Dew-Scented (Germany): Icarus
In the case of Dew-Scented,
there is a songwriting approach concerned with how to make thrash songs
imaginative and distinct, while maintaining a high level of energy. In other
words, there are lots of galloping riffs that are the bread and butter of
thrash metal. These riffs are, of course, indicative of the mosh and headbang
features of said genre. Essentially, the thrash fanatic will recognize the
guitar sound and feel it as comforting and familiar, immediately.
However, Dew-Scented is
not a thrash band like Overkill or Death Angel, in the sense of a 100% traditional
thrash band. Actually, the sound of Dew-Scented incorporates two basic
components found in death metal, namely, the growl-scream style of vocals; and
the use of blasting speed. In particular, they use well-placed bursts of
blasting speed in select parts of their songs. Thus, this is not a total blasting
speed attack, but a precision method in songs. The vocals, by the way, are not
gruff nor guttural nor anything low, but are rather of the “painful scream”
style, and are aggressive.
As a result, they
manage to bridge the gap between thrash and death in a relatively smooth way.
It is fast, headbanging, no-nonsense guitar work, with growled vocals that
feature the element of brutality.
Interestingly, thinking
about it, Dew-Scented is something of a gem. With this sound, this band can
appeal to thrash and death metal fans, in a serious way. In substantial forms, they
take out the punk/hardcore/silly elements of thrash, and re-energize thrash by with
the brutality of death metal. That means, in turn, that unlike some death
metal, one can really hear the guitar work, the riffs are very upfront, and
make things intelligible to both genres.
Dew-Scented zealots
tend to consider their 2003 album “Impact” as their best. I wish not to argue
nor to compare. I will say this, however, this is a very strong album, perfect
for those into the harder forms of thrash.
Songs like “Sworn to
Obey,” “Thrown to the Lions” and
“The Fall of Man” have riffs that fly at your face. The energy, the feel of
these songs is simply awesome. With the selective blasting in place and the bits
of fast melody, and fast solos, it’s a band that is doing it up right.
Lest you think that
they only have speed to offer, check out “Reawakening” for some of the
heaviest, most brutal vocals and moments on the whole album. Here they explore
a midpaced feel, with uptempo moments, giving the vocalist a chance to be more
brutal, where things get a bit more death metal, shall we say.
To sum up: don’t
dismiss this album as just “another thrash” album. It is not. It is
substantially different from pure thrash, with more aggression, more heaviness
and brutality. Clearly, the band has the objective of balancing the riff-o-rama
and clarity of the thrash sound, but with a higher level of energy and
aggression found in death metal. Combined with strong songs, the band has
succeeded and created a quality album from start to finish.
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