear the bass guitar too much, but I would have liked to hear it more.
The vocals are the old-school scream growling, with a distinctive intonation and the characteristics of long-syllable, slower and more emphasized enunciation. Opposer is about taking your time and savoring the music, so that you can hear what they do, and the vocals are no different: they take center stage when it is appropriate. The growling is one the most characteristic elements of the album. Finally, the last thing to mention is the guitar playing. The riffs have a bit of melody, a bit of a melancholic feel sometimes, and at other times it is just upfront pummeling of power upon power. The solos can be uptempo, too, but they are just as likely to be a bit slower, with melody.
That's the story with Opposer. Those looking for death metal in which the songs are memorable and are the only thing that really matters, then look into this band for some good quality extreme metal.
morbidshrineproductions.bandcamp.com/album/opposer-darkest-path-cd-2017
facebook.com/Opposer1992/

Saturday, August 12, 2017

review: Striker

review by MMB
Striker
Striker
release date: February 24th, 2017
label: Record Breaking Records
The Canadian heavy metal prodigies followed 2016's very good album Stand in the Fire with a new album early in 2017 and it's a self-titled work. They know very well that in today's musical climate you have to strike when the iron is hot and take all the chips that you can get while you can get them. The 2016 album was very well received and it put the band in a good position to continue making progress with the band's objectives on all fronts. Therefore, here they are ready to go at it again. Striker's 2016 album had everything in heavy metal: great singing, catchy songs, the guitar riffs and solos and a wonderful energy about it all, with fast songs, uptempo tracks and the hits all over.
The new songs sound exactly like Striker should. The energy, the vibe is fun and rocking. They sound enthusiastic and entertaining, and there's a feeling that they have confidence in their abilities as a band, with headbanging riffs and a general high level of energy. The guitar work is classic-style sounds that are meant to connect quickly with the listener. Hooks and melodies are stockpiled and utilized to great success, as the band has done in the past.
The simplest way that I can explain how great the singing is that I can put this music on with a smile, knowing that I will hear good singing without any irritating qualities. The voice does not bother my ears in any way. Striker happens to have one of the best and clearest singers that you will hear nowadays amongst the younger generation of traditional heavy metal bands. The voice hits the high notes when called for and when that happens it sounds good, without any problems; just natural and smooth, which is important in this type of singing.
The album is just 33 minutes long, and it's actually less than that because the track "Cheating Death" is not a song but rather a one minute interlude. Metal Archives shows a bonus track called "Desire" (Ozzy cover) but I have not heard it because my copy doesn't have it.
Anyway, in traditional heavy metal you can have good riffs, solos and songs and everything, but if the singing is not right, it doesn't work. It's hard to listen to music with vocals that, for whatever reasons, annoy you. When everything is right and the singing is right, too, that's when the magic happens. That's the time for Striker.
By the way, Seattle, Striker comes to town with Dark Tranquillity and Warbringer on September 29 at El Corazón.
striker-metal.com
facebook.com/strikermetal

