Eye of Solitude (U.K.): Sui Caedere (Kaotoxin
Records)
The description of the music of Eye of
Solitude might not sound that interesting and the label/category of the music
might make some people stop reading as soon as they read the label.
A
swift “No, thanks. I don’t like that genre,” might be the reaction.
It’s too bad, really,
because Eye of Solitude, for one thing, pleasantly surprised me with how
memorable and likeable their songs are. Secondly, their style makes them stand
out in a genre that seems so “specialized.”
Eye of Solitude displays a melodic/melancholic
sound that goes at a crawling speed, with a super duper heavy atmosphere. Of
course, that means the drumming is definitely slow.
The vocals are a gentle
super low growling. In other words, the growling sounds like a benevolent
monster, but a monster nonetheless. I think, to most metalheads, the vocals
will not be a problem because it is not an annoying style, with weird screams
and things like that. Rather, it is another instrument for heaviness.
Eye of Solitudes strikes
a balance, on one hand, between melody, melancholy and memorable songs, and, on
the other, a heaviness reserved only for the heaviest of the heaviest, in the
realm of funeral doom.
If you are very knowledgeable of doom death or
funeral doom or gothic metal, you will probably identify the influences much
more clearly than I can. The “funeral doom/doom death,” the really, really
super heavy/slow stuff is not always the easiest music to get into.
But, the point is that Eye of Solitude is, in
my view, different because I think that it certainly is easier to understand,
to remember and to like.
I will give two examples. First up, “Performed
in Graphic pain,” (6:40) has an instantly likeable melody, thanks to the
atmosphere of the keyboards and the very nice melodic work on the guitars. The
drumming is slow, with some midtempo moments. If you like slow guitar melodies
and keyboards, in the context of a very heavy doom/gothic context, there is a
lot to enjoy here. The guitar work in this song gives identity, and it’s all
held together with a foundation of melancholic, monster-growl vocals and heavy
guitars.
In
short, an excellent song.
Example number 2: “A Note to Say Farewell”
(7:20). This song really works out the slow, melancholic guitar notes, with
serene, quiet moments. The guitar sounds like it is working on just a couple of
different notes and turning those notes into a melody that will stick to your
mind with just one listen. Once you grasp the melodies, you will not care that
the song itself is actually quite slow.
That’s
remarkable: that it does not matter if the song is slow or not. Yes, this is
that good.
To sum up: don’t pass up the chance to hear a
band play really heavy doom/death/gothic metal and do it very well.
www.reverbnation.com/eyeofsolitude
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