defunct black metallers Ceremonial Castings announce re-recording of 2008 album Salem 1692

Below is the statement by Ceremonial Castings posted on Facebook. Below you will also find the old version of the album that someone has posted on YouTube.

Although we were once thought to be swallowed by the aeons of time, we now return from the abyss... Eisenwald is proud to present a special re-recording of CEREMONIAL CASTINGS’ lost classic Salem 1692 on CD and cassette in late November, and vinyl LP format due out in early next year.

Listen to 'Damned Be Those of the Craft' now on our official Youtube channel:

Pre-save the song for streaming platforms, available October 9th: https://ffm.to/damnedbethoseofthecraft Formed in that fateful year of 1996, CEREMONIAL CASTINGS were a band of the times, a band later behind the times, and now a band ahead of the times once again. Many will belatedly be aware of the name CEREMONIAL CASTINGS due to the membership of future UADA founder Jake Superchi, alongside his brother Nick Superchi, who were later (and once again now) joined by drummer Matt Mattern. The band crafted a canon of symphonic black metal that was admirably ambitious and often brilliant but all too often overlooked. Until their eventual demise in 2014, CEREMONIAL CASTINGS created nine full-lengths and just as many demos/Eps that were all released on their own label. Their album covers were often graced with artwork courtesy of the masterful Kris Verwimp, who also created the band’s logo.

Of these, it's arguably 2008’s Salem 1692 which is the most beloved of all CEREMONIAL CASTINGS recordings and the one which is most emblematic of the band’s “Bewitching Black Metal.” By this point, the band’s albums were easily topping an hour-plus in length, as their songwriting had become more ambitious as well as their lyrical themes in kind. Salem 1692 is distinct in this regard in that the lyrical theme directly ties into the Superchi brothers’ family history. As Jake explains, “Since the beginning of this band in 1996, this was the album we always wanted to make, as we have a deep tie to the events in Salem of 1692. Growing up just west of Salem, my brother Nick and I learned all about the events at a very young age, including that we are in fact direct descendants – however many great grandsons – of Judge John Hathorne, who had sentenced the witches to hang. It is said that one of the girls who was hung had cast a curse on our family's bloodline.”

While it is still unclear whether CEREMONIAL CASTINGS have officially returned from the grave, this new re-recording of Salem 1692 sounds exceptionally fresh, richly detailed, and fully conveys the mysticism so crucial to their aesthetic. It’s as immersive as ever, if not more so due to the richly kaleidoscopic sound – organic, analog, but not once sacrificing any of the otherworldliness which endeared CEREMONIAL CASTINGS to so many. And now, in 2020, as more ancient and classicist styles of black metal take hold with a new generation, “symphonic black metal” need no longer be a dirty word: this re-recording of Salem 1692 is poignant proof of the subgenre’s inherent power to transport the listener to forgotten realms and dimensions far, far away from modernity.

“This is a record that holds a lot of mystical energy showcased within its eleven hymns as they seamlessly weave and flow together as one harmonious entity,” explains VEILED founder and UADA bassist Nate Verschoor. “Taking into consideration the concept of the album, it’s as if the songs themselves were twisted into form to act as spells and incantations. I say this because the moment the album begins, a presence is immediately felt, and the journey into a time long ago begins to take shape.”

"With the turn of a new decade," concludes Jake, "we who would be sentenced to hang by our own ancestor, felt that not only did this represent our craft best to reintroduce ourselves, but we also would like to remind the world in 2020 of where a witch-hunt can and will lead if not careful with unwise accusations. We are here to show that American black metal does have a history that is tied to a very dark and cruel past. We are here to turn the focus around upon those who would condemn us for who and what we are. This album is for all who still believe in the old ways and who understand the true nature of magick. Together, let us reverse the curse."

Photography by Veleda Thorsson (http://www.veledathorssonphotography.com)

DISCOGRAPHY:

Demo '97 Demo 1997

13 Roses Demo 2000

Vampiria - The Second Coming Demo 2000

The Garden of Dark Delights Demo 2001

The Chaos Chapter EP 2002

Fullmoon Passions EP 2002

Into the Black Forest of Witchery Full-length 2002

Midnight Deathcult Phenomena Full-length 2003

Universal Funeral March Full-length 2003

The Extermination Process Demo 2003

The Qlippothic Triad Split 2003

Into the Black Forest of Witchery Full-length 2004

Immortal Black Art Full-length 2005

Barbaric Is the Beast Full-length 2006

Salem 1692 Full-length 2008

Beast in Black Compilation 2010

March of the Deathcult Full-length 2011

Bewitching Black Metal Live album 2013

Reign in Hell (A Tribute to Slayer) EP 2013

Cthulhu Full-length 2014

CEREMONIAL CASTINGS - Damned Be Those of the Craft (Official Audio)

(2008) Ceremonial Castings Salem 1692 FULL ALBUM

https://www.facebook.com/CeremonialCastingsOfficial

https://ceremonialcastings.bandcamp.com