Seattle and Washington concert calendar, updated August 12, 2017

Friends in the state of Washington,
Is there a metal music show in your area that is not listed in this calendar? Does your local metal band have a show coming up and is not listed here? Is your band's name spelled incorrectly? Are the dates wrong? If you have information about shows/updates/cancellations, please get in contact with Metal Bulletin Zine.
Seattle and Washington concert calendar, updated August 12, 2017
August 13 Hundred Suns, Deathbreaker at Funhouse, Seattle, WA
August 13 Make Them Suffer, Enterprise Earth,Spite,Divitius,Vultures Above Us at Neumos, Seattle, WA
August 13-18 in Seattle: Guitar Workshop Plus with: Tony MacAlpine, Rik Emmet, others
August 17 Sentient Divide, Kömmand, Morrow, Florida Man, Lore of the Cannibals at Obscurus, Everett, WA
August 17 Summer Slaughter 2017: Headbang for the Highway, Lorna Shore, Betraying the Martyr, Rings of Saturn, Origin, Slaughter to Prevail, Oceano, The Faceless, Dying Fetus, The Black Dahlia Murder at Studio Seven, Seattle, WA
August 18 Sentient Divide at Mootsy's, Spokane, WA
August 19 Xoth, Oxygen Destroyer, Master Kush Ultra at 1017 East First Street, Port Angeles, WA
August 19 Voodoo Death Gun, Convergence, Fifteen Stitches, The Bare Minimum at Louie G's Pizza, Fife, WA
August 19 Thou Shall Kill, The Morning After, Dilapidation, Urdr, Religicide at El Corazón, Seattle, WA
August 19 Thread the Sky, Ergo I Exist at Funhouse, Seattle, WA
August 19 Countless the Dead at McCoys Tavern, Olympia, WA
August 20 DevilDriver, 36 Crazyfists, Uncured at The Pin, Spokane, WA
August 24 Diamond Head, Substratum, Skelator, Ape Machine, Salem Knights at El Corazón, Seattle, WA
August 25 Hell's Belles at Uncle Sam's Bar & Grill, Spanaway, WA
August 26 Ashen Pyre at Black Lodge, Seattle, WA
August 26 Oxygen Destroyer, Religicide, Blood and Thunder, Religicide, Wuththphuk at Black Zia Cantina, Burien, WA
August 28 Metal Mondays: Beekeeper (CA), Iron Nightingale + Guests at Substation, Seattle, WA
August 30 Weedeater, Telekinetic Yeti at The Pin, Spokane, WA
August 31 Decapitated, Thy Art Is Murder at The Pin, Spokane, WA
August 31 Whythre, Prey the Hunter, Born without Blood at The Skylark, Seattle, WA
September 1 Queensryche at Walla Walla Frontier Days, Walla Walla, WA
September 2 Monsters among Gods, Crowskull, others at Studio Seven, Seattle, WA
September 3 Decapitated, Thy Art Is Murder, Fallujah, Ghost Bath, Dismembering Mary, Aethereus at Studio Seven, Seattle, WA
September 5 Inquisition, Uada, Volahn, Noceur at Studio Seven, Seattle, WA
September 8 The Drip at El Corazón, Seattle, WA
September 9 Blaze Bailey, Killian Mahaffey at Funhouse, Seattle, WA
September 9 Versus, Dead Crown, Follow the Lights, Down the Scope, Rucker, Vesuvian at El Corazón, Seattle, WA
September 9 TitanFest 2017: Motograter, Chronological Injustice, The National Guard - Music, Invasive, Bleed The Stone, Syztem7, Jesus Wears Armani, Vial 8, Heart Avail, Salem Knights, Hammerz Down, Voodoo Death Gun at Louie G's Pizza, Fife, WA
September 11 Epica, Lacuna Coil, Insomnium, Elantris at The Showbox, Seattle, WA
September 13 Venom, Inc., Goatwhore, Toxic Holocaust, The Convalescene, Rutah, Dysfunktynal Kaos at The Pin, Spokane, WA
September 14 Venom, Inc., Goatwhore, Toxic Holocaust, The Convelesence, Noctium at Studio Seven, Seattle, WA
September 14 Isenordal, Vradiazei, Omens, Exulansis at Obsidian, Olympia, WA
September 15 Hell's Belles at Lucky Eagle Casino, Rochester, WA
September 16 Thrash or Be Thrased: American Overdose, Method 13, Chronological Injustice, Devilation, Chamber 6, Casualty of God, Massacre at the Opera, What Thou Wilt, Violent Hallucinations at Uncle Sam's America Bar and Grill, Spanaway, WA
September 18 Orphaned Land, Pain, Voodoo Kungfu, Wythre at Studio Seven, Seattle, WA
September 20 Lich King at Tony V's Garage, Everett, WA
September 22-23 Famine Fest Seattle at Highline, Seattle, WA. Friday September 22nd. Witchtrap (Colombia), Witchaven (Los Angeles), Drawn And Quartered, Malleus (Boston), Xoth. Saturday September 23rd. Hirax (from Los Angeles), Plague Bearer (Ancient Seattle Death Cult reunion), Effluvia (recently refomred death Metal from Washington), Raptor (Portland, Oregon), Oxygen Destroyer
September 23 Wovoka, Drainage, Addaura at McCoy's Tavern, Olympia, WA
September 24 Black Table, Hexis at Funhouse, Seattle, WA
September 25 The Casualties at The Pin, Spokane, WA
September 29 Dark Tranquillity, Warbringer, Striker, Last Bastion, ReEvolution at El Corazón, Seattle, WA
September 30 Scorpions, Megadeth at Tacoma Doma, Tacoma, WA
October 2 Bat, Savage Master, Bewitcher, Substratum at Highline, Seattle, WA
October 3 The Devils of Loudun at The Pin, Spokane, WA
October 4 Cerebral Incubation, Cordyceps, Angel Splitter, others at Studio Seven, Seattle, WA
October 5 American Wrecking Company at El Corazón, Seattle, WA
October 7 A Flourishing Scourge, Anthrocene, Shades Of Static at The Charleston, Bremerton, WA
October 10 Soulfly does Nailbomb performing "Point Blank"; Cannabis Corpse, Noisem, Lody Kong, others at Studio Seven, Seattle, WA
October 15 Warning, The Body, Worm Ouroboros at Highline, Seattle, WA
October 17 Cattle Decapitation, Revocation, Full of Hell, Artificial Brain, Transcribing The Necronomicon, Dismembering Mary, others at Studio Seven, Seattle, WA
October 24 Aura Noir, Mutilation Rites, Weregoat at Highline, Seattle, WA
October 25 Wolves in the Throne Room at Obsidian, Olympia, WA
October 28 Vale of Pnath, First Fragment, Virvum, Aethereus at The Pin, Spokane, WA
October 28 Hell's Belles (AC/DC tribute) at Jazzbones, Tacoma, WA
October 29 Vale of Pnath, First Fragment, Virvum, Aethereus at Studio Seven, Seattle, WA
November 4 Narcotic Wasteland, Dreaming Dead, Countless the Dead at Studio Seven, Seattle, WA
November 7 Children of Bodom, Carach Angren, Lost Society, Uncured at El Corazón, Seattle, WA
November 7 Cannibal Corpse, Power Trip, Gatecreeper at Neumos, Seattle, WA
November 11 Children of Bodom, Carach Angren, Lost Society, Uncured at El Corazón, Seattle, WA
November 17 Washington Deathfest at The Charleston, Bremerton, WA: The Charleston (Monsters Brawl Main Stage) 6pm: Embryonic Devourment, Violent Hallucinations, Progenitor, Whythre, Ghostblood, Nihilist Nation, Ashen Pyre, Oxygen Destroyer. High Fidelity lounge (The Chaos stage 2) 4pm: Monsters Among Gods, Abiosis, Inside Defiance, Prey The Hunter, Noceur
November 18 Boycott the Baptist at The Charleston, Bremerton, WA
November 24 Arch Enemy, Trivium, While She Sleeps, Fit For An Autopsy at Showbox Sodo, Seattle, WA
December 2 Ghoul, The Plot Sickens, Crud Guns, Misuse of Power, Kömmand at El Corazón, Seattle, WA
December 4 Ghost Ship Octavius, American Wrecking Company, Avoid the Void, Omnisight at Studio Seven, Seattle, WA
December 22 Black Bone Exorcism, Thou Shall Kill, others at Substation, Seattle, WA
December 29 Zoso - The Ultimate Led Zeppelin Experience at Knitting Factory, Spokane, WA
March 19 Udo Dirkschneider, Zero Down, Children of Seraph at El Corazón, Seattle, WA
March 22 Michael Schenker at Neptune Theatre, Seattle, WA
April 6 Nightwish at Knitting Factory, Spokane, WA
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Lake Stevens WA 98258 USA
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Monday, August 7, 2017

