the new Large Marge is large and in charge of Seattle

Large Marge

Rotted Tower

release date: June 3, 2019

tracklist

1.The Whispered One 00:38

2.The Hand 00:12

3.The Eye 00:20

4.Vecna Lives 00:14

The Seattle symphony of grind Large Marge took a two-year break from releasing new material because they were preparing the new recording called Rotted Tower, a concept album that tackles the difficult moral dilemmas that the German philosopher Immanuel Kant posed in the late 1700s for humanity to ponder. Large Marge music, as they have repeatedly stated in their interviews with the New York Times and the London Times, as well as The Onion, deals only with philosophical questions on their recordings, and never do they write songs about truck stops, domes, sleeping, sweeping nor ashes nor bunions.

The first song "The Whispered One" is both a cover of Beethoven's "5th Symphony" and the band's critique of the state of the theories of the universe. The following is quote from the lyrics to the song, as they have understood the writings of Kant:

"I come now to another part of my system, and because it suggests a lofty idea of the plan of creation, it appears to me as the most seductive. The sequence of ideas that led us to it is very simple and natural. They are as follows: let us imagine a system of stars gathered together in a common plane, like those of the Milky Way, but situated so far away from us that even with the telescope we cannot distinguish the stars composing it; let us assume that its distance, compared to that separating us from the stars of the Milky Way, is the same proportion as the Milky Way is to the distance from the earth to the sun; such a stellar world will appear to the observer, who contemplates it at so enormous a distance, only as a little spot feebly illumined and subtending a very small angle; its shape will be circular, if its plane is perpendicular to the line of sight, elliptical, if it is seen obliquely. The faintness of its light, its form, and its appreciable diameter will obviously distinguish such a phenomenon from the isolated stars around it.

We do not need to seek far in the observations of astronomers to meet with such phenomena. They have been seen by various observers, who have wondered at their strange appearance, have speculated about them, and have suggested some times the most amazing explanations, sometimes theories which were more rational, but which had no more foundation than the former. We refer to the nebulæ, or, more precisely, to a particular kind of celestial body which M. de Maupertius describes as follows:

"These are small luminous patches, only slightly more brilliant than the dark background of the sky; they have this in common, that their shapes are more or less open elipses; and their light is far more feeble than that of any other objects to be perceived in the heavens."

...It is much more natural and reasonable to assume that a nebula is not a unique and solitary sun, but a system of numerous suns, which appear crowded, because of their distance, into a space so limited that their light, which would be imperceptible were each of them isolated, suffices, owing to their enormous numbers, to give a pale and uniform luster. Their analogy with our own system of stars; their form, which is precisely what it should be according to our theory; the faintness of their light, which denotes an infinite distance; all are in admirable accord and lead us to consider these elliptical spots as systems of the same order as our own—in a word, to be Milky Ways similar to the one whose constitution we have explained. And if these hypotheses, in which analogy and observation consistently lend mutual support, have the same merit as formal demonstrations, we must consider the existence of such systems as demonstrated...

We see that scattered through space out to infinite distances, there exist similar systems of stars [nebulous stars, nebulæ], and that creation, in the whole extent of its infinite grandeur, is everywhere organized into systems whose members are in relation with one another.... A vast field lies open to discoveries, and observations alone will give the key."

The second song is called "The Hand." This song in particular questions whether Kant's quarrels with Confucius ought to be understood differently as they haven been heretofore. The band underlines Kant's statements as follows:

"The child must be brought up free (that he allow others to be free). He must learn to endure the restraint to which freedom subjects itself for its own preservation (experience no subordination to his command). Thus he must be disciplined. This precedes instruction. Training must continue without interruption. He must learn to do without things and to be cheerful about it. He must not be obliged to dissimulate, he must acquire immediate horror of lies, must learn so to respect the rights of men that they become an insurmountable wall for him. His instruction must be more negative. He must not learn religion before he knows morality. He must be refined, but not spoiled (pampered). He must learn to speak frankly, and must assume no false shame. Before adolescence he must not learn fine manners ; thoroughness is the chief thing. Thus he is crude longer, but earlier useful and capable."