review: Sacrament ov Impurity

review by MMB
Sacrament ov Impurity
The Purest of Sins
release date: February 13th, 2017
label: independent
1.Apparation of Bygone Lament 10:08
2.Your Sleep, I Covet 06:04
3.Sepulture of Modern Man 08:17
4.A Time of Darkness and Decay 06:42
5.Bowing unto a Monolith of Grief 09:10
6.Sacrificial Descent 08:20
7.hidden unnamed track 5:40
total time 54:35
Sacrament ov Impurity is from the town of Mount Vernon, which is located to the north of Seattle, in the state of Washington, United States. The music of the darkness is the mission of Sacrament ov Impurity, an independent occult black metal band. The new album begins with a ten-minute statement, “Apparation of Bygone Lament,” on the essence of the band, what has been, what is and what will be. This is an epic composition in which several main, fundamental elements are present. The first three minutes and forty seconds are a midtempo black metal monolith with their signature disturbing screams, building up to the directions that the music will take. By the four-minute mark the chaos has been unleashed and is on the loose. Soon, everything is a lot clearer: the dimensions of the song open up. Blasting black metal and headbanging, fist-raising metal arrives. This show is on the road. Once this happens, they give themselves the freedom to go anywhere, from moods of torture and anguish to the speeds to wake up slumbering minds.
A very good and exemplary introduction to Sacrament ov Impurity in 2017. After that mammoth opening hymn, what follows is a different and uptempo beginning. It's Sacrament ov Impurity doing their version of the "Living after Midnight" start for a song. It's contagious! Now this song, “Your Sleep, I Covet,” goes into complete headbanging mode. Do people even realize how much fun Sacrament ov Impurity music is?! Tap your foot, nod your head, raise your fist, bang your head, mosh, slam, whatever your inner instincts tell you to obey, obey this! To end, the last couple of minutes switch to the band's controlled, disciplined doses of doom.
They do whatever they want and somehow make it sound very coherent and you might forget to notice how it is all taking place. Going from full necro black metal speed to rocking segments is something that they do easily. The totally blazing speed gives way to a pensive moments and then back to absolute blasting, and it all goes together smoothly, in my opinion. By the way, what a great drummer. Just listening to the drumming and all the crazy little details is entertaining by itself. As a general rule, they like to switch things up a bit and not keep a song totally linear from beginning to end. Expect meandering ways. Having said that, "A Time of Darkness and Decay" is one of the more direct ones. There's a contemplative start that goes until the 1:30 mark, then the headbanging metal rolls out and that's pretty much how it stays, with some brief changes here and there. This song is certainly one of the more direct ones on the album. On the other hand, it would not be right to give the song the name "Bowing unto a Monolith of Grief" without a healthy dose of doom, now would it? They do anything and everything they can and feel like doing with their black metal, including incorporating slow moments that build up towards frenzies of speed and intensity, and everything in between.
Actually, there are a few surprises on this album. The band rocks out quite a bit and shows off some handsome chops in the process. You'd be pleased with how memorable the songs are, too. Some songs are long, certainly. Within those, there are definitely segments and sections that you will recall later and want to return to, to see if you remember it accurately. The last track, “Sacrificial Descent,” appears as a 19-minute song, but the time frame is structured as follows: eight minutes of music, then a long silence, and the music returns for the last five minutes and 40 seconds. This last portion of music begins with the sounds of air raid sirens and airplanes diving to bomb the living daylights out of everything in sight and then they unchain a fierce campaign on the ears, sounding at the top of their game. This track, which I will here call “Carpet-Bombing Black Metal Scorching the Earth to Rubble and Ashes,” features possibly, as you can tell, the most horrendous moments on the album, and in addition, the album’s most elegant moment in the form a melodic guitar. Then, it’s time to bring it all to an end. For that, they need the most ravenous black metal once again and the sounds of machine guns firing.
So ugly, so beautiful.
Sacrament ov Impurity.
sacramentovimpurity.bandcamp.com
facebook.com/SacramentOvImpurity/

Friday, August 4, 2017

right now, Friday night, Excuse All the Blood metal music show

Listen to the live broadcast right now, Friday night:
radiofreeamerica.com/station/kaos
Excuse All the Blood is a metal music show from the state of Washington, U.S. The show features black metal, heavy metal, death metal and other metal genres, too. The show is on Friday nights, but it is also available any time here: www.radiofreeamerica.com/dj/seamus-o-reilly
Friday night, 10pm to 1am Pacific Time (Seattle), listen to Excuse All the Blood metal music, out of Olympia, Washington state, U.S.
www.kaosradio.org
www.twitter.com/EATBRadio?lang=en

SINICLE - DAMNATION Official Animated Music Video

OFFICIAL: "Damnation" is the new animated video from Los Angeles power trio SINICLE. The track is taken from forthcoming album Angels & Demons. SINICLE will Angels & Demons on September 22. The band combines the groove of Heavy Metal, the angst of Rock, and the soul of Blues, setting them in a world of their own.
The sound of Angels & Demons reflects the title, as it takes you through soft melodic sounds into harsh brutality. Angels & Demons was produced, mixed and recorded by front man Drew Zaragoza and Mastered by Maor Appelbaum at Maor Appelbaum Mastering, CA.
Biography: Set to release their new album Angels & Demons 9/22/17
Los Angeles power trio Sinicle combine the groove of Heavy Metal, the angst of Rock and the soul of Blues. They recently played Ozzfest Meets Knotfest 2016 and finished their Wild Wild West Coast Tour sponsored by COLDCOCK WHISKY with great success packing venues and receiving positive feedback and new fans.
After 11 years of performing and releasing countless EPs and demos, the band is releasing their first full length album in February of 2017; Angels & Demons which will be followed up with multiple tours. The album covers the diverse sounds that blend together and set Sinicle in a world of their own.
Their last EP Still in Mind sold hundreds of units and brought them prominent success including multiple tours, press coverage, festivals and shows with artist such as Exodus, Ghoul, Otep, Rex Brown, Allegaeon, Revocation and more.
Endorsed by Reunion Blues Gig Bags, Pig Hog Cables, Strukture Gear & TonePros. The band has also done gigs for numerous charities and non-profit organizations.
SINICLE - DAMNATION Official Animated Music Video
sinicle.bandcamp.com/album/angels-demons

EXPULSION - "Total Human Genocide" (Guitar Playthrough)

OFFICIAL: Extreme metal act EXPULSION -- featuring members of Repulsion, Exhumed, Phobia, Intronaut, Gruesome and numerous others -- in cooperation with the tech sorcerers at Gear Gods, today unveils a playthrough video for "Total Human Genocide" performed by guitarist Matt Olivo. The track comes by way of the band's debut album Nightmare Future out now on Relapse Records.
Produced by grind legend Matt Olivo of Repulsion, mixed by Toxic Holocaust's Joel Grind, and mastered by Maor Appelbaum (Mayhem, Faith No More, Halford), Nightmare Future is available on CD, LP, and digital formats via Relapse Records. Physical orders and bundles are available at Relapse.com HERE and digital downloads can be ordered via Bandcamp at THIS LOCATION where the album is also streaming in full.
Spawned from the cerebral mind of Olivo, EXPULSION combines grind, punk, and crust into a caustic musical vomit guaranteed to stack the corpses high. Olivo's partner-in-grind, Matt Harvey (Exhumed, Gruesome) was recruited over beers in a sweaty Los Angeles apartment to bring his classic brand of oratory assault. The additions of veteran musicians - drummer Danny Walker (Intronaut, Exhumed, Phobia) and bassist Menno Verbaten (Lightning Swords Of Death) - complete the fit-to-burn outfit. Expect nothing but the best of throat-shredding vocals, relentless blast beats, buzzsaw riffs, and raw bass tones. EXPULSION will leave you horrified with their vile brand of classic, '80s sickness!
Biography: Just in time for the end of civilization as we know it, old school extreme metal makes a comeback with EXPULSION! Spawned from the cerebral mind of grind legend Matt Olivo (Repulsion), EXPULSION combines grind, punk and crust into a caustic musical vomit guaranteed to stack the corpses high. Olivo's partner-in-grind, Matt Harvey (Exhumed, Gruesome) was recruited over beers in a sweaty LA apartment to bring his classic brand of oratory assault. The additions of veterans Danny Walker (Drums; Intronaut, Exhumed, Phobia) and bassist Menno Verbaten (Lightning Swords of Death) complete the fit-to-burn outfit. EXPULSION then immediately signed to Relapse Records for their highly anticipated debut, Nightmare Future. Expect nothing but the best of throat-shredding vocals, relentless blast beats, buzzsaw riffs and raw bass tones. EXPULSION will leave you horrified with their vile brand of classic, 80's sickness!
EXPULSION - "Total Human Genocide" (Guitar Playthrough)
facebook.com/ExpulsionOfficial

Thursday, August 3, 2017

upcoming Void Ritual black metal music; hear a new song now

At the link below check out a new song from the upcoming recording by one-person black metal Void Ritual from New Mexico, U.S.
OFFICIAL: Void Ritual will return with Heretical Wisdom on August 18th 2017. The album will be released on CD via Throat Productions and on cassette via Tridroid Records.
Tracklist:
1. The Flood
2. Breathing Ice
3. A Mockery of Flesh & Bone
4. Heretical Wisdom
5. The Frozen Altar
6. Maelstrom
7. Dead in Blackest Night
8. Nachzehrer
Biography: Daniel Jackson creates black metal out of Albuquerque, NM under the name Void Ritual. In the summer of 2014, Void Ritual released its debut EP, Holodomor (now sold out) through Tridroid Records. The goal was simple: craft powerful, memorable black metal with a reverence for the genres’s second wave. The reaction was very positive, with Holodomor getting positive coverage from Metalsucks, Cvlt Nation, and Invisible Oranges, along with Metal Injection listing Void Ritual as one of “10 Underground Bands You NEED To Hear” and including Holodomor in their best of the year list (EP Section).
Next, Void Ritual contributed three songs to a split with Scotland’s Barshasketh, released in February of 2015 through Broken Limbs Recordings, which again was met with strongly positive reviews, being featured via stream premiere and subsequent review at Metal Injection and earning positive reviews from numerous outlets, along with interviews at Cvlt Nation and Nine Circles.
In 2017, Void Ritual returns with Heretical Wisdom; its first full length album. While the production may be clearer and heavier, the songs retain all of Void Ritual’s prior ferocity. Heretical Wisdom is meant to provide a spirited experience: an ice-cold melodic black metal album with instantly memorable riffs, raging speed, and commanding vocals.
Heretical Wisdom will be available in August via Throats Productions on CD, and Tridroid Records on Cassette.
throatsproductions.bandcamp.com/album/heretical-wisdom
facebook.com/voidritual

WILDERNESS DREAM Has Begun West Coast Tour; Paralysis Rise EP Out Now Via Creator-Destructor Records

OFFICIAL: WILDERNESS DREAM is embarking on their West Coast tour supporting the newly-released Paralysis Rise EP, the tour kicking off in San Francisco this evening. The rest of the run sees the band raiding Fullerton, Phoenix, San Diego, and Fresno through the weekend, playing alongside their cohorts in Viral on all shows. The Oakland-based hardcore/thrash outfit released Paralysis Rise through Creator-Destructor Records in mid-July, unloading seven new tracks infusing WILDERNESS DREAM's blistering twin guitar assault and scorching vocal attacks which showcase a naturally evolution into a more blackened and ominous thrash metal act. Recorded February through April of 2017 with Scott Goodrich at Nu-Tone Studios in Pittsburgh, California, Paralysis Rise pays homage to the death metal pioneers and legends of the '90s while injecting the band's own special vicious brand of intensity. Stream WILDERNESS DREAM's Paralysis Rise in its entirety now at the link below. Paralysis Rise is available on 12" vinyl and digital platforms via Creator-Destructor Records.
WILDERNESS DREAM is currently exploring options on future tours for the rest of this year and into next, with plans of hitting the East Coast US and Mexico next. An official video for the new EP's crushing "The Observer" is also nearing completion for release in the days ahead.
WILDERNESS DREAM:
8/02/2017 El Rio - San Francisco, CA w/ Viral
8/03/2017 Programme - Fullerton, CA w/ Viral
8/04/2017 PV Lounge - Phoenix, AZ w/ Viral
8/05/2017 Til Two Club - San Diego, CA w/ Viral
8/06/2017 Strummer's - Fresno, CA w/ Viral
9/23/2017 Eli's Mile High Club - Oakland, CA
creator-destructor.bandcamp.com/album/paralysis-rise

REBEL WIZARD - The Warning Of One EP

Listen to a new song at the link below by Rebel Wizard, an entity that plays "negative wizard metal," which you might recognize as black heavy metal. If you are ready for the wedding of elegant and melodic guitar solos that make you want more and more big time, on one hand, and broken-glass grim vocals, on the other, then put those cookies down now and grab your headphones. The production is necro black metal and the riffs and drums are so heavy metal that you won't believe it, unless you have heard Rebel Wizard before, in which case, put those cookies down now, too, and get ready to more glorious black heavy metal. Are you heavy metal? Are you black metal? I'm telling you, you are in for a treat.
Rebel Wizard
The Warning of One
release date: August 18th, 2017
label: Prosthetic Records
1.One I Seek
2.One I Know
3.One I See
4.One I Call
OFFICIAL: Negative metal act REBEL WIZARD will issue four brand new anti-shamanic, pre-fetal anthems later this month in the form of The Warning Of One EP. Set for release on August 18th via Prosthetic Records, the EP will be available on cassette and digital formats. Comments REBEL WIZARD mastermind NKSV, “negative wizard metal once again proves that in an era of ‘the shell’ and fevered, self-righteous evolution, we can abandon hope and rest blissfully within the mystical indifference of the wizards majestic riff.” Preorder The Warning Of One at the link below.
A creation from Australian musician NKSV, who’s most well-known for his work with the black metal/noise group Nekrasov, REBEL WIZARD’s delivery is difficult to sum up with one simple label. While containing traces of black and thrash metal roots, with a touch of NWOBHM and the epicness of power metal, NKSV has coined the term “negative metal” to describe REBEL WIZARD’s unique output. Negative metal, as defined by NKSV, is an, “anarchic alchemical process of outsider energies respecting the power of traditional triumphant metal into a unique sound to smash out the coerced gloom and banality of our times.” The term is not meant to be construed with the sense of depression or nihilism, but instead to focus on self-negation, a doing away of limiting one’s full potential by limiting oneself to a category or label. REBEL WIZARD seeks to destroy any hindrance of this sort with triumphant pounding fists.
Formed in 2012 by NKSV, REBEL WIZARD acts on instinct and has absorbed the emotional impact of over thirty years of listening to various metal genres to develop his inborn sound heard starting with the release of a self-titled demo in 2013 through five EPs in 2015, a mini-album, and most recent full-length album Triumph Of Gloom, reissued via Prosthetic earlier this year.
rebelwizard.bandcamp.com/album/the-warning-of-one
rebelwizard.bandcamp.com
facebook.com/rebelwizard

Wednesday, August 2, 2017

NEWS: SKINFLINT: Rainbow Snakes official single from the album Chief Of The Ghosts.

Check out the information about the single from heavy metal band Skinflint (Botswana).
SKINFLINT: Rainbow Snakes official single from the album Chief Of The Ghosts.
The second single of the Heavy Metal Band SKINFLINT from Botswana - "Chief Of The Ghosts" was released on Soundcloud. The release date of the SKINFLINT album Chief Of the Ghosts on CD was July 7th, 2017. SKINFLINT from Botswana, a country that is not well known for traditional Metal or Rock in general, already can be considered to one of the old guards on our label. Very rightly, albums like Iklwa (2010) and Dipoko (2012) are small classics nowadays in the underground. A perfect combination between traditional Heavy/Epic Metal and decent African folk music. The trio around Giuseppe Juice Sbrana continues with their old tradition also on the fifth long player Chief Of The Ghosts. Rough and simple, yet with much sensitivity for the decent exotic touch, there are nine new songs, again partly sung in their native language Setswana. Those who already love the predecessors won't be disappointed with Chief Of The Ghosts at all.
soundcloud.com/user-857309158/skinflint-rainbow-snakes-pure-steel-records
puresteel-shop.com/SKINFLINT-Chief-Of-The-Ghosts_1
www.facebook.com/SKINFLINTMETAL

NEWS: CHASTAIN - Video "I Live For Today"

CHASTAIN - Video "I Live For Today" released!
CHASTAIN has just released 2 Promotional Videos from the upcoming "We Bleed Metal 17" CD/Digital/Vinyl on Pure Steel Records and Leviathan Records Worldwide. European CD and Worldwide Digital release date is August 25. US CD release date September 1. Vinyl release date is September 22.
OFFICIAL: CHASTAIN's We Bleed Metal 17 is the next generation of the band's 2015 Cd We Bleed Metal. Guitarist David T Chastain explains the new release: "As everyone knows I don't tour any longer and spend all of my time in the studio. So I experiment a lot with both new and old material. We Bleed Metal 17 has the same drums and vocals as the original We Bleed Metal but it has 100% new and completely different music. A totally different sound and feel from the original version. Also on most CHASTAIN albums there are always at least 5 guitar tracks per song. However on We Bleed Metal 17 there is only 1 guitar track per song. So this is a very live sounding release with actually more lead guitar than the original. This is as close as anyone is ever going to get to a high quality live CHASTAIN album. There is 1 guitar, bass, drums, lead vocal and a couple of harmony vocals. Also We Bleed Metal 17 has a very live sound with more drum room mics incorporated into the mix. You can hear Stian Kristoffersen's drums more as they are front and center on this release without a massive wall of rhythm guitars taking up space in the mix."
Returning vocalist Leather Leone adds: "This is my favorite CHASTAIN release since Mystery of Illusion!" David continues, "As time goes on I have learned to enjoy the more stripped down sounds. In the early days sometimes there would be 20 guitar tracks on a song. Needless to say it was impossible to replicate that live and a major reason I never liked to tour. To me there was too much missing from the recorded versions for me to enjoy myself." Vocalist Leather Leone was the vocalist on the classic CHASTAIN albums: Mystery of Illusion, Ruler of the Wasteland, The 7th of Never, The Voice of the Cult and For Those Who Dare. Leather rejoined the band in 2013 with the release of the impressive Surrender To No One. She has just recently toured Europe as a solo artist with her new Brazilian backing band being billed as "Leather Leone: The Voice of Chastain." Leather is putting the finishing touches on her new solo album that should be out later in 2017. Leather adds, "The response has been fantastic on my live concerts! I have been signing autographs for 20-year-old boys whose parents had turned them on to us. They come up to me crying. The boys from Brazil are so blown away by our fans. Spain, Germany and Sweden were crazy. I feel like I'm 20. The female fans are so hot and the boys in the band are loving it!"
Also returning for We Bleed Metal 17 is original CHASTAIN bassist Mike Skimmerhorn who once again lays the foundation so that the rest of the band can explore and create.
Guitarist David T. Chastain states, "This one live guitar sound is something I have been use to most of my professional life in concert situations but never recorded a metal record in that format. We still have a foot in the past but we are also embracing the future. I have my style of writing metal and it isn't ever going to change to any major degree. Leather proves she hasn't lost anything from her glory days. Stian's kicks the band to the next level, as he is the youngest member with the most modern influences. For me this album is one of my favorite CHASTAIN releases in the catalog because it could be replicated100% in concert. I find myself being able to listen to We Bleed Metal 17 over and over."
As the title track declares: "We will sacrifice and we will pay the price cause WE BLEED METAL!"
CHASTAIN "I Live For Today" Official Video
CHASTAIN "All Hail" Official Video
leviathanrecords.com

NEWS: DEMONSTEALER release new lyric video, announce new single with BENIGHTED drummer

OFFICIAL: DEMONSTEALER released a new lyric video/playthrough video. Says Sahil Makhija aka DEMONSTEALER - "Even though the release is over a year old now I always want to release a video for every song on the album, which is why this video comes out now. It's been one of the more popular songs among fans and it's one of my personal favourites from the album and so I decided to release this guitar play-through and lyric video all rolled into one." The band recently announced a new single which will have the BENIGHTED drummer Kevin Paradis. More details will be revealed soon.
DEMONSTEALER (India/International) - 'This Burden is Mine'
Genre - Progressive/Experimental Death Metal
Release Date - March 26th, 2016
Record Label - Demonstealer Records (India)
For fans of - NILE, SOILWORK, FLESHGOD APOCALYPSE, BENIGHTED, ABORTED, DEMONIC RESURRECTION, REPTILIAN DEATH, ADE
Sahil Makhija aka DEMONSTEALER, helming bands like DEMONIC RESURRECTION and REPTILIAN DEATH, teams up with none other than George Kollias of NILE fame on drums, to release a groundbreaking album in 'This Burden is Mine'. With a vast experience and multiple instrument proficiency, DEMONSTEALER, on the new album create music that surpasses simple genre categorization, for this is a new blend of styles from all over - from death metal to thrash metal, laced with elegant and stunning atmospheric parts, propelled by the world class drumming of the legend George Kollias. This is a new epic coming from the biggest names in not just the region but also worldwide, and this could very well be a tour de force, the album we've all been waiting for. The album showcases rare maturity, with DEMONSTEALER indulging in melodic solos and accentuating them with moments of clean vocals. This is easily the most ambitious release to come out from these parts and it's imperative to give 'This Burden of Mine' a check.
Demonstealer(feat. George Kollias) - The Last Jester Dance (Official Video)
demonstealer.bandcamp.com/album/this-burden-is-mine

NEWS: Old school death metal band OPPOSER release new album under Morbid Shrine Productions

Supporters of traditional death metal check out the information about Opposer and listen to the complete album at the link below.
OPPOSER (Spain) - 'Darkest Path' (February 17th, 2017)
Genre - Old School Death Metal
Release Date - February 17th, 2017
Record Label - Morbid Shine Productions (Spain)
For fans of - OBITUARY, MASTER, SEPULTURA, BOLT THROWER, GRAVE, HYPOCRISY, PARADISE LOST, AMORPHIS, MALEVOLENT CREATION
OPPOSER from Spain have been around since 1992 and even 25 years later, they've come out with a very solid album that encompasses the classic death metal sound along with the thrash metal influences. It's not easy to write an album like this. It's extremely riffy, redolent of bands like BOLT THROWER, OBITUARY, HYPOCRISY, MALEVOLENT CREATION and early SEPULTURA and the surprising part is how they're able to merge it all together, even imbibing melodic touches of AMORPHIS and PARADISE LOST, and serve it with a lethal dose of thrash. The execution is particularly remarkable and so is the overall treatment. Here's everything that you'd probably like in your dream death metal album of an old school nature, but OPPOSER have actually managed to pull that off over here. 'Darkest Path' is an authentic album of old school death metal music with the right intent, sound and even atmosphere. Morbid Shrine Productions have unravelled a gem.
morbidshrineproductions.bandcamp.com/album/opposer-darkest-path-cd-2017

NEWS: Black Metal CRAFTEON Announce Show Dates (CO/WY/UT) + H.P. Lovecraft Inspired Album Out Aug 25

OFFICIAL: Set to unleash their H.P. Lovecraft inspired debut album "Cosmic Reawakening" on August 25th, Denver, CO's CRAFTEON announce upcoming show dates in Colorado, Wyoming and Utah in support of the release (dates listed below). The band is the conception of vocalist and guitarist Lord Mordiggian whom has been inspired to create an entire album influenced by his favorite writer H.P. Lovecraft. The eight tracks on the release are based on classic H.P. Lovecraft tales such as ‘The Outsider’, ‘Dagon’ and ‘From Beyond’. Achieving the unachievable in crafting music to match the stories, CRAFTEON can be best described as Bardic Black Metal.
Lord Mordiggian comments: “This recording prudently recounts an antiquarian bundle of peculiar short stories authored by the famed American horror writer, H.P. Lovecraft, featuring a blasphemous potpourri of amorphous black metal enmeshed with spurious, assonant passages of hope juxtaposed and vanquished by discordant strains of utter despair and madness.”
Album pre-order: crafteon.bandcamp.com
Show Dates:
Aug 25 - Denver, CO @ Lost Lake - info (CD release show) w/ Sar Isatum, Amdusias, Solarfall
Aug 26 - Cheyenne, WY @ Peterfest w/ Horde of Draugr, Plaguehammer, Wodens Wrath
Sept 3 - Fort Collins, CO @ Surfside 7 - info w/ Endlight, Infinite Conscious
Sept 29 - Colorado Springs, CO @ Ancient Mariner w/ Sceptres, Oaken Throne, Tovenaar
Oct 27 - Salt Lake City, UT @ Club X - info w/ Principium, Envenom, Unceremonial
About:
"That is not dead which can eternal lie yet with strange aeons even death may die." - H.P Lovecraft ‘The Nameless City’
H.P. Lovecraft (1890-1937), creator of the Cthulu Mythos, was the most influential horror writer of the 20th century. Indeed, no less a talent than Stephen King said Lovecraft was ‘the 20th Century’s greatest practitioner of the classic horror tale.’ Lovecraft’s ability to evoke brooding otherworldly horror is unsurpassed and has influenced a great many heavy metal artists from Iron Maiden and Black Sabbath to Metallica. Yet no band has ever paid tribute to Lovecraft with the same degree of scope and immersion as the appropriately CRAFTEON.
CRAFTEON is the conception of vocalist and guitarist Lord Mordiggian. A teacher of literature, Lord Mordiggian was inspired to create an entire album inspired by his favourite writer H.P. Lovecraft.
Musically inspired by the likes of Shining, Dissection, Nyktalgia, Cradle of Filth and Iron Maiden, Lord Mordiggian describes the sound of CRAFTEON as ‘rough-hewn, distraught, mucilaginous, archival and multiplanar.’
CRAFTEON’s debut album “Cosmic Reawakening” features eight tracks inspired by classic Lovecraft tales such as ‘The Outsider’, ‘Dagon’, and ‘From Beyond’. CRAFTEON have achieved the unachievable in crafting music to match the stories, indeed, such are their storytelling prowess and their style of music could be dubbed Bardic Black Metal. Lord Mordiggian is optimistic about the album’s reception and there is more music to come.
“I expect the general fans of black metal to enjoy the influence of early Swedish black metal…This band will remain in the realm of Lovecraft and at least his genre, and considering he has hundreds of other stories, the music to come in the future is virtually limitless as far as the concept goes. I already have several songs in the works for the sophomore album, and this time the other band members are contributing their own original pieces as well.”
CRAFTEON’s debut album “Cosmic Reawakening” is due out August 25, 2017. (bio written by Steve Earles)

NEWS: new music from Argus and shows in Europe

OFFICIAL: Pittsburgh, PA traditional metal force ARGUS have released the lyric video for “You Are The Curse”, which is taken from their forthcoming “From Fields Of Fire” album. The LP is set for a September 8 release via Cruz Del Sur Music.
ARGUS "You Are The Curse"
Comments vocalist Brian “Butch” Balich: “‘You Are The Curse’ was the first song we wrote for ‘From Fields Of Fire’. Dave [Watson, guitar] brought it in and it immediately fit. I knew we had exciting things coming for the album when it came together. It’s classic ARGUS and a good song to introduce ‘From Fields of Fire’ to our friends worldwide. It’s an up-tempo, rhythmically aggressive but melodic song shot through with dark undertones. Lyrically, this song deals with the idea that sometimes we need look no further than ourselves for why things go wrong in our lives…as you sow so shall you reap. It’s been a live mainstay for about a year-and-a-half and one we expect to play often.”
To coincide with the release of “From Fields Of Fire”, ARGUS is embarking on a nine-date European tour with Chicago high-energy rock heroes HIGH SPIRITS. The tour kicks off September 8 in Dornbirn, Austria, culminating with their September 16 appearance at the Storm Crusher festival in Püchersreuth, Germany.
“HIGH SPIRITS have been friends of ours for several years and a band we all really dig a lot,” says Balich. “We are very excited that this came together—it’s going to be a great show for the fans of both bands —the energy HIGH SPIRITS and ARGUS put out on stage is very high, and I think we complement and balance each other as well. It truly is a can’t-miss show. We’ll be playing material from the new album, of course, but expect to hear something from every album including a couple songs we haven’t played in a long time. All of us in ARGUS cannot wait to return to Europe. It’s something we look forward to doing every year and this trip is going to be a blast getting to hang out with and watch HIGH SPIRITS every night, too!”
HIGH SPIRITS + ARGUS “Motivatour” European tour schedule:
SEPT 8 Dornbirn, AT,- Schlachthaus
SEP 9 Olte, CH – Coq D’Or
SEP 10 Münster, DE – Sputnikhalle
SEP 11 Marburg, DE – Trauma G-Werk
SEP 12 Oldenburg, DE – MTS Record Store
SEP 13 Hamburg, DE – Bambi Galore
SEP 14 Berlin, DE – Urban Spree
SEP 15 Weimar, DE – Kasseturm
SEP 16 Pückersreuth, DE – Storm Crusher Festival
facebook.com/argusmetal