Of course, as everyone knows, Large Marge questions whether we should reconsider by astutely pointing out what Confucius stated on these very matters:

"It is only he, possessed of all sagely qualities that can exist under heaven, who shows himself quick in apprehension, clear in discernment, of far-reaching intelligence, and all-embracing knowledge, fitted to exercise rule; magnanimous, generous, benign, and mild, fitted to exercise forbearance; impulsive, energetic, firm, and enduring, fitted to maintain a firm hold; self-adjusted, grave, never swerving from the Mean, and correct, fitted to command reverence; accomplished, distinctive, concentrative, and searching, fitted to exercise discrimination. All-embracing is he and vast, deep and active as a fountain, sending forth in their due season his virtues. All-embracing and vast, he is like Heaven. Deep and active as a fountain, he is like the abyss. He is seen, and the people all reverence him; he speaks, and the people all believe him; he acts, and the people all are pleased with him."

The third composition by Large Marge is called "The Eye." This song is the second part to the King Diamond album "The Eye." Large Marge took upon themselves to write the follow-up to the King Diamond album, while, again, bringing new light to Kant's views on motives. The following is an excerpt from Large Marge's lyrics:

"Although individuals who have begun to awake to freedom of cogitation, after having long unconsciously slumbered under the yoke of a belief (e.g. Protestants), do straightway deem themselves ennobled, in proportion to their articles of belief are scanty; yet, singularly enough, they whose understandings still lie dormant, cling to a very different principle of safety. “Better Believe Too Much Than Believe Too Little,” is here the adage; for whatever is done beyond and above what is duty, cannot in any event harm, but may perchance to good. Upon this delusive dream, which would make dishonesty the very spirit and soul of religious confession, is based on the well-known argumentum a tuto, which obtains a more easy and extended currency, because religion compensates for every fault, and hence also for dishonesty in adopting it. If, says the sciolist, what I profess to believe concerning the Godhead is correct, then I have precisely hit the very truth. Should, on the other hand, the articles contain an error, still, as there is nothing in them morally improper, then have I merely assented to something superfluous and unnecessary, by all which I have no doubt molested, but certainly not incriminated myself. The peril arising out of the improbity of his profession – The Lesson of Conscience-necessarily undergone, when what is declared in the presence of God to be certain, which mankind must nevertheless know not to be so constituted as to admit of being affirmed with unconditioned certainty, are all overlooked by this dishonest maxim, And Indeed Pass With The Hypocrite For Nothing. The genuine safety-principle of true religion is contrariwise as follows. Whatever is a mean or condition of future bliss, unknown to naked reason, and promulgated singly by revelation, can strike root in my conviction, just like any other history; and so far forth as it does not militate against morality, cannot be absolutely false. Besides leaving this point totally undecided, I may unquestionably trust, that whatever of salutary there may lie in a document, will stand me in good stead, provided I do not by my moral short-coming make myself unworthy of it. In this maxim, there is a real moral safety, viz. That conscience be not violated; and more cannot be demanded from mankind. There is, moreover, an utmost danger and insecurity in that lauded stratagem of expediency, whereby we think astutely to evade any disadvantageous sequents that may spring from unbelieving nonconformity. Thus tampering with either party, we destroy our credit with both."

"Vecna Lives" closes out the album. Here, as a conclusion, Large Marge chooses to emphasize the Confucius-Maoism disputes through the prism of both Kant and the nostalgic desires about the old German Democratic Republic. In the argument that Large Marge proposes, they choose to view the contradictions in the light of British Prime Minister Margaret Thatcher's hypothesis, as quote by Large Marge:

"I place a profound belief—indeed a fervent faith—in the virtues of self reliance and personal independence. On these is founded the whole case for the free society, for the assertion that human progress is best achieved by offering the freest possible scope for the development of individual talents, qualified only by a respect for the qualities and the freedom of others...For many years there has been a subtle erosion of the essential virtues of the free society. Self-reliance has been sneered at as if it were an absurd suburban pretention. Thrift has been denigrated as if it were greed. The desire of parents to choose and to struggle for what they themselves regarded as the best possible education for their children has been scorned. I do not believe, in spite of all this, that the people of this country have abandoned their faith in the qualities and characteristics which made them a great people. Not a bit of it. We are still the same people. All that has happened is that we have temporarily lost confidence in our own strength. We have lost sight of the banners. The trumpets have given an uncertain sound. It is our duty, our purpose, to raise those banners high, so that all can see them, to sound the trumpets clearly and boldly so that all can hear them. Then we shall not have to convert people to our principles. They will simply rally to those which truly are their own.It is good to recall how our freedom has been gained in this country—not by great abstract campaigns but through the objections of ordinary men and women to having their money taken from them by the State. In the early days, people banded together and said to the then Government, “You shall not take our money before you have redressed our grievances. It was their money, their wealth, which was the source of their independence against the Government."

For a fuller appreciation of Large Marge we would like to direct to the following link:

largemargegrind.bandcamp.com/album/rotted-